Dotty Attie

BIOGRAPHY

1938    Born in Pennsauken, NJ.

 

EDUCATION

Philadelphia College of Art, Bachelor of Fine Arts

 

SOLO EXHIBITIONS

2013
The Lone Ranger, P·P·O·W, New York, NY
Sometimes a Trevler/There Lived in Egypt, Cantor Arts Center, Stanford, CA

2009     
What Would Mother Say?
, P·P·O·W, New York, NY

2007     
Sequel, P·P·O·W, New York, NY

2003     
Sometimes A Traveller, P·P·O·W, New York, NY

1999    
Pierre and Lady Holland: A Suite of Drawings by Dotty Attie,
Smith College Museum of Art, Northampton, MA

1998     
Fairy Tale /Endings, P·P·O·W, New York, NY

1994     
After Courbet, P·P·O·W, New York, NY

1993     
Mary Ryan Gallery, New York, NY

1992   
Dotty Attie, Montclair Museum of Art, Montclair, NJ

1991   
In the Atelier, P·P·O·W, New York, NY
Galerie Rizzo & Hubbard, Paris, France

1990   
Greenville County Museum of Art, Greenville, SC
P·P·O·W, New York, NY
Tyler Galleries, Tyler School of Art, Temple University, Elkins Park, PA

1989    
Dotty Attie, Paintings and Drawings, Pittsburgh Center for the Arts, Pittsburgh, PA
Five Tales, University of Missouri, St. Louis, MO

1988    
P·P·O·W, New York, NY

1986   
On Gallery, Osaka, Japan
A.I.R. Gallery, New York, NY

1985   
Sanat Gallery, Istanbul, Turkey
Valancia Community College, Orlando, FL

1984   
Bowdoin College Museum of Art, Brunswick, ME
Virginia Commonwealth University, Richmond, VA
Ricardo Barreto Gallery, Boston, MA

1983   
Ackland Art Museum, Chapel Hill, NC
The New Museum, New York, NY
A.I.R. Gallery, New York, NY

1982   
Norton Gallery and School of Art, West Palm Beach, FL
Mary Ryan Gallery, New York, NY

1981   
Pennsylvania Academy of Fine Arts, Philadelphia, PA
University of Missouri, Kansas City, MO

1980   
Wadsworth Atheneum, Hartford, CT
Portland Center for Visual Artists, Portland, OR
Museum Art School, Portland, OR
Wright State University, Dayton, OH
A.I.R. Gallery, New York, NY
Douglass College, New Brunswick, NJ

1979   
Contemporary Arts Museum, Houston, TX
Spencer Museum of Art, Lawrence, KS

1978   
University of Rhode Island, Kingston, RI
A.I.R. Gallery, New York, NY

1977   
Manhattanville College, Purchase, NY
University of Iowa, Iowa City, IA
University of Massachusetts, Amherst, MA 
O.K. Harris Gallery, New York, NY

1976   
A.I.R. Gallery, New York, NY

1974   
Stockton State College, Pomona, NJ
A.I.R. Gallery, New York, NY

1972   
A.I.R. Gallery, New York, NY

 

SELECTED GROUP EXHIBITIONS

2013   
SEVEN, Dallas, TX
Air Space, Louise McCagg Gallery, Barnard College, New York, NY

2012                                                                                                                                                                                                    

This Will Have Been: Art, Love and Politics in the 1980s, Museum of Contemporary Art, Chicago, IL. Travelled to: Institute of Contemporary Art, Boston, MA; The Walker Art Center, Minneaopolis, MN

2010   
A Torrent of Words: Contemporary Art and Language,
John Michael Kohler Arts Center, Sheboygan, WI
Heads or Tails, Mary Ryan Gallery, New York, NY

2009   
Beyond Appearances, Lehman College Art Gallery, Bronx, NY
Pulse Contemporary Art Fair,P·P·O·W, New York, NY           

2008   
Better Than Ever- Women Figurative Artists of the 70s SoHo Co-ops,
Salena Gallery, Long Island University, Brookyn, NY
The Last Marquise, Kasteel van Gaasbeek D.A.B., Gaasbeek, Belgium
Burning Down the House: Building a Feminist Art Collection, co-curated by
Maura Reilly and Nicole Caruth, Brooklyn Museum of Art, Brooklyn, NY 
Islands + Ghettos, Heidelberger Kunstvereins, Germany
Women of a Certain Age and Beyond, Sacred Heart University, Fairfield, CT

