1956 Born in Peoria, IL. Raised in Northern California.
Currently lives in New York
EDUCATION
1985
—M.F.A., Painting; Yale School of Art, New Haven, CT
1981
—B.F.A. with High Honors in Painting and Printmaking; University of California, Santa Cruz, CA Megumi Ogita
SOLO EXHIBITIONS
2010
—Boy, Oh Boy, P•P•O•W Gallery, New York, NY
2009
—Mark Moore Gallery, Los Angeles, CA
2008
—Broken Homes, Catharine Clark Gallery, San Francisco, CA
—Lux Art Institute, Encinitas, CA
—Megumi Ogita, Tokyo, Japan
—Lisa Sette Gallery, Scottsdale, AZ
2007
—Booty, P·P·O·W Gallery, New York, NY
—Kendall Gallery, Michigan State University, Lansing, MI
2006
—Everything That Rises, University Art Museum, University at Albany, Albany, NY
—Traveled to: Weatherspoon Art Museum, University of North Carolina, Greensboro, NC;
—Columbia Museum of Art, Columbia, SC
—Heaven and Hell, P·P·O·W Gallery, New York, NY
—Catharine Clark Gallery, San Francisco, CA
2005
—Lisa Sette Gallery, Scottsdale, AZ
—Robert Kidd Gallery, Birmingham, MI
2004
—Bannister Gallery, Rhode Island College, Providence, RI
—Robert Kidd Gallery, Birmingham, MI
—John Michael Kohler Art Center, Sheboygan, WI
—Mint Museum Of Art, Charlotte, NC
—Peter Miller Gallery, Chicago, IL
—Paul Kopeikin Gallery, Los Angeles, CA
2003
—P·P·O·W Gallery, New York, NY
—Herter Art Gallery, University of Massachusetts, Amherst, MA
—LittleJohn Contemporary, New York, NY
2002
—Linda Durham Gallery, Galisteo, NM
—The Divine Fruit, curated by Deanna Bland, James David Brooks Gallery, —Fairmount State College, School Of Fine Arts, Fairmount, WV; Catalogue
2001
—Peter Miller Gallery, Chicago, IL
—P·P·O·W and LittleJohn Contemporary, New York, NY; Catalogue
1999
—Peter Miller Gallery, Chicago, IL
—Alcott Gallery, Hanes Art Center, University Of North Carolina, Chapel Hill, NC
—P·P·O·W and LittleJohn Contemporary, New York, NY
1998
—Peter Miller Gallery, Chicago, IL
1997
—LittleJohn Contemporary, New York, NY
—Allegheny College Gallery, Meadville, PA
1996
—LittleJohn Contemporary, New York, NY
—Inside Outside, Leedy Voulkos Gallery, Kansas City, MO
—Recent Work, Peter Miller Gallery, Chicago, IL
1994
—Recent Work, LittleJohn/Sternau Gallery, New York, NY
—Inside Out, Sarah Moody Gallery, University Of Alabama, Tuscaloosa, AL.
1993
—Recent Work, LittleJohn/Sternau Gallery, New York, NY
SELECTED GROUP EXHIBITIONS
2010
—Private (Dis)play, New York Academy of Art, New York, NY
—ADAA: The 22nd Annual Art Show, Park Avenue Armory, New York, NY
2009
—The Platonic Ideal, Forum Gallery, New York, NY
—Enchantment, Joseloff Gallery, University of Hartford, West Hartford, CT
—Epic Painting, Samek Gallery, Bucknell University, Lewisburg, PA
—Flower Power, Herter Gallery, University of Massachusetts, Amherst, MA
—Beyond Appearances, Lehman College Art Gallery, Bronx, NY
—Signs of the Apocalypse/Rapture, Hyde Park Art Center, Chicago, IL
—Forces of Nature, Danese, New York, NY
—The Garden at 4am, Gana Art, New York, NY
—Speak for the Trees, Friesen Art Gallery, Sun Valley, ID
—Bods: Rethinking the Figure, Robert Kidd Gallery, Birmingham, MI
2008
—183rd Annual: An Invitational Exhibition of Contemporary Art, National Academy, New York, NY
—The Figure Revealed, Kalamazoo Institute Of Arts, Kalamazoo, MI
—ART Chicago, P·P·O·W Gallery, Chicago, IL
—PULSE Art Fair, P·P·O·W Gallery Miami, FL
— belle du jour, Collette Blanchard Gallery, New York, NY
—Say Good-bye to..., curated by Donna Harkavy and Marion Wilson, Clifford Art Gallery, Hamilton, NY
2007
—Transitional Objects: Contemporary Still Life, Neuberger Museum Of Art, Purchase College, NY
—Girly Show, Wignall Museum, Cucamonga, CA
—Ultrasonic International II: Transcending Transience, Mark Moore Gallery, Santa Monica, CA
—Breaking Ground, Ground Breaking, Catherine Clark Gallery, San Francisco, CA
—Old School, Hauser & Wirth, London, England. Traveling to: Zwirner & Wirth, New York, NY
—The Feminist Figure, curated by Marcia G. Yerman, Forum Gallery, New York, NY
—Art Chicago Contemporary Art Fair P·P·O·W Gallery , Chicago, IL
—PULSE Contemporary Art Fair, P·P·O·W Gallery, New York, NY
—First Annual Contemporary Art Invitational, curated by Katherine Chapin, The Salmagundi Club Of New York, New York, NY
—More is More: Maximalist Tendencies in Recent American Painting, curated by Tatiana Flores Museum of Fine Arts, Florida State University, Tallahassee, FL
2006
—Transformative Portraits: Altered Identities in Contemporary Art, Richard A. and Rissa W. Grossman Gallery, Lafayette College, Easton, PA
—Figuring the Landscape, Contemporary Art Galleries, University of Conneticut, Storrs, CT
—Realm of the Spirit, Mike Weiss Gallery, New York, NY
—New Art. New York: Reflections on the Human Condition, curated by Margaret Mathews-Berenson, Trierenberg Art, Traun, Austria; Catalogue
—New Old Masters, curated by Donald Kuspit, National Museum in Gdansk, Gdansk, Poland
—Lisa Sette Gallery, Scottsdale, AZ
—Why the Nude?, New Phyllis Harriman Mason Gallery- The Art Students League of New York, York, NY.
—Transitional Objects: Contemporary Still Life, Neuberger Museum, curated by Dede Young, Purchase, NY
2005
—Entourage, Mike Weiss Gallery, New York, NY
—Visitors from the East, Billy Shire Fine Arts, Lost Angeles, CA
—Social Insecurity: the future ain't what it used to be, Catherine Clark Gallery, San Francisco, CA
—DFN Animal Tales, DFN Gallery, New York, NY
—Then as Now, Sordoni Art Gallery, Wilkes University, PA
—Trouble in Paradise, curated by Amy Lipton, Abington Art Center, Jenkintown, PA
—High Drama: Eugene Berman and the Theater of the Melancholic Sublime, curated by Michael Duncan; Georgia Museum of Art, Athens, GA
Traveled to: McNay Art Museum, San Antonio, TX. Long Beach Museum Of Art, Long Beach, CA
2004
—21, P·P·O·W, New York, NY
—Me, Myself and I, Schmidt Center Gallery, Florida Atlantic University, Boca Raton, FL
—About Painting, curated by Ian Berry, The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Sprints, NY
—Trouble in Paradise, curated by Amy Lipton, Van Brunt Gallery, New York, NY
—The 179th Annual, National Academy, Museum and School of Fine Arts, New York, NY
—She's Not There, curated by Catherine Howe, New York Academy of Art, New York, NY
—Earthly Delights, curated by Lisa Tung; Massachusetts College of Art, Boston, MA
2003
—Women and Self-Representation in Contemporary Art,Palmer Museum, Penn State University, State College, PA
—People, Places & Things, DFN Gallery, New York, NY
—Woman on Woman, White Box Gallery, New York, NY
—The 'Burbs, DFN Gallery, New York, NY
2002
—Masquerade, Kohler Fine Arts Center, Sheboygan, MI
—Anderson Ranch Arts Center, Snowmass Village, CO
—Social Landscape, P·P·O·W, New York, NY
—Collecting Contemporary Art: A Community Dialogue, Auckland Art Museum, Chapel Hill, NC
—American Academy Invitational Exhibition of Painting and Sculpture, The American Academy Of Arts and Letters, New York, NY
—Snapshot, Aldrich Museum of Contemporary Art, Ridgefield, CT
—Pixerina WITCHERINA, curated by Bill Congers of Illinois State University, Wake Forest University Fine Arts Gallery, Normal, NC; Winston-Salem, NC; Catalogue
2001
—Holcombe T. