P·P·O·W | Lynne Yamamoto

	Education
	1996	Skowhegan School of Painting & Sculpture, Skowhegan, ME
	1993	Whitney Museum Independent Study Program, New York, NY
	1992	Artist-in-the-Marketplace, Bronx Museum of the Arts, Bronx, NY
	1991	New York University, New York, NY (MA in Studio Art)
	1985	Inter-University Center for Film and Critical Studies, Paris, France
	1983	The Evergreen State College, Olympia, WA (BA in Art)
	1981	University of Hawai’i, Honolulu, HI
	One Person Exhibitions
	2006	Termite Weather. Drury Gallery, Marlboro College, VT
	2004	Smooth Cayenne P.P.O.W., New York, NY
	2003	Smooth Cayenne. The Mattress Factory, Pittsburgh, PA
	2001	Resplendent, P·P·O·W Gallery, New York, NY
	2000	Gallery 3: P·P·O·W Gallery, New York, NY This, and my heart, Rhode Island School of Design Museum, Providence, RI (collaboration with Mount Pleasant High School students)
	1999	Eyes, Dark, Phillip Feldman Gallery, Pacific Northwest College of Art, Portland, OR The Long Twilight, Whitney Museum of American Art at Phillip Morris, New York, NY
	1998	New Work, Greg Kucera Gallery, Seattle, WA Grasp, George Suyama Architect Space, Seattle, WA
	1997	Selected Work, P.S. 1 Contemporary Art Center, LIC, NY They all fall down, articule, Montreal, Canada
	1996	Submissions, The Contemporary Museum, Honolulu, HI
	1994	Night Waters, Art in General, New York, NY
	1992	I hang my hat up after work, The James Howe Gallery, Kean College, Union, NJ
	1991	Hope Springs Eternal, Art in General, New York, NY
	Two Person Exhibitions
	1999	Lynne Yamamoto and Drew Dominick, Philip Feldman Gallery, Pacific Northwest College of Art, Portland, OR
	1997	Degree of Separation, collaborative installation with Kerri Sakamoto, YYZ, Toronto, Canada
	1996	Evidence of Memory, with Tomie Arai, Whitney Museum at Champion, Stamford, CT I am not what I am, organized by Barbara Hunt and Suzy Kerr, Leeds Metropolitan University Gallery, Leeds, UK
