Dotty Attie


1938    Born in Pennsauken, NJ.



Philadelphia College of Art, Bachelor of Fine Arts



The Lone Ranger, P·P·O·W, New York, NY
Sometimes a Trevler/There Lived in Egypt, Cantor Arts Center, Stanford, CA

What Would Mother Say?
, P·P·O·W, New York, NY

Sequel, P·P·O·W, New York, NY

Sometimes A Traveller, P·P·O·W, New York, NY

Pierre and Lady Holland: A Suite of Drawings by Dotty Attie,
Smith College Museum of Art, Northampton, MA

Fairy Tale /Endings, P·P·O·W, New York, NY

After Courbet, P·P·O·W, New York, NY

Mary Ryan Gallery, New York, NY

Dotty Attie, Montclair Museum of Art, Montclair, NJ

In the Atelier, P·P·O·W, New York, NY
Galerie Rizzo & Hubbard, Paris, France

Greenville County Museum of Art, Greenville, SC
P·P·O·W, New York, NY
Tyler Galleries, Tyler School of Art, Temple University, Elkins Park, PA

Dotty Attie, Paintings and Drawings, Pittsburgh Center for the Arts, Pittsburgh, PA
Five Tales, University of Missouri, St. Louis, MO

P·P·O·W, New York, NY

On Gallery, Osaka, Japan
A.I.R. Gallery, New York, NY

Sanat Gallery, Istanbul, Turkey
Valancia Community College, Orlando, FL

Bowdoin College Museum of Art, Brunswick, ME
Virginia Commonwealth University, Richmond, VA
Ricardo Barreto Gallery, Boston, MA

Ackland Art Museum, Chapel Hill, NC
The New Museum, New York, NY
A.I.R. Gallery, New York, NY

Norton Gallery and School of Art, West Palm Beach, FL
Mary Ryan Gallery, New York, NY

Pennsylvania Academy of Fine Arts, Philadelphia, PA
University of Missouri, Kansas City, MO

Wadsworth Atheneum, Hartford, CT
Portland Center for Visual Artists, Portland, OR
Museum Art School, Portland, OR
Wright State University, Dayton, OH
A.I.R. Gallery, New York, NY
Douglass College, New Brunswick, NJ

Contemporary Arts Museum, Houston, TX
Spencer Museum of Art, Lawrence, KS

University of Rhode Island, Kingston, RI
A.I.R. Gallery, New York, NY

Manhattanville College, Purchase, NY
University of Iowa, Iowa City, IA
University of Massachusetts, Amherst, MA 
O.K. Harris Gallery, New York, NY

A.I.R. Gallery, New York, NY

Stockton State College, Pomona, NJ
A.I.R. Gallery, New York, NY

A.I.R. Gallery, New York, NY



SEVEN, Dallas, TX
Air Space, Louise McCagg Gallery, Barnard College, New York, NY


This Will Have Been: Art, Love and Politics in the 1980s, Museum of Contemporary Art, Chicago, IL. Travelled to: Institute of Contemporary Art, Boston, MA; The Walker Art Center, Minneaopolis, MN

A Torrent of Words: Contemporary Art and Language,
John Michael Kohler Arts Center, Sheboygan, WI
Heads or Tails, Mary Ryan Gallery, New York, NY

Beyond Appearances, Lehman College Art Gallery, Bronx, NY
Pulse Contemporary Art Fair,P·P·O·W, New York, NY           

Better Than Ever- Women Figurative Artists of the 70s SoHo Co-ops,
Salena Gallery, Long Island University, Brookyn, NY
The Last Marquise, Kasteel van Gaasbeek D.A.B., Gaasbeek, Belgium
Burning Down the House: Building a Feminist Art Collection, co-curated by
Maura Reilly and Nicole Caruth, Brooklyn Museum of Art, Brooklyn, NY 
Islands + Ghettos, Heidelberger Kunstvereins, Germany
Women of a Certain Age and Beyond, Sacred Heart University, Fairfield, CT

Women’s Work: Homage to Feminist Art, curated by Cindy Nemser,
Tabla Rasa Gallery, Brooklyn, NY
PULSE Art Fair, P·P·O·W, New York, NY

PULSE Miami Art Fair, P·P·O·W, New York, NY

Then as Now, Sordoni Art Gallery, Wilkes University, PA

Perspectives @ 25: A Quarter Century of New Art in Houston,
Contemporary Arts Museum Houston, TX
Anatomically Correct, 473 Broadway Gallery, New York, NY

Cowboys, Indians & The Big Picture, Mcmullen Museum, Boston College, Boston, MA
Imprint, The Print Center, Philadelphia, PA
The Belles of Amherst, Mead Art Museum, Amherst College, Amherst, MA

About Face, Museum of Modern Art, New York, NY
American Identities: A New Look, Brooklyn Museum of Art, Brooklyn, NY
Recent Acquisitions, Davison Art Center, Wesleyan University, Middleton, CT
Laughter 10 Years After, Beaver College Art Gallery, Beaver College, Beaver, PA 

endpapers; Drawings 1890-1900 and 1990-2000, Neuberger Museum of Art,
SUNY Purchase, Purchase, NY
Multiple Visions:Works by Master Printers, The Print Center, Philadelphia, PA
Works from the Collection, Kresge Museum, Michigan State University,
East Lansing, MI
The Figure:  Another Side of Modernism, Newhouse Center of Contemporary Art,
Snug Harbor Cultural Center, Staten Island, NY
Nude + narrative, P.P.O.W, New York, NY

Dreams 1900 –2000,  The Equitable Gallery, New York, NY
Contemporary Narratives, Whitney Museum of Art at Champion, Stamford,  CT
International Biennial of Graphic Art,  International Center of Graphic Art,
Ljubljana, Slovnija
Parallel Visions, Soho20 Gallery, New York, NY

Recent Prints, Mary Ryan Gallery, New York, NY
Taboo:  Repression and Revolt in Modern Art, Galerie St. Etienne, New York, NY

Naked Truths, University of Hawaii Art Gallery, Honolulu, HI
Women Draw, Gallery 128, New York, NY
Mary H. Dana Women Artists Series: 25 Years, 1971-1996.
25 Years of Feminism–25 Years of Women’s Art, curated by Marianne Ficarra,
The State University of New Jersey, Rutgers, New Brunswick, NJ
The New Traditionalists, curated by Maria Porges, Museum of Art,
University of Oregon Museum of Art, Eugene, OR
Partners in Printmaking: Works from SOLO Impression, The National Museum
 for Women in the Arts, Washington, D.C.

Hobart/William Smith College, Geneva, NY
Going for Baroque, The Contemporary and The Walters Gallery, Baltimore, MD
Crime and Justice, Lehman College Art Gallery, Bronx, NY

Fallen Idylls: American Figuarative Painting, curated by P·P·O·W and
Christopher Sweet traveling to: Art Miami, Miami, FL and
Martin County Council for the Arts, Stuart, FL
New Old Masters, Center for the Arts at Yerba Buena Gardens, San Francisco, CA
Not for the First Time: The Art of Appropriation, The Richard F. Brush Gallery,
St. Lawrence University, Canton, NY
After Courbet, one person exhibition, P·P·O·W, New York, NY
Turning Silver into Gold, Cleveland Center for Contemporary Art, Cleveland, OH

Biennial, Corcoran Museum of Art, Washington, D.C.
93 Holiday Wishes and Greetings for ‘94, Steinbaum/Krauss Gallery, New York, NY
45th Annual American Academy Purchase Exhibition, The American Academy
of Arts and Letters, New York, NY

The Frame: Multiplied and Extended, Security Pacific Gallery, Costa Mesa, CA
Beyond Glory: Re-Presenting Terrorism, College of Art, Maryland Institute, Baltimore, MD
Somewhere Between Image And Text, Barbara Krakow Gallery, Boston, MA
Quotations: The Second History of Art, Aldrich Museum of Contemporary Art,
Ridgefield, CT
Re-Visions, Randolph Street Gallery, Chicago, IL
Contemporary Icons: From the Sublime to the Fetishistic,
Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, NY

Cruciformed: Images of the Cross Since 1980, curated by David Rubin,
Cleveland Center for Contemporary Art, Cleveland, OH
Transforming the Western Image, Palm Springs Desert Museum,
Palm Springs, CA
Art for Your Collection, Museum of Art, Rhode Island School of Design,
Providence, RI
Crossing Over Changing Places, Rutgers Center for Innovative Printmaking,
New Brunswick, NJ

Three Person Exhibition, Referees, North Carolina Museum of Art, Raleigh, NC
Installation, The Mechanical Peep Show, P·P·O·W, New York, NY
Contemporary Illustrated Books: Word and Image, 1967-1988, Franklin Furnace,
New York, NY
Small Format, Lang & O'Hara, New York, NY
Prints in Part, Museum of Modern Art, New York, NY
FoxTrot, Randolph Street Gallery, May 25 through June 30, Chicago, IL
Word as Image, Milwaukee Art Museum, June 15 - August 26, Milwaukee, WI
Selections from P·P·O·W, NYC, Weatherspoon Art Gallery, June 1 through July 8, 
The University of North Carolina at Greensboro, Greensboro, NC

Gardens Real and Imagined, Bernice Steinbaum Gallery, New York, NY
Symbolism, Cooper Union School of Art, New York, NY
Lines of Vision: Drawings by Contemporary Women, Hillwood Art Gallery, 
Long Island University, Brookville, NY, (travelling exhibition 1989-1990)

Art on Paper, Weatherspoon Art Gallery, The University of North Carolina at Greensboro,
Greensboro, NC

Alice and look who else, Through the Looking Glass, Bernice
Steinbaum Gallery, New York, NY
Art for Your Collection, Rhode Island School of Design, Providence, RI
Realists:  Three from the MacDowell,, Thorne-Sagendorph Art Gallery,
Keene State College, Keene, NH

Drawing: The New Tradition, Huntsville Museum, AL
Works from the Collection, National Museum of Women in the Arts, Washington, D.C.
Ten Major Women Artists, Rockland Center for the Arts, Rockland, NY
Ideas, CDS Gallery, New York, NY
Four Artists, Orion Editions, New York, NY
Messages, Carlo LaMagna Gallery, New York, NY
Mid-Atlantic States Visual Arts Residency Fellowship

Artists Choose Artists, CDS Gallery, New York, NY
Playing House, Berenice Steinbaum Gallery, New York, NY
Short Stories, 1 Penn Plaza, New York, NY
13 Americans, CDS Gallery, New York, NY
Lost/Found: Language, Rosemont College, Philadelphia, PA
Between Metaphor and Fact, Leonarda Di Mauro Gallery, New York, NY

Narrative Art, P.S. 1, New York, NY
Masters of Contemporary Drawing, Anderson Gallery, Richmond, VA
The Fine Line, Norton Gallery, Palm Beach, FL
Not Just Black and White, City Gallery, New York, NY
Self Portraits, Gallery at the Plaza, Los Angeles, CA
20 Women, Phoenix Gallery, New York, NY
New York Cooperatives, Kean College, NJ
Creative Artist Fellowship for Japan

Words and Pictures, Bronx Museum, NY
El Arte Narrative, Museo Rufino Tamayo, Mexico City, Mexico
The Verbally Charged Image, Queens Museum, Queens, NY
Large Drawings, Zilkha Gallery, Middletown, CT
Personal Expressions, Neuberger Museum, Purchase, NY
Beauty and the Beast, Pratt Graphic Center, New York, NY
Artist's Toys, Vanderwoude Tannanbaum Gallery, New York, NY
Artists Call, Terry Dintenfass Gallery, New York, NY
The New Culture, SUNY Cortland, NY
Aspects of New Narrative Art, Berkshire Museum, Pittsfield, MA
United States, University of Virginia, Charlottesville, VA

Selections from the Print Archives, Zimmerli Museum, New Brunswick, NJ
Walls of the 70's, QCC Art Gallery, New York, NY
The Punch Line, Tweed Gallery, Plainfield, NJ
National Endowment for the Arts Grant

Hassam/Speicher Fund Exhibition, American Academy and Institute of Arts
and Letters, New York, NY
Artists Books, Katherine Markel Gallery, New York, NY
Subject: Women, University of California, Los Angeles, CA
The Renaissance Revisited, Tyler School of Art, Philadelphia, PA
New Acquisitions, Alternative Museum, New York, NY
Five Storytellers, Nexus Gallery, Philadelphia, PA
Tales My Mother Never Told Me, Traveling show, Gallery Association of New York State
Hassam/Speicher Fund Exhibition Purchase Grant.

New Dimensions in Drawing, Aldrich Museum, CT
Postmodernist Metaphors, Alternative Museum, New York, NY
Deja Vu: Masterpieces Updated, El Paso Museum, El Paso, TX
Childe Hassam Purchase Exhibition, American Academy of Arts and Letters,
New York, NY
Words as Images, Renaissance Society, Chicago, IL
Drawings from the Collection, University of Massachusetts, Amherst, MA
8 by 8, Touchstone Gallery, New York, NY
Animals at the Arsenal, Central Park Zoo, New York, NY
Messages, Albright College, Reading, PA
Woman Series Year 10, Douglass College, New Brunswick, NJ
Childe Hassam Purchase Exhibition Purchase prize

Drawings: The Pluralist Decade, Venice Biennale
Drawings: The Pluralist Decade, Institute of Contemporary Art, Philadelphia, PA
A Taft Menagerie, Taft Museum, Cincinnati, OH
Acquisitions on Paper, Smith College Museum of Art, Northampton, MA
Structure/Narrative/Decoration, Macintosh/Drysdale Gallery, Washington, D.C.
Language in the Visual Arts, William Patterson College, Wayne, NJ
Words and Numbers, Summit Art Center, Summit, NJ

Directions, Hirshhorn Museum, Washington, D.C.
Drawings About Drawing Today, Ackland Art Museum, Chapel Hill, NC
Feministische Kunst, Haags Gemeente-Museum, The Hague
Words and Images, Philadelphia College of Art, Philadelphia, PA 
Drawing II,
Touchstone Gallery, New York, NY
Small is Beautiful, Albright College, Reading, PA
Candidates for Arts Awards, American Academy of Arts and Letters, New York, NY

American Narrative/Story art, Contemporary Arts Museum, Houston, TX
Narration, Institute of Contemporary Art, Boston, MA
Artists Look at Art, Spencer Museum of Art, Boston, MA
Drawing Since 1960, Creighton Art Gallery, Omaha, NE
5 Artists, Franklin and Marxhall College, Lancaster, PA
New York Now, Wordworks, San Jose, CA
A.I.R. Drawings, Ginza Kaigaken Gallery, Tokyo, Japan
Overview, P.S. 1, New York, NY

Kunsterlinnen International 1877-1977, Charlottesburg Palace, Berlin, Germany
Working Papers, Empire State Plaza, Albany, NY
A.I.R. Prints, Katherine Markel Gallery, New York, NY

3 From NY/Paperworks, Centre Culturel Americain, Paris, France
Drawing Now: 10 Artists, Soho Center for Visual Arts, New York, NY
Works on Paper, Monique Knowlton Gallery, New York, NY
Drawings, Andre Wauters Gallery, New York, NY
Miniatures, Roko Gallery, New York, NY
Reprise, Bronx Museum, NY
Creative Artists Public Service Grant.

Five Americans, Galerie Gerald Piltzer, Paris, France
20th Century Drawings, Skidmore College, Saratoga Springs, NY
Sons and Others, Queens Museum, New York, NY
Art Acquisitions, University of Massachusetts, Amhers, MAt
Drawings, Roko Gallery, New York, NY
National Endowment for the Arts Grant

A.I.R. Group, Smith College Museum, Northampton, MA
Focus, Fleisher Art Memorial, Philadelphia, PA
A Soho Sampler, Randolph-Macon College, VA
Tight and Loose, State University of New York, Albany, NY

Artists Books, Moore College of Art, Philadelphia, PA
Creative Artists Public Service Grant



Mac Adam, Alfred. "Reviews: New York - Dotty Attie at P.P.O.W," ARTnews, February 2014.