2007   
Women’s Work: Homage to Feminist Art, curated by Cindy Nemser,
Tabla Rasa Gallery, Brooklyn, NY
PULSE Art Fair, P·P·O·W, New York, NY

2006   
PULSE Miami Art Fair, P·P·O·W, New York, NY

2005   
Then as Now, Sordoni Art Gallery, Wilkes University, PA

2004   
Perspectives @ 25: A Quarter Century of New Art in Houston,
Contemporary Arts Museum Houston, TX
Anatomically Correct, 473 Broadway Gallery, New York, NY

2002   
Cowboys, Indians & The Big Picture, Mcmullen Museum, Boston College, Boston, MA
Imprint, The Print Center, Philadelphia, PA
The Belles of Amherst, Mead Art Museum, Amherst College, Amherst, MA

2001
About Face, Museum of Modern Art, New York, NY
American Identities: A New Look, Brooklyn Museum of Art, Brooklyn, NY
Recent Acquisitions, Davison Art Center, Wesleyan University, Middleton, CT
Laughter 10 Years After, Beaver College Art Gallery, Beaver College, Beaver, PA 

2000   
endpapers; Drawings 1890-1900 and 1990-2000, Neuberger Museum of Art,
SUNY Purchase, Purchase, NY
Multiple Visions:Works by Master Printers, The Print Center, Philadelphia, PA
Works from the Collection, Kresge Museum, Michigan State University,
East Lansing, MI
The Figure:  Another Side of Modernism, Newhouse Center of Contemporary Art,
Snug Harbor Cultural Center, Staten Island, NY
Nude + narrative, P.P.O.W, New York, NY

1999   
Dreams 1900 –2000,  The Equitable Gallery, New York, NY
Contemporary Narratives, Whitney Museum of Art at Champion, Stamford,  CT
International Biennial of Graphic Art,  International Center of Graphic Art,
Ljubljana, Slovnija
Parallel Visions, Soho20 Gallery, New York, NY

1998   
Recent Prints, Mary Ryan Gallery, New York, NY
Taboo:  Repression and Revolt in Modern Art, Galerie St. Etienne, New York, NY

1996   
Naked Truths, University of Hawaii Art Gallery, Honolulu, HI
Women Draw, Gallery 128, New York, NY
Mary H. Dana Women Artists Series: 25 Years, 1971-1996.
25 Years of Feminism–25 Years of Women’s Art, curated by Marianne Ficarra,
The State University of New Jersey, Rutgers, New Brunswick, NJ
The New Traditionalists, curated by Maria Porges, Museum of Art,
University of Oregon Museum of Art, Eugene, OR
Partners in Printmaking: Works from SOLO Impression, The National Museum
 for Women in the Arts, Washington, D.C.

1995   
Hobart/William Smith College, Geneva, NY
Going for Baroque, The Contemporary and The Walters Gallery, Baltimore, MD
Crime and Justice, Lehman College Art Gallery, Bronx, NY

1994   
Fallen Idylls: American Figuarative Painting, curated by P·P·O·W and
Christopher Sweet traveling to: Art Miami, Miami, FL and
Martin County Council for the Arts, Stuart, FL
New Old Masters, Center for the Arts at Yerba Buena Gardens, San Francisco, CA
Not for the First Time: The Art of Appropriation, The Richard F. Brush Gallery,
St. Lawrence University, Canton, NY
After Courbet, one person exhibition, P·P·O·W, New York, NY
Turning Silver into Gold, Cleveland Center for Contemporary Art, Cleveland, OH

1993   
Biennial, Corcoran Museum of Art, Washington, D.C.
93 Holiday Wishes and Greetings for ‘94, Steinbaum/Krauss Gallery, New York, NY
45th Annual American Academy Purchase Exhibition, The American Academy
of Arts and Letters, New York, NY

1992   
The Frame: Multiplied and Extended, Security Pacific Gallery, Costa Mesa, CA
Beyond Glory: Re-Presenting Terrorism, College of Art, Maryland Institute, Baltimore, MD
Somewhere Between Image And Text, Barbara Krakow Gallery, Boston, MA
Quotations: The Second History of Art, Aldrich Museum of Contemporary Art,
Ridgefield, CT
Re-Visions, Randolph Street Gallery, Chicago, IL
Contemporary Icons: From the Sublime to the Fetishistic,
Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, NY

1991   
Cruciformed: Images of the Cross Since 1980, curated by David Rubin,
Cleveland Center for Contemporary Art, Cleveland, OH
Transforming the Western Image, Palm Springs Desert Museum,
Palm Springs, CA
Art for Your Collection, Museum of Art, Rhode Island School of Design,
Providence, RI
Crossing Over Changing Places, Rutgers Center for Innovative Printmaking,
New Brunswick, NJ

1990   
Three Person Exhibition, Referees, North Carolina Museum of Art, Raleigh, NC
Installation, The Mechanical Peep Show, P·P·O·W, New York, NY
Contemporary Illustrated Books: Word and Image, 1967-1988, Franklin Furnace,
New York, NY
Small Format, Lang & O'Hara, New York, NY
Prints in Part, Museum of Modern Art, New York, NY
FoxTrot, Randolph Street Gallery, May 25 through June 30, Chicago, IL
Word as Image, Milwaukee Art Museum, June 15 - August 26, Milwaukee, WI
Selections from P·P·O·W, NYC, Weatherspoon Art Gallery, June 1 through July 8, 
The University of North Carolina at Greensboro, Greensboro, NC

1989   
Gardens Real and Imagined, Bernice Steinbaum Gallery, New York, NY
Symbolism, Cooper Union School of Art, New York, NY
Lines of Vision: Drawings by Contemporary Women, Hillwood Art Gallery, 
Long Island University, Brookville, NY, (travelling exhibition 1989-1990)

Art on Paper, Weatherspoon Art Gallery, The University of North Carolina at Greensboro,
Greensboro, NC

1988   
Alice and look who else, Through the Looking Glass, Bernice
Steinbaum Gallery, New York, NY
Art for Your Collection, Rhode Island School of Design, Providence, RI
Realists:  Three from the MacDowell,, Thorne-Sagendorph Art Gallery,
Keene State College, Keene, NH

1987   
Drawing: The New Tradition, Huntsville Museum, AL
Works from the Collection, National Museum of Women in the Arts, Washington, D.C.
Ten Major Women Artists, Rockland Center for the Arts, Rockland, NY
Ideas, CDS Gallery, New York, NY
Four Artists, Orion Editions, New York, NY
Messages, Carlo LaMagna Gallery, New York, NY
Mid-Atlantic States Visual Arts Residency Fellowship

1986   
Artists Choose Artists, CDS Gallery, New York, NY
Playing House, Berenice Steinbaum Gallery, New York, NY
Short Stories, 1 Penn Plaza, New York, NY
13 Americans, CDS Gallery, New York, NY
Lost/Found: Language, Rosemont College, Philadelphia, PA
Between Metaphor and Fact, Leonarda Di Mauro Gallery, New York, NY

1985   
Narrative Art, P.S. 1, New York, NY
Masters of Contemporary Drawing, Anderson Gallery, Richmond, VA
The Fine Line, Norton Gallery, Palm Beach, FL
Not Just Black and White, City Gallery, New York, NY
Self Portraits, Gallery at the Plaza, Los Angeles, CA
20 Women, Phoenix Gallery, New York, NY
New York Cooperatives, Kean College, NJ
Creative Artist Fellowship for Japan

1984   
Words and Pictures, Bronx Museum, NY
El Arte Narrative, Museo Rufino Tamayo, Mexico City, Mexico
The Verbally Charged Image, Queens Museum, Queens, NY
Large Drawings, Zilkha Gallery, Middletown, CT
Personal Expressions, Neuberger Museum, Purchase, NY
Beauty and the Beast, Pratt Graphic Center, New York, NY
Artist's Toys, Vanderwoude Tannanbaum Gallery, New York, NY
Artists Call, Terry Dintenfass Gallery, New York, NY
The New Culture, SUNY Cortland, NY
Aspects of New Narrative Art, Berkshire Museum, Pittsfield, MA
United States, University of Virginia, Charlottesville, VA

1983   
Selections from the Print Archives, Zimmerli Museum, New Brunswick, NJ
Walls of the 70's, QCC Art Gallery, New York, NY
The Punch Line, Tweed Gallery, Plainfield, NJ
National Endowment for the Arts Grant

1982   
Hassam/Speicher Fund Exhibition, American Academy and Institute of Arts
and Letters, New York, NY
Artists Books, Katherine Markel Gallery, New York, NY
Subject: Women, University of California, Los Angeles, CA
The Renaissance Revisited, Tyler School of Art, Philadelphia, PA
New Acquisitions, Alternative Museum, New York, NY
Five Storytellers, Nexus Gallery, Philadelphia, PA
Tales My Mother Never Told Me, Traveling show, Gallery Association of New York State
Hassam/Speicher Fund Exhibition Purchase Grant.

1981   
New Dimensions in Drawing, Aldrich Museum, CT
Postmodernist Metaphors, Alternative Museum, New York, NY
Deja Vu: Masterpieces Updated, El Paso Museum, El Paso, TX
Childe Hassam Purchase Exhibition, American Academy of Arts and Letters,
New York, NY
Words as Images, Renaissance Society, Chicago, IL
Drawings from the Collection, University of Massachusetts, Amherst, MA
8 by 8, Touchstone Gallery, New York, NY
Animals at the Arsenal, Central Park Zoo, New York, NY
Messages, Albright College, Reading, PA
Woman Series Year 10, Douglass College, New Brunswick, NJ
Childe Hassam Purchase Exhibition Purchase prize

1980   
Drawings: The Pluralist Decade, Venice Biennale
Drawings: The Pluralist Decade, Institute of Contemporary Art, Philadelphia, PA
A Taft Menagerie, Taft Museum, Cincinnati, OH
Acquisitions on Paper, Smith College Museum of Art, Northampton, MA
Structure/Narrative/Decoration, Macintosh/Drysdale Gallery, Washington, D.C.
Language in the Visual Arts, William Patterson College, Wayne, NJ
Words and Numbers, Summit Art Center, Summit, NJ

1979   
Directions, Hirshhorn Museum, Washington, D.C.
Drawings About Drawing Today, Ackland Art Museum, Chapel Hill, NC
Feministische Kunst, Haags Gemeente-Museum, The Hague
Words and Images, Philadelphia College of Art, Philadelphia, PA 
Drawing II,
Touchstone Gallery, New York, NY
Small is Beautiful, Albright College, Reading, PA
Candidates for Arts Awards, American Academy of Arts and Letters, New York, NY

1978   
American Narrative/Story art, Contemporary Arts Museum, Houston, TX
Narration, Institute of Contemporary Art, Boston, MA
Artists Look at Art, Spencer Museum of Art, Boston, MA
Drawing Since 1960, Creighton Art Gallery, Omaha, NE
5 Artists, Franklin and Marxhall College, Lancaster, PA
New York Now, Wordworks, San Jose, CA
A.I.R. Drawings, Ginza Kaigaken Gallery, Tokyo, Japan
Overview, P.S. 1, New York, NY

1977   
Kunsterlinnen International 1877-1977, Charlottesburg Palace, Berlin, Germany
Working Papers, Empire State Plaza, Albany, NY
A.I.R. Prints, Katherine Markel Gallery, New York, NY

1976   
3 From NY/Paperworks, Centre Culturel Americain, Paris, France
Drawing Now: 10 Artists, Soho Center for Visual Arts, New York, NY
Works on Paper, Monique Knowlton Gallery, New York, NY
Drawings, Andre Wauters Gallery, New York, NY
Miniatures, Roko Gallery, New York, NY
Reprise, Bronx Museum, NY
Creative Artists Public Service Grant.

1975   
Five Americans, Galerie Gerald Piltzer, Paris, France
20th Century Drawings, Skidmore College, Saratoga Springs, NY
Sons and Others, Queens Museum, New York, NY
Art Acquisitions, University of Massachusetts, Amhers, MAt
Drawings, Roko Gallery, New York, NY
National Endowment for the Arts Grant

1974   
A.I.R. Group, Smith College Museum, Northampton, MA
Focus, Fleisher Art Memorial, Philadelphia, PA
A Soho Sampler, Randolph-Macon College, VA
Tight and Loose, State University of New York, Albany, NY

1973   
Artists Books, Moore College of Art, Philadelphia, PA
Creative Artists Public Service Grant

 

BIBLIOGRAPHY

2014
Mac Adam, Alfred. "Reviews: New York - Dotty Attie at P.P.O.W," ARTnews, February 2014.

2013
Heinrich, Will. "Dotty Attie: The Lone Ranger at P.P.O.W," GalleristNY, December 3, 2013.
Walleston, Aimee. "Dotty Attie, Behind the Mask," Art in America, November 19, 2013. 
"Artist Explores the Alter Egos of Pop Culture's Most Famed Masked Men," Huffington Post Arts & Culture, November 11, 2013. 
Symonds, Alexandria and Eli Attie. "Ranger Games: Dotty x Eli Attie," Interview Magazine, November 2013. 