	1995	There to Here, with Tomie Arai, Lafayette College Art Gallery, Easton, PA
	1993	Wash Closet, concurrent with Brennan McGaffey, Information Gallery, New York, NY
	Selected Group Exhibitions
	2007	Pulse Miami Art Fair, Soho Studios, Miami, FL. Ornamental Instincts, Wave Hill Gallery, Bronx, NY.
	2006	The Studio Visit, organized by Jodi Hanel. Exit Art, New York, NY.
	2005	S1MB1OS1, Centenario Severo Ochoa, Luaraca, Spain Bodies of Evidence: Contemporary Perspectives. Rhode Island School of Design Museum of Art, Providence, RI. Simbiosis: Zonas de Contacto, organized by Celsa Fernández San Narcisco. Luarca, Asturias, Spain (collaboration with Lucretia Knapp). Honolulu to New York, curated by Allison Wong. The Contemporary Museum, Honolulu, HI Collection Remixed, curated by Lydia Yee. Bronx Museum of the Arts, Bronx, NY The Print Show. Exit Art. New York, NY
	2004	179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY Issho/Together: Japanese American/Japanese National Artists in America 1941-present.Meridian Gallery, San Francisco, CA Face Value. The ARTS at Marks Garage, Honolulu, HI
	2003	Telling Stories: Narrative Photographs. Selections from the Portable Works Collection, City Space, Seattle, WA Fresh Talk Revisited, Asian/Pacific/American Studies Gallery, New York University, New York, NY Only Skin Deep National Survey, International Center of Photography internet exhibition A Theory of Relative Power, organized by Franklin Sirmans, Henry Street Settlement Abrons Arts Center, New York, NY
	2001	Asian Pacific American Artists from the Seattle Arts Commission Portable Works Collection, organized by Mayumi Tsutakawa, Wing Luke Asian Museum, Seattle, WA other, organized by Kendal Henry, Henry Street Settlement Abrons Arts Center, New York, NY
	2000	Construction in Process VII, organized by Ryszard Wasko, The Artists’ Museum, Lodz, Poland Welcome, organized by Jennifer McGregor, Wave Hill Glyndor Gallery, Bronx, NY “Good Business is the Best Art” Twenty Years of the Artist in the Marketplace Program, The Bronx Museum of the Arts, NY akihabara TV, organized by Command N, Tokyo, Japan (project work in collaboration with Lucretia Knapp) The End: An Independent Vision of Contemporary Culture, 1982 - 2000, organized by Jeanette Ingberman and Papo Colo, Exit Art, New York, NY
	1999	The Time of Our Lives, organized by Marcia Tucker, The New Museum of Contemporary Art, New York, NY (collaboration with students and teachers, Robert F. Wagner Jr. Institute for the Arts and Technology)
	1998	Asian-American Artists: Cross-Cultural Voices, organized by Rhonda Cooper and Young Park, Stahler Center for the Arts, SUNY at Stony Brook, NY Histories (Re)membered: Selections from the Permanent Collection of the Bronx Museum of the Arts, organized by Marysol Nieves, Paine-Webber Art Gallery, New York, NY Site of Asia, Site of Body, organized by Fu-Chia-Wen Lien and Hsiao-Ning Tu, Taipei Gallery, New York, NY East of the Sun, organized by Fred Liang and Jason Yi, Milwaukee Institute of Art and Design, WI Constructions in Multiple Hues, organized by A.M. Weaver, Painted Bride Art Center, Philadelphia, PA
	1997	Fermented, organized by Barbara Hunt and Amy Sadao, Aronson Galleries, New York, NY Family Stories, organized by Katherine Kreisher, Foreman Gallery, Hartwick College, Oneonta, NY Existing Things, organized by Anton Vidokle, Paco das Artes, Sao Paolo, Brazil The Compulsion to Remember, organized by Rachel Gugelberger, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
	1996	Incandescent, organized by Laura Cottingham, Luisiana Museum for Moderne Kunst, Humlabaek, Denmark Measured Movement: The Art of Labor, organized by Consuelo Underwood and Alyssa Erikson, San Jose State University Art Gallery, San Jose, CA
