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2006
2005
2004
2003
2002 |
Big City Fall, P·P·O·W Gallery, New York, NY.
Taipei Bienneal 2006 – Dirty Yoga, Taipei, Taiwan.
Into Me/Out of Me, KunstWerke, Berlin, Germany.
26 Anos – Encontros de Fotografia, Colegio des Artes, Portugal.
The Message is the Medium, Jim Kempner Fine Art, New York, NY.
PLANE/FIGURE (American Art from Swiss Collection), Jim Kempner Fine Art, New York, NY.
High Times – Hard Times, Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
Traveled to: American University Museum at the Katzen Arts Center, Washington D.C.; National Academy Museum, New York, NY.
How I Finally Accepted Fate, EFA Gallery, New York, NY.
Into Me/Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY.
The Downtown Show: The New York Art Scene, 1974-1984. Grey Art Gallery, New York .University, NY;
Traveled to: Warhol Museum, Pittsburgh, PA; University Museum at Austin, TX.
High Times-Hard Times, Independent Curator’s International, traveling exhibition, New York, NY.
Potentially Harmful: The Art of American Censorship, Georgia State University, Atlanta, GA.
The Early Show: Video from 1969-1979, Hunter College- 68th and Lexington Gallery, New York, NY.
Heroines (with Ana Mendieta and Valie Export), Galerie Akinci, Amsterdam, Holland.
Women: Metamorphosis of Modernity, Joan Miro Foundation, Barcelona, Spain.
How American Women Artists Invented Post-Modernism, Mason Gross School of the Arts Galleries at Rutgers University, New Brunswick, NJ.
Including Their Limits – NY Painting 1966-1976 (tentative title). Independent Curator’s International, New York, NY. Traveling museum exhibition.
Multiple Strategies, Contemporary Arts Center, Cincinnati, OH.
Faces in the Crowd: Picturing Modern Life from Manet to Today, Castello di Rivoli, Turin, Italy.
Very Early Pictures, Luckman Gallery, California State University, Los Angeles, CA;
Traveled to: Arcadia University Art Gallery, Glenside, PA.
Feminist Redux (with Edelson, Mendieta, and Weiss), Remy Toledo Gallery, New York, NY.
Up to and Including Her Limits, Macedonian Museum of Contemporary Art, Greece;
Traveled to: Contemporary Art Center, Florence, Italy.
Disembodied, Mois de la Photo, Montreal, Canada.
A Kiss Isn’t Just a Kiss, Contemporary Art Gallery, University of Connecticut, Storrs, CT.
Mit Haut Und Haar (with Brus, Nitsch, Nauman, West, Export, Schwarzkogler), Galerie Julius Hummel, Vienna, Austria.
21, P·P·O·W, New York, NY.
Performance en Vivo, Museo de Arte de Puerto Rico, San Juan.
Form & Contents: Corporal Identity—Body Language, Museum of Arts and Design, New York, NY.
Curtain Up!, CEPA Gallery, Buffalo, NY.
Global Village: The Sixties, Montreal Museum of Fine Arts, Montreal, Quebec (September 2003—January 2004); Traveled to: Dallas Museum of Art, Dallas, TX (February 2004—May 2004).
Faces in the Crowd: Picturing Modern Life from Manet to Today (2004--2005), Whitechapel Gallery, London, UK.
Les Panoramiques, Optica un Centre d’art Contemporain, Montreal (Quebec), Canada.
The 7th Biennial Photography Art Auction, CEPA Gallery, Buffalo, NY.
Anatomically Correct, 473 Broadway Gallery, New York, NY.
Sexy Beasts 1963--2004, Ethan Cohen Fine Arts, New York, NY.
Constructive Engagement, Ocularis, Brooklyn, NY.
The Cooper Union' Third Annual Urban Visionaries Award Dinner & Silent Auction,Hammerstein Ballroom, New York, NY.
Postcards From the Edge Visual AIDS Benefit, Brent Sikkema Gallery, New York, NY.
Artwalk NY 2004, Sotheby's, New York, NY.
Solo Art Auction for the Kitchen, Chelsea Art Museum, New York, NY.
The Evolution Festival, Lumen, Leeds, England.
Global Village: The Sixties, Montreal Museum of Fine Arts, Montreal, Quebec, Canada (September 2003—January 2004); Traveled to: Dallas Museum of Art, Dallas, TX (February 2004—May 2004).
Skin--Deep, Il Museo d’Arte Moderna e Contemporanea di Trento e Roverto, Italy.
Change of Valves, Espai d’Art Contemporani de Castello, Spain.
Xscreen, Ludwig Museum, Vienna, Austria.
An Exhibition Around Life, Zen, and Art, Archivio Emily Harvey, Venice, Italy.
Catholic: A New Art Publication and Exhibition, Guild & Greyshkul, New York, NY.
Beta Launch: Artists in Residency, Eyebeam, New York, NY.
Form & Contents: Corporal Identity, Body Language, Museum for Angewandte Kunst, Frankfurt, Germany.
Critical Mass: Happenings, Fluxus, Performance, Intermedia & Rutgers University, 1958-1971, Mead Art Museum, Amherst College, MA.
Women in the Same Coat by Nicola L, Briggs Robinson Gallery, New York, NY.
Gloria: Another Look At Feminist Art of the 1970’s, Galleries at Moore, Philadelphia, PA.
Body Politics, Elga Wimmer PCC, New York, NY.
Witness: Theories of Seduction, Dorsky Gallery, New York, NY.
High Performance: The First Five Years, 1978-1982, Museum of Contemporary Art, Los Angeles, CA.
Various Properties, Morris & Helen Belkin Art Gallery, British Columbia, Canada.
Serious Play--Metaphorical Gestures, Austrian Cultural Center, New York, NY.
Homage to Rudolf Schwarzkogler, Baumgartner Gallery, New York, NY.
Crisis Response, The RISD Museum of Art, Providence, RI.
A Short History of Performance: Part One, Whitechapel Art Gallery, London, UK.
LondonCorporeal/Cuerpo Real, Photo Espana,. ARCO Gallery, Madrid, Spain.
The American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts and Letters, New York, NY.
Women Artists: Their Work and Influence, 1950s 1970s. Gallery Paule Anglim. San Francisco, CA.
La Chinoise Baumgartner Gallery , New York, NY
Goddess, Galerie LeLong, New York, NY
High Performance: The first 5 years 1978, Bard Center for Curatorial Studies, Annendale on Hudson, NY.
Textual Operations, White Box Gallery, New York, NY.
Art and Outrage, Robert Miller Gallery, New York, NY.
Postcards, AIR Gallery
Happening In Actions, Ludwig Museum
Basel Art Fair, Switzerland
Fluxus Itself, Reine Sophia Museum. Madrid, Spain.
Personal and Political: The Womens Art Movement, 1969-1975, Guild Hall, East Hampton, NY.
Austrian Cultural Forum, New York, NY. |