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Born 1953 in New York, NY
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Education
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1977 |
MFA Yale University, School of Art |
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1976 |
Royal College of Art, London |
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1975 |
BA Queens College, New York, NY
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One and Two Person Exhibitions
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2007
2003
2001 |
South of the Border: Recent Sculpture, P·P·O·W, New York, NY
P·P·O·W, New York, NY
Bernard Toale Fine Arts, Boston, MA
Fine Silver Gallery, San Antonio, TX |
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2000 |
Mid Career Survey Show, Art Inc. New York, NY |
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1999 |
P·P·O·W, New York, NY |
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1997 |
Esso Gallery, New York, NY
Conversation #2, with Susan Wanklyn, Art Inc., New York, NY |
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1993 |
Jose Freire Fine Art, Project Space, New York, NY |
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1992 |
fiction/nonfiction, New York, NY |
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1990 |
fiction/nonfiction, New York, NY |
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1989 |
Real Art Ways, with Ian Harvey, Hartford, CT
fiction/nonfiction, New York, NY |
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1988 |
fiction/nonfiction, New York, NY |
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1987
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fiction/nonfiction, New York, NY
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Selected Group Exhibitions
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2006
2004
2003
2001 |
Two Friends And So On, Andrew Kreps Gallery, New York, NY
Conceptual Realism, Rotunda Gallery, Brooklyn, NY
Travelers, Islip Art Museum, Long Island, NY
Port Louis Art In Embasies Program, Port Louis, Mauritius
She Lives on Love Street, Cheryl Pelavin Fine Art, New York, NY
Expanding Tradition: Contemporary Works Influenced by Indian Miniatures, Deutsche Bank, New York, NY |
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2000-01 |
Snapshot, Contemporary Museum, Baltimore, MD |
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2000 |
Paintland, Schmidt Contemporary Art Center, Los Angeles, CA
Paintland, Lemon Sky, A Project Space, Los Angeles, CA |
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1998 |
Women Artists in the Vogel Collection, Brenau University, Gainesville, GA |
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1997 |
Sculpture, James Graham and Sons, New York, NY
New Gallery Artists, Lemberg Gallery, Birmingham, MI
Across Lines, curated by Dan Devine, Rosenberg Gallery, Hofstra University, New York, NY |
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1996 |
Thing, Deven Golden Fine Art, New York, NY
Esso Gallery, Art Exchange, New York, NY
A.R.T., Gramercy Park Hotel, New York, NY
Incestuous, curated by Carter Kustera, Thread Waxing Space, New York, NY |
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1994 |
Delving and Tinkering, curated by Tom Butler, E.S. Vandam, New York, NY |
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1993 |
Legend in My Living Room, curated by Terry Myers, Rhona Hoffman Gallery, Chicago, IL
Hybrid Sculpture: New Direction in Contemporary Sculpture, Art Finds, Marsha Fogel Gallery, East Hampton, New York
Inaugural Exhibition, Tennisport Arts, Long Island City, NY |
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1992 |
Play Between Fear and Desire, curated by Jennifer Gross, Germans Van Eyck, New York, NY |
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1991 |
Gallery Group Exhibition: The Second One, fiction/nonfiction, New York, NY
Object/Subject: Sculpture/Installation, Paul Cava Gallery, Philadelphia, PA |
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1990 |
Gallery Group Exhibition: The First One, fiction/nonfiction, New York, NY |
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1989 |
Strange Attractors: Signs of Chaos, curated by Laura Trippi, The New Museum of Contemporary Art, New York, NY; fiction/nonfiction, New York, NY |
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1988 |
Wreaths, Arsenal Gallery, New York, NY
Sculpture 1988: A Salon of Small Scale Work, White Columns, New York, NY
John Davis Gallery, New York, NY
The Summer Exhibition 1988: 22 Artists, Michael Walls Gallery, New York, NY
Sculpture: On the Wall and on the Floor, curated by Jane Rosen, Katzen/Brown Gallery, New York, NY |
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1987 |
Sculpture Center, New York, NY
The Level Volume, curated by Judy Pfaff, Carl Solway Gallery, Cincinnati, OH
Contemplating Things, A sculpture Show in Two Parts, fiction/nonfiction, New York, NY
Queens College Alumni Show, New York, NY
Tower Gallery, New York, NY
Equilateral, Six to Six Gallery, New York, NY |
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1986 |
Not For Sale, Six to Six Gallery, New York, NY
Transformations, Richard Green Gallery, New York, NY
Indoors/Outdoors, El Bohio, New York, NY
1986 Wrap-Up, Six to Six Gallery, New York, NY |
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1985 |
The Mystery Show, The Jersey City Museum, Jersey City, NJ
On Relief, Washington Square East Galleries, New York, NY |
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1984 |
Exhibition One, Madaline Carter Fine Arts, Brookline, MA |
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1983 |
CAPS Fellowship Exhibit, Henry Street Settlement, New York, NY |
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1981 |
Artists of the Eighties, Webb Parsons Gallery, New Canaan, CT |
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1979 |
Bates College, Lewiston, ME |
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1977 |
Seven Springs, Bedford, NY
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Fellowships
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2005
2000 |
NYFA Fellowship, Sculpture
John Simon Guggenheim Fellowship |
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1983 |
CAPS Fellowship, Painting |
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Permanent Collections
The Metropolitan Museum of Art
The Vogel Collection at the National GAlley of Art
The Dupont Corporation
Prudential Insurance Company of America
The Edwards Collection
The Oliver-Hoffman Collection
The Peter Norton Collection
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Bibliography
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2007
2006
2003
2001
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Naves, Mario, "Border Crossing," The New York Observer, June 17, 2007.