Heinrich, Will. "Dotty Attie: The Lone Ranger at P.P.O.W," GalleristNY, December 3, 2013.
Walleston, Aimee. "Dotty Attie, Behind the Mask," Art in America, November 19, 2013. 
"Artist Explores the Alter Egos of Pop Culture's Most Famed Masked Men," Huffington Post Arts & Culture, November 11, 2013. 
Symonds, Alexandria and Eli Attie. "Ranger Games: Dotty x Eli Attie," Interview Magazine, November 2013. 

F5 Magazine Russia, February 2010

Baker, R.C. “Dotty Attie,” The Village Voice, March 30, 2007.
“Dotty Attie,” The New Yorker. April 16, 2007. p. 24.
Yung, Susan. “Big Apple Bites: March 2007,” March 2007.

Eleanor Heartney, “Dotty Attie at P.P.O.W,” Art in America, January, p. 106.

Edward J. Sozanski, “Can Subliminal be Sublime?,” The Philadelphia Inquirer,
September 8, p. H1.

“Art: Dottie Attie”, Village Voice, May 7 2003
Edward J. Sozanski, “A Blitz to Use Billboards, Coffee Cups,”
The Philadelphia Inquirer, September, p. B9.   
Amy Kroin, “Equal Time,” The Valley Advocate, July 4, p. 19.
Max Nicholas, “Nude Descending a Bus Shelter,” Philadelphia Magazine, August 27.
Edward J. Sozanski, “To Reach Public, Art Goes on the Road,” The Philadelphia Inquirer,
August 28.
Lori Hill, “Prints and the Revolution,” Philadelphia  Citypaper, August 29.
Roberta Fallon, “Your Ad Here,” Philadelphia Weekly, September 3.
“Resistance and Refusal Mean Consent,” The Philadelphia Inquirer Magazine,
November 10.
 “Paper Goes Public,” Art on Paper, November.
Catalogue, “Imprint: A Public Art Project,” The Print Center, Philadelphia.

Catalogue. “The Figure: Another Side of Modernism”, Newhouse Center for
Contemporary Art,Staten Island, NY.
Bal, Mieke, Plenarvortag, Bohlau Verlag Ges. m.b.H und Co. KG, Vienna, Austria.

Catalogue.  “endpapers,”  Neuberger Museum of Art , State University of New York
at Purchase,Purchase, NY.
Catalogue. “Art in Embassies Program: Another Salute”, American Art in the Netherlands.
Robertson, Jean; McDaniel, Craig. “Painting as a Language”, 
Harcourt College Publishers, NY.

Johnson, Ken; “Objects of Desire: 125 Views of the Human Figure”,
 The New York Times, September 1, p. E26.
Roger Malbert, “Quoting Caravaggio,” Times Literary Supplement, September 15, p. 19.

Catalogue“International Biennial of Graphic Arts,” International Center of Graphic
Art Lubljana,Slovenia.
Gamwell, Lynn. “Dreams 1900 –2000,” Cornell University Press, Ithaca, NY.
Bal, Mieke. “Quoting Caravaggio,” University of Chicago Press, Chicago, IL..
Bal ,Mieke. “Basic Instincts and Their Discontents,” Editions Amsterdam-Rodolpi BV
Amsterdam-Atlanta, Ga., The Netherlands.
David Frankel, Review, Artforum,  January.

“25 Years of the Telluride Film Festival: 1974-1998,” Telluride Film Festival, Hanover, NH. 
(cover reproduction).

Arbeiter, Joan. Smith, Beryl. and Swenson, Sally Shearer. “Lives and Works:
Talks with Women Artists - Volume 2,” Scarecrow Press, Lanham, MD.

Catalogue.  “Mary H. Dana Women Artists Series: 25 Years, 1971-1996. 
25 Years of Feminism–25 Years of Women’s Art,” The State University of New Jersey,
Rutgers, New Brunswick, NJ, p. 11.

Dorsey, John“Going for Baroque,” The Baltimore Sun, September 24, p. J1.