2010  
F5 Magazine Russia, February 2010

2007  
Baker, R.C. “Dotty Attie,” The Village Voice, March 30, 2007.
“Dotty Attie,” The New Yorker. April 16, 2007. p. 24.
Yung, Susan. “Big Apple Bites: March 2007,” Culturevulture.net. March 2007.
http://www.culturevulture.net/etc/bigapple%203-07.htm

2004  
Eleanor Heartney, “Dotty Attie at P.P.O.W,” Art in America, January, p. 106.

2002
Edward J. Sozanski, “Can Subliminal be Sublime?,” The Philadelphia Inquirer,
September 8, p. H1.

2003
“Art: Dottie Attie”, Village Voice, May 7 2003
Edward J. Sozanski, “A Blitz to Use Billboards, Coffee Cups,”
The Philadelphia Inquirer, September, p. B9.   
Amy Kroin, “Equal Time,” The Valley Advocate, July 4, p. 19.
Max Nicholas, “Nude Descending a Bus Shelter,” Philadelphia Magazine, August 27.
Edward J. Sozanski, “To Reach Public, Art Goes on the Road,” The Philadelphia Inquirer,
August 28.
Lori Hill, “Prints and the Revolution,” Philadelphia  Citypaper, August 29.
Roberta Fallon, “Your Ad Here,” Philadelphia Weekly, September 3.
“Resistance and Refusal Mean Consent,” The Philadelphia Inquirer Magazine,
November 10.
 “Paper Goes Public,” Art on Paper, November.
Catalogue, “Imprint: A Public Art Project,” The Print Center, Philadelphia.

2001   
Catalogue. “The Figure: Another Side of Modernism”, Newhouse Center for
Contemporary Art,Staten Island, NY.
Bal, Mieke, Plenarvortag, Bohlau Verlag Ges. m.b.H und Co. KG, Vienna, Austria.

2000   
Catalogue.  “endpapers,”  Neuberger Museum of Art , State University of New York
at Purchase,Purchase, NY.
Catalogue. “Art in Embassies Program: Another Salute”, American Art in the Netherlands.
Robertson, Jean; McDaniel, Craig. “Painting as a Language”, 
Harcourt College Publishers, NY.

Johnson, Ken; “Objects of Desire: 125 Views of the Human Figure”,
 The New York Times, September 1, p. E26.
Roger Malbert, “Quoting Caravaggio,” Times Literary Supplement, September 15, p. 19.

1999   
Catalogue“International Biennial of Graphic Arts,” International Center of Graphic
Art Lubljana,Slovenia.
Gamwell, Lynn. “Dreams 1900 –2000,” Cornell University Press, Ithaca, NY.
Bal, Mieke. “Quoting Caravaggio,” University of Chicago Press, Chicago, IL..
Bal ,Mieke. “Basic Instincts and Their Discontents,” Editions Amsterdam-Rodolpi BV
Amsterdam-Atlanta, Ga., The Netherlands.
David Frankel, Review, Artforum,  January.

1998   
“25 Years of the Telluride Film Festival: 1974-1998,” Telluride Film Festival, Hanover, NH. 
(cover reproduction).

1997   
Arbeiter, Joan. Smith, Beryl. and Swenson, Sally Shearer. “Lives and Works:
Talks with Women Artists - Volume 2,” Scarecrow Press, Lanham, MD.

1996   
Catalogue.  “Mary H. Dana Women Artists Series: 25 Years, 1971-1996. 
25 Years of Feminism–25 Years of Women’s Art,” The State University of New Jersey,
Rutgers, New Brunswick, NJ, p. 11.

1995   
Dorsey, John“Going for Baroque,” The Baltimore Sun, September 24, p. J1.

1994   
Whitewalls,“Sweet Sixteen Anniversary,” No. 33+34, reproduction of  The Power of Art,
Chapter 9. 
Review,
The New Yorker, April 18th

1993   
Richard, Paul“What’s Wrong With This Picture?”, The Washington Post,
Sunday, October 31, p. G2..
Burchard, Hank.  “Out of the Fire, Into the Melting Pot,” The Washington Post,  October 29.
McWilliams, Martha.  “Go Figure,” Washington City Paper, November 12, p. 43.
Russell, John“The Corcoran Gives New Meaning to ‘Biennial” The New York Times,
Sunday, November 21, p. 39.

1992   
Kenny, Kay, review, Cover, January, pg 17.
Heartney, Eleanor, Review, Artnews, January, pg 128.
Review, Arts Magazine, January, pg 79.
Ardenne, Paul, Review, Art Press 166 February, pg 88.
Reproduction, New York Connection, pg 49.
Catalogue, "Transforming the Western Image," published by Palm Springs
Desert Museum,Palm Springs, CA.
Catalogue, "Quotations: The Second History of Art," published by
the Aldrich Museum of Contemporary Art, Ridgefield, CT.
Pamphlet, "Re-Visions," curated by Carol Tormollan, published by
Randolph Street Gallery, Chicago, IL..
Raynor, Vivien, "2 Artists: From Ambiguity to Innuendo," The New York Times,
Sunday, November 1, pg.12 .

1991   
Kozloff, Max, "The Discreet Voyeur," reproductions, Art in America, July, pg 100-106.
Baranick, Alana, reproduction, Sunday Discovery, September.

1990   
Gomez-Baeza, Rosina, "Galeria de galerias," El Pais (spanish), February 7, pg. 35.
Catalogue, "Referees," North Carolina Museum of Art, NC.
"NCMA Presents Three New Slants On Art History," The Arts Journal, NC,February.
"A personal dialogue with the past," Newspaper, Chapel Hill, NC, February 8.
Litt, Steven, "Putting History in its Place," News and Observer, Raleigh, NC. 
"Referees' Art Looking Back With Humor,"
Herald, Durham, NC, February 11, pg. E7. 
"N.C. Museum Showing Works by Three Americans,"
Journal, Winston-Salem, NC,
February 11.
"Three Artists Show History In Exhibition," The Pilot, Southern Pines, NC,
February 15, pg. 6.
Review, The Arts Journal, NC, March, reproduction, pg. 4.
Halperen, Max, "3 Referees: Dotty Attie, Christopher Hewat, John O'Reilly,"
Art Papers, May/June, pg. 61-62..
Young, John, "Referees," New Art Exmainer, November, pg 40.
Sozanski, Edward, "Temple show Tweaks myths of art history," The Philadelphia Inquier,
Thursday, October 25.

1989   
De Vuono, Frances, New Art Examiner, Review, January, Vol. 16 No. 5, pg. 53-54. 
Fuld, Alice,
The Keene Sentinel, Monadnock Living, "Can art imitate art?," January 20,
pg. 6.
"Realists Featured at Keene Gallery," Union Leader, January 12, pg. 21.
Catalogue, "Lines of Vision:  Drawings by Contemporary Women," Judy K.
Collischan Van Wagner, Hillwood Art Gallery, Long Island Universtiy, Brookville,
New York, Hudson Hills Press.
Martin, Richard and Harold Koda, "The Historical Mode," pg. 96, Rizzoli International
Publications, Inc.
Catalogue, Pittsburgh Center for the Arts.
"American Art To Be Focus Of NC Museum Exhibitions," The Pilot, Southern Pines, NC,
December 2..
Miriam Schapiro and Faith Wilding, " Cunts/ Quilts/ Consciousness", Heresies,
No, 24, pp. 10-11.

1988   
"Choices," The Village Voice, October 4, pg. 64.
Edith Newhall, Review, New York, September 12, pg. 72..
Robins, Corinne, "Changing Stories:  Recent work by Dotty Attie, Ida Applebroog, and
Suzanne Horvitz," Arts Magazine, November, pg. 80.
Cotter, Holland, Art in America, Review, December, pg. 149.
Kuspit, Donald, Artforum, Review, December, pg. 117.
20th Telluride Film Festival, Telluride Film Festival, Hanover, NH.  (cover reproduction)

1987   
Zimmer, William, New York Times, Review, March 22..
Glueck, Grace, "A New Showcase of Art by Women," New York Times, April 1.
Tarlow, Lois, "Profile:  Dotty Attie," Art New England, November.
Catalogue, "National Museum of Women In the Arts."