	1995	Accumulation, organized by Robin Hill, The Work Space, New York, NY Sculpture Space: Celebrating 20 Years, Munson Williams Proctor Institute, Utica, NY Telling Stories, City Site Works, Atlanta Arts Festival, Atlanta, GA (collaboration with Aresh Javadi and students of Booker T. Washington High School and Harland Teen Center- Boys & Girls Club) Latent August: The Use of the Atomic Bomb, A 50-year Retrospective, organized by the National Japanese American Historical Society, San Francisco, CA (dis) ORIENTED: Shifting Identities of Asian Women in America, organized by Margo Machida, Abrons Art Center, Henry Street Settlement and Steinbaum Krauss Gallery, New York, NY MINI-MUNDUS, organized by Teresa Bramlette, White Columns, New York, NY FaceForward: Contemporary Self-Portraiture, organized by Maureen Sherlock, John Michael Kohler Arts Center, Sheboygan, WI Division of Labor: Women’s Work in Contemporary Art, 1970 – 95, organized by Lydia Yee, Bronx Museum of the Arts, NY and the Museum of Contemporary Art, Los Angeles, CA
	1994	In-Sites: Lower East Side Artists Re-think Neighborhood Spaces, organized by Ellen Wexler, Abrons Art Center, Henry Street Settlement, New York, NY (collaboration with Aresh Javadi) Sum of the Parts, organized by Gaye Chan, University of Hawai’i Art Gallery, Honolulu, HI Page 4, organized by Hilda Daniel, 450 Broadway Gallery, New York, NY Four Story Building, organized by Skowmon Hastanan, Lehman College Art Gallery, Bronx, NY
	1993	The Return of the Cadavre Exquis, The Drawing Center, New York, NY Construction in Process IV, The Artists’ Museum, Lodz, Poland Dirty Ornament, organized by Amanda Trager, The Rotiunda Gallery, Brooklyn, NY New Expressions in Asian American Art, organized by Shan-Hong Sheng, Eugenie Tsai, and Ray Ring, Mina Rees Library, CUNY Graduate Center,New York, NY Female Body Parts: From Geography to Fetish, organized by Betty-Sue Hertz, Longwood Arts Project, Bronx, NY The Curio Shop, organized by Godzilla (Asian American Artists Network), Artists Space, New York, NY Selections: The Work of Women, organized by Carl Hazlewood, ALJIRA, A Center for Contemporary Art, Newark, NJ Embrace, Enclose, Include, collaborative installation with Aresh Javadi, PS 122 Gallery, New York, NY
	1992	Fever, organized by Jeanette Ingbermann and Papo Colo, Exit Art, NY and the Wexner Center for the Arts at The Ohio State University, Columbus, OH Hair, organized by Alison Ferris, John Michael Kohler Art Center, Sheboygan, WI Dirt and Domesticity: Constructions of the Feminine, organized by Jesus Fuenmayor, Kate Haug, and Fraser Ward, Whitney Museum at Equitable Center, New York, NY Mssr. B’s Curio Shop, organized by Saul Ostrow, Thread Waxing Space, New York, NY Artist-in-the-Marketplace XII, organized by Connie Butler, Bronx Museum of the Arts, Bronx, NY Encountered with Diversity, organized by Zdenka Gabalova, P.S. 1 The Institute for Contemporary Art, LIC, NY
	1987/90	Artists of Hawai’i, Annual Juried Exhibition, Hoinolulu Academy of Arts, Honolulu, HI
	Collections Munson -Williams-Proctor Arts Institute Seattle Arts Commission Museum of Art, Rhode Island School of Design Metropolitan Museum of Art New York Public Library Museum of Modern Art Microsoft Corporation Hawai’i State Foundation on Culture and the Arts Museum of Contemporary Art, Los Angeles Bronx Museum of the Arts Whitney Museum of American Art Private Collections
	Publications
	2004-6	Freeze (working title) permanent work for Central Branch of The Seattle Public Library
	Awards, Grants and Scholarships
	2006	LEF New England Contemporary Work Fund Award
	2005	Hawai'i State Foundation on Culture and the Arts Purchase Award
	2002	Penny McCall Foundation Award
	2001	Creative Capital Foundation Grant
	1999	Japan-United States Arts Program, Asian Cultural Council Special editions fellowship, Lower East Side Print Shop
	1996	Anonymous Was a Woman Foundation Grant
	1995	Fellowship for participation in the Henry Street Settlement Studio Program
	1994	New York Foundation for the Arts, Artist-in-Residence Program
	1992	Funded Residency at Sculpture Space Diverse Forms Artists’ Projects Grants Van Lier Fund Fellowship for participation in the Whitney Museum Independent Study Program
	1989/88	Hawai’I State Foundation on Culture and the Arts Purchase Award
	Bibliography
	2008	Time Out New York. Reproduction of Inheritance. (January 3, 2008)
	2005	Jaime Luis Martín. "Arqueología y vídeo," La Nueva España. August 8, 2005. Morse, Marcia. "Island hopping," Honolulu Weekly. August 10-16, 2005. Farmer, David C. "Artists capture essence of Hawai'i," The Honolulu Advertiser. June 12, 2005.
	2003	Mary Thomas. "Breaking the Crown," Pittsburgh Post-Gazette. October 24, 2003. Ella Shohat. "Lynne Yamamoto: Reflections on Hair and Memory Loss." Fresh Talk Daring Gazes: Conversations on Asian American Art, edited by Elaine Kim, Margo Machida, Sharon Mizota. U.C. Press Jonas Kover. "Exhibit a creative symbol of kamikaze," Observer-Dispatch. March 2003. Kerri Sakamoto. "Unbroken Blossoms: Ambivalence and Beauty in the Work of Lynne Yamamoto," catalogue essay for Resplendent, Munson Williams Proctor Arts Institute, Utica, NY
	2002	Gookin, Kirby. Review of “Resplendent” ArtForum, March 2002.
	2001	Listing, Time Out NY, February 2001. Listing: “Resplendent,” The New Yorker, Dec 24-31, 2001.
	2000	Lower East Side Print Shop, April 2000, Eyes Dark, Pamphlet. Wave Hill Glyndor Gallery, May-Aug. 2000, Pamphlet. Sirmans, Franklin. “The End: An Independent Vision of Contemporary Culture, 1982 – 2000,” Review, TimeOut New York, Summer 2000.
	1999	Chua, Lawrence. “twilight zone,” Dutch, issue 22, 1999. Kee, Joan. “Lynne Yamamoto,” Art Papers Magazine, July/August, 1999. Goodman, Jonathan. ”Lynne Yamamoto,” Contemporary Visual Arts, issue 23, 1999. Nakane, Kazuko. “Lynne Yamamoto,” ART Asia Pacific, no. 22, 1999. Neel, Alex. “The Long Twilight: An Installation by Lynne Yamamoto,” TimeOut New York, March 18 – 25, 1999. Glueck, Grace. “Lynne Yamamoto: The Long Twilight,” The New York Times, March 12, 1999.
	1998	Kee, Joan. “Balancing Act: Tension and Tenacity in Asian American Art,” ART Asia Pacific, no. 20, 1998. DeVuono, Frances. “Lynne Yamamoto,” New Art Examiner, September 1998. Lien, Fu-Chia-Wen. “The Body as Metaphor for Feminist Expression,” Asian Art News, July/August 1998. Nadelman, Cynthia. “Site of Asia/Site of Body,” ARTnews, Summer 1998. Lowenberg, Cathy. “Quirkier, Stranger, Funnier: Talking to Lynne Yamamoto,” International Examiner, June 3 – 17, 1998. Updike, Robin. “Portraits of personal history,” The Seattle Times, May 21, 1998. Shapiro, Samantha. “Hairstory,” The Stranger, May 21, 1998. Hackett, Regina. “Exhibits by New York’s Yamamoto,” Seattle Post-Intelligencer, May 4, 1998. Decker, Andrew. “The Art of Now: Nine Artists on the Cutting Edge,” Diversion, April 1998. Guequierre, Nathan. “East or West,” Shepherd Express, April 2, 1998. Auer, James. “Ehibit weaves starnds of memory,” Milwaukee Journal Sentinel, March 25, 1998. Chaiklin, Amy. “Studio Visit: Lynne Yamamoto,” NY Arts Magazine, February/March 1998. Ruas, Charles. “Jack Smith, Jackie Winsor, John Coplans, Lynne Yamamoto,” ARTnews, February 1998, Heartney, Eleanor. “The Return of the Red-Brick Alternative,” Art in America, January 1998.
	1997	Maclear, Kyo. “Through the Looking Glass,” catalogue essay for Degree of Separation, YYZ, Toronto, Canada. Stevens, Mark. “Queens for a Day,” New York Magazine, November 10, 1997. Griffin, Tim. “Lynne Yamamoto: Selected Work,” Time Out, November 6 – 13, 1997. Camhi, Leslie. “P.S. 1: Back in Session,” The Village Voice, November 4, 1997. MacAdam, Barbara A. “A Space for the 90s with the Spirit of 76,” ARTnews, November 1997. Cotter, Holland. “A Grandchild Remembers Her Roots,” The New York Times, October 31, 1997.
	1996	Higa, Karin. “Some Thoughts on National and Cultural Identity: Art by Contemporary Japanese and Japanese American Artists,” Art Journal, Fall 1996. Morse, Marcia. “Lynne Yamamoto at the Contemporary Museum,” Artweek, November 1996. Rose, Joan. “Contemporary Museum exhibits spiritual, sensual," The Honolulu Advertiser, September 29, 1996. Sakamoto, Kerri. Catalogue essay for Submissions, The Contemporary Museum. Catalogue essay for Evidence of Memory, Whitney Museum of American Art at Champion. Cottingham, Laura. Catalogue essay for “Incandescent” section of NowHere, Louisiana Museum for Moderne Kunst, Humlebaek, Denmark. Yang, Alice. “Disorienting Territories,” Art Asia Pacific, 1996
	1995	Sakamoto, Kerri. Catalogue essay for From There to Here, Lafayette College Art Gallery. Kahn, Robin, ed. Time Capsule: A Concise Encyclopedia by Women Artists. “Calabash,” Honolulu Magazine, August 1995. Machida, Margo. Catalogue essay for (dis)ORIENTED: Shifting Identities of Asian Women in America, Abrons Art Center, Henry Street Settlemnt and Syteinbaum Krauss Gallery, New York, NY. Atkins, Robert. “As Ye Sew,” The Village Voice, April 25, 1995, Karmel, Pepe. “Expressing the Hyphen in ‘Asian American’,” The New York Times, April 23, 1995. Cotter, Holland. “Feminist Art, 1962 Until Tomorrow Morning and International,” The New York Times, March 17, 1995. Yee, Lydia. Catalogue essay for Division of Labor: Women’s Work in Contemporary Art, Bronx Museum of the Arts.
	1994	Cottingham, Laura. “The Feminist Continuum: Art After 1970,” The Power of Feminist Art, edited by Norma Broude and Mary D. Garrard. Chan, Gaye. Catalogue essay for Sum of the Arts, University of Hawai’i Art Gallery. “Construction in Process IV,” New Observations, edited by Suzy Surek. Hess, Elizabeth. “Growing Paints,” The Village Voice, April 25, 1994. Sakamoto, Kerri. Essay for Night Waters, Art in General. Catalogue essay for Four Story Building, Lehman College Art Gallery.
	1993	Bayliss, Sarah. “Lynne Yamamoto at Information Gallery,” Art in America, December 1993. Smith, Roberta. “Nailing down (precisely) the drudgery and joy of women,” The New York Times, September 10, 1993. Promotional Copy, edited by Robin Kahn Mukerji, Sumitra. Essay for “Female Body Parts: From Geography to Fetish,” Longwood Arts Journal 1992 – 1993, Bronx Council on the Arts. The Curio Shop catalogue, Godzilla/Artists Space Hazelwood, Carl E. Catalogue essay for Selections: The Work of Women, ALJIRA, A Center for Contemporary Art Ferris, Alison. Catalogue essay for Hair, John Michael Kohler Arts Center.
	1992	Hess, Elizabeth. “Give Me Fever,” The Village Voice, December 29, 1992. Kimmelman, Michael. “Promising Start at a New Location,” The New York Times, December 18, 1992. P.S. 1 Studio Program: 1991 – 92, Catalogue, P.S. 1/The Institute for Contemporary Art Artist in the Marketplace XII, Catalogue, The Bronx Museum of the Arts Smith, Roberta. “A Conceptual Face-Off at 2 Whitney Branches,” The New York Times, June 26, 1992. Ward, Frazer. “Foreign and Familiar Bodies,” in exhibition catalogue for Dirt and Domesticity: Constructions of the Feminine, Whitney Museum of American Art. Ostrow, Saul. Catalogue essay for Mssr. B’s Curio Shop, Thread Waxing Space.