Whitewalls,“Sweet Sixteen Anniversary,” No. 33+34, reproduction of  The Power of Art,
Chapter 9. 
The New Yorker, April 18th

Richard, Paul“What’s Wrong With This Picture?”, The Washington Post,
Sunday, October 31, p. G2..
Burchard, Hank.  “Out of the Fire, Into the Melting Pot,” The Washington Post,  October 29.
McWilliams, Martha.  “Go Figure,” Washington City Paper, November 12, p. 43.
Russell, John“The Corcoran Gives New Meaning to ‘Biennial” The New York Times,
Sunday, November 21, p. 39.

Kenny, Kay, review, Cover, January, pg 17.
Heartney, Eleanor, Review, Artnews, January, pg 128.
Review, Arts Magazine, January, pg 79.
Ardenne, Paul, Review, Art Press 166 February, pg 88.
Reproduction, New York Connection, pg 49.
Catalogue, "Transforming the Western Image," published by Palm Springs
Desert Museum,Palm Springs, CA.
Catalogue, "Quotations: The Second History of Art," published by
the Aldrich Museum of Contemporary Art, Ridgefield, CT.
Pamphlet, "Re-Visions," curated by Carol Tormollan, published by
Randolph Street Gallery, Chicago, IL..
Raynor, Vivien, "2 Artists: From Ambiguity to Innuendo," The New York Times,
Sunday, November 1, pg.12 .

Kozloff, Max, "The Discreet Voyeur," reproductions, Art in America, July, pg 100-106.
Baranick, Alana, reproduction, Sunday Discovery, September.

Gomez-Baeza, Rosina, "Galeria de galerias," El Pais (spanish), February 7, pg. 35.
Catalogue, "Referees," North Carolina Museum of Art, NC.
"NCMA Presents Three New Slants On Art History," The Arts Journal, NC,February.
"A personal dialogue with the past," Newspaper, Chapel Hill, NC, February 8.
Litt, Steven, "Putting History in its Place," News and Observer, Raleigh, NC. 
"Referees' Art Looking Back With Humor,"
Herald, Durham, NC, February 11, pg. E7. 
"N.C. Museum Showing Works by Three Americans,"
Journal, Winston-Salem, NC,
February 11.
"Three Artists Show History In Exhibition," The Pilot, Southern Pines, NC,
February 15, pg. 6.
Review, The Arts Journal, NC, March, reproduction, pg. 4.
Halperen, Max, "3 Referees: Dotty Attie, Christopher Hewat, John O'Reilly,"
Art Papers, May/June, pg. 61-62..
Young, John, "Referees," New Art Exmainer, November, pg 40.
Sozanski, Edward, "Temple show Tweaks myths of art history," The Philadelphia Inquier,
Thursday, October 25.

De Vuono, Frances, New Art Examiner, Review, January, Vol. 16 No. 5, pg. 53-54. 
Fuld, Alice,
The Keene Sentinel, Monadnock Living, "Can art imitate art?," January 20,
pg. 6.
"Realists Featured at Keene Gallery," Union Leader, January 12, pg. 21.
Catalogue, "Lines of Vision:  Drawings by Contemporary Women," Judy K.
Collischan Van Wagner, Hillwood Art Gallery, Long Island Universtiy, Brookville,
New York, Hudson Hills Press.
Martin, Richard and Harold Koda, "The Historical Mode," pg. 96, Rizzoli International
Publications, Inc.
Catalogue, Pittsburgh Center for the Arts.
"American Art To Be Focus Of NC Museum Exhibitions," The Pilot, Southern Pines, NC,
December 2..
Miriam Schapiro and Faith Wilding, " Cunts/ Quilts/ Consciousness", Heresies,
No, 24, pp. 10-11.

"Choices," The Village Voice, October 4, pg. 64.
Edith Newhall, Review, New York, September 12, pg. 72..
Robins, Corinne, "Changing Stories:  Recent work by Dotty Attie, Ida Applebroog, and
Suzanne Horvitz," Arts Magazine, November, pg. 80.
Cotter, Holland, Art in America, Review, December, pg. 149.
Kuspit, Donald, Artforum, Review, December, pg. 117.
20th Telluride Film Festival, Telluride Film Festival, Hanover, NH.  (cover reproduction)

Zimmer, William, New York Times, Review, March 22..
Glueck, Grace, "A New Showcase of Art by Women," New York Times, April 1.
Tarlow, Lois, "Profile:  Dotty Attie," Art New England, November.
Catalogue, "National Museum of Women In the Arts."

Catalogue, "Artists Choose Artists," CDS Gallery.

Stewart, Laura, Orlando Sentinel, Review, February 3.
Stewart, Laura, Orlando Sentinel, Review, February 21.
Stewart, Laura, Orlando Sentinel, Review, February 25.
Russell, John, New York Times, Review, March 22..
Gray, Channing, Providence Journal Bulletin Review, February.
Levin, Kim, Village Voice, Review, April 3.
Johnson, Ken, Times Union, Review, March 30.
Lipson, Karen, Newsday, Review, May 5.
Greenstein, Jane, Daily Trojan, Review, March 18.
LaPalma, Marina, Artweek, Review, February 23.
Catalogue, "The Fine Line," Norton Gallery.
Catalogue, "Self Portraits," Gallery at the Plaza.
Catalogue, "Dotty Attie/The Mechanical Peep Show," Valencia Community College.

Kuspit, Donald, Art in America, Review, February.
Hanson, Bernard, Hartford Courant, Review, February 12.
Raynor, Vivien, New York Times, Review, February 12.
Kalen, Diane, Boston Ledger, Review, March 24.
Zellen, Jody, Art New England, Review, April.
Rand, Carol, New Art Examiner, Review, April.
Catalogue, "Dotty Attie:  Masters of Contemporary Drawing," Virginia Commonwealth.
Catalogue, "Beauty and Beast," Pratt Graphic Center.
Catalogue, "Large Drawings," Wesleyan University.
Catalogue, "Verbally Charged Images," Independent Curators.
Catalogue, "The New Culture," Indiana University. 
Catalogue, "Aspects of New Narrative Art," Berkshire Museum.

Catalogue, "El Arte Narrativo," Museum Rufino Tamayo.

Zimmer, William, New York Times, Review.
Catalogue, "Fragmentation," New Britain Museum of Art.

Catalogue, "Tales My Mother Never Told Me," Gallery Association of New York.

Berger, Maurice, "The Empty Frame," Arts, September.
Catalogue, "Post Modernist Metaphors," Alternative Museum.
Catalogue, "Deja Vu," Western Association of Art Museum.
Catalogue, "Words as Images," Renaissance Society.
Catalogue, "Messages," Albright College..
Catalogue, "New Dimensions in Drawing," Aldrich Museum.
Catalogue, "Woman Series Year 10," Douglass College.

Galassi, Susan, Arts, Review, February.
Glueck, Grace, New York Times, Review, November 21.
Larson, Kay, New York Magazine, Review, November 24.
Putterman, Susan, "Dotty Attie," Arts, December.
Raynor, Vivien, New York Times, Review, November.
Rickey, Carrie, Village Voice, Review, November.
Catalogue for "Drawing:  The Pluralist Decade," Venice Biennale.
Catalogue for "Drawing: The Pluralist Decade," ICA Philadelphia.

Ashbery, John, New York Magazine, Review, July 2..
Baker, Kenneth, Boston Phoenix, Review, September 4.
Bell, Tiffany, Arts, Review, January.
Tannous, David, "Report from Washington; Directions/1st Western Biennale,"
Art in America, December.
Tennant, Donna, "Taboos? Insinuations?," Houston Chronicle, November 11. 
Catalogue, "Feministische Kunst," Haaga Gemeentemuseum.

Catalogue, "Dotty Attie; Drawing 1975/79," Houston Contemporary arts Museum.
Catalogue, "Directions I," Hirshhorn Museum.
Catalogue, "Drawings about Drawing Today," Ackland Art Museum.
Catalogue, "Words and Images," Philadelphia College  of Art.
Catalogue, "Small is Beautiful," Albright College.

Kingsley, April, Village Voice, Review, May 20.
Moser, Charlotte, ARTnews, Review, May.
Robins, Corinne, "Dotty Attie," Arts, November.
Zimmer, William, Soho Weekly News, Review, November 16.