1986   
Catalogue, "Artists Choose Artists," CDS Gallery.

1985   
Stewart, Laura, Orlando Sentinel, Review, February 3.
Stewart, Laura, Orlando Sentinel, Review, February 21.
Stewart, Laura, Orlando Sentinel, Review, February 25.
Russell, John, New York Times, Review, March 22..
Gray, Channing, Providence Journal Bulletin Review, February.
Levin, Kim, Village Voice, Review, April 3.
Johnson, Ken, Times Union, Review, March 30.
Lipson, Karen, Newsday, Review, May 5.
Greenstein, Jane, Daily Trojan, Review, March 18.
LaPalma, Marina, Artweek, Review, February 23.
Catalogue, "The Fine Line," Norton Gallery.
Catalogue, "Self Portraits," Gallery at the Plaza.
Catalogue, "Dotty Attie/The Mechanical Peep Show," Valencia Community College.

1984   
Kuspit, Donald, Art in America, Review, February.
Hanson, Bernard, Hartford Courant, Review, February 12.
Raynor, Vivien, New York Times, Review, February 12.
Kalen, Diane, Boston Ledger, Review, March 24.
Zellen, Jody, Art New England, Review, April.
Rand, Carol, New Art Examiner, Review, April.
Catalogue, "Dotty Attie:  Masters of Contemporary Drawing," Virginia Commonwealth.
Catalogue, "Beauty and Beast," Pratt Graphic Center.
Catalogue, "Large Drawings," Wesleyan University.
Catalogue, "Verbally Charged Images," Independent Curators.
Catalogue, "The New Culture," Indiana University. 
Catalogue, "Aspects of New Narrative Art," Berkshire Museum.

Catalogue, "El Arte Narrativo," Museum Rufino Tamayo.

1983   
Zimmer, William, New York Times, Review.
Catalogue, "Fragmentation," New Britain Museum of Art.

1982   
Catalogue, "Tales My Mother Never Told Me," Gallery Association of New York.

1981   
Berger, Maurice, "The Empty Frame," Arts, September.
Catalogue, "Post Modernist Metaphors," Alternative Museum.
Catalogue, "Deja Vu," Western Association of Art Museum.
Catalogue, "Words as Images," Renaissance Society.
Catalogue, "Messages," Albright College..
Catalogue, "New Dimensions in Drawing," Aldrich Museum.
Catalogue, "Woman Series Year 10," Douglass College.

1980   
Galassi, Susan, Arts, Review, February.
Glueck, Grace, New York Times, Review, November 21.
Larson, Kay, New York Magazine, Review, November 24.
Putterman, Susan, "Dotty Attie," Arts, December.
Raynor, Vivien, New York Times, Review, November.
Rickey, Carrie, Village Voice, Review, November.
Catalogue for "Drawing:  The Pluralist Decade," Venice Biennale.
Catalogue for "Drawing: The Pluralist Decade," ICA Philadelphia.

1979   
Ashbery, John, New York Magazine, Review, July 2..
Baker, Kenneth, Boston Phoenix, Review, September 4.
Bell, Tiffany, Arts, Review, January.
Tannous, David, "Report from Washington; Directions/1st Western Biennale,"
Art in America, December.
Tennant, Donna, "Taboos? Insinuations?," Houston Chronicle, November 11. 
Catalogue, "Feministische Kunst," Haaga Gemeentemuseum.

Catalogue, "Dotty Attie; Drawing 1975/79," Houston Contemporary arts Museum.
Catalogue, "Directions I," Hirshhorn Museum.
Catalogue, "Drawings about Drawing Today," Ackland Art Museum.
Catalogue, "Words and Images," Philadelphia College  of Art.
Catalogue, "Small is Beautiful," Albright College.

1978   
Kingsley, April, Village Voice, Review, May 20.
Moser, Charlotte, ARTnews, Review, May.
Robins, Corinne, "Dotty Attie," Arts, November.
Zimmer, William, Soho Weekly News, Review, November 16.