Roberta Smith, The New York Times, August 4th, Two Friends And So On, Andrew Kreps Gallery, New York, NY.
Schmerler, Sarah, “Two Friends and So On,” Time Out New York, July 19, 2006.
Saltz, Jerry, “Our Crowds,” The Village Voice, July 12-18, 2006.
Berwick, Carly, Review, ARTnews, October 2003.
Amy, Michael, Review, Art in America, October 2003.
Review. The New Yorker, June 16 & 23, 2003. p. 50.
Naves, Mario, “Loop – the – Loop, Hindu Style, Archives Cluttered Equilibrium,” The New York Observer, June 23,2003. p. 16.
Review. The New York Times, May 4, 2001. p. E33.
Freeman, David McCall. Voices of Art, February-May 2001, (9:1), p. 6-7, cover. |
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2000 |
Naves, Mario. The New York Observer, December 18, 2000. p. 24.
Johnson,Ken. The New York Times, Fine Arts, Leisure, December 8, 2000. p. E44.
Jim, Ruth. Guggenheim Sculpture Freedom, Sunday News, 2000. p. H1 & H8, Lancaster, PA |
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1999 |
Princenthal, Nancy. Review, Art in America, November 1999. p. 140-141.
Myers, Terry R. Review, Art/Text, August-October 1999. p. 92-93.
Arning, Bill. Review, Time Out New York, March 4-11, 1999. p. 55.
Glueck, Grace. The New York Times, February 26, 1999. p. E42.
Glueck, Grace. Review, The New York Times, February 19, 1999. |
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1997 |
Kimmelman, Michael. Review, "Sculpture," The New York Times, August 8, 1997.
Drucker, Johanna. "Things and Objecthood," Sculpture, April 1997, vol. 16, no. 4, p. 20-23, reproduction. |
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1996 |
Bell, J. Bower. Review, Art, October 15, 1996. p. 13 |
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1994 |
Patner, Andrew. Review, "Legend in My Living Room," New Art Examiner, April 1994 |
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1993 |
Braff, Phyllis. Review, "Hybrid Sculpture," The New York Times, June 13, 1993. |
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1992 |
Bass, Ruth. Review, ARTnews, November 1992, p.143, reproduction.
Myers, Terry. Review, Tema Celeste, Autumn 1992, p. 95, reproduction.
Hagen, Charles. Review, "Play Between Fear and Desire," The New York Times, May 8, 1992.
Myers, Terry. "Abstraction Gets A Life," Tema Celeste, Summer 1992. |
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1991 |
Sozanski, Edward, J. Review, The Philadelphia Inquirer, July, 4, 1991. p. 3C, reproduction.
Jones, Mary. Review, " Marilyn Lerner/Jill Levine," Arts Magazine, February 1991, p. 82, reproduction. |
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1989 |
Myers, Terry. Review, "Chaos Exhibition," Flash Art, November/December 1989, p. 137- 8, reproduction.
Johnson, Ken. Review, Art in America, October 1989, p. 212, reproduction.
Catalogue, Strange Attractors: Signs of Chaos, curated by Laura Trippi, The New Museum of Contemporary Art, New York, NY
Cyphers, Peggy. Review, Arts Magazine, September 1989, p. 100, reproductions.
Hirsh, David. "Summer Thrills for Humid Heat," The New York Native, July, 24, 1989, p. 30.
Kalina, Richard. Catalogue, fiction/nonfiction, New York, NY, reproductions.
Schwedenwein, Jude. Review, "Real Art Ways," The Hartford Current, March 12, 1989. p. G8, reproduction. |
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1985 |
Raynor, Vivien. "Jersey City Mystery Show," The New York Times, p. 24 |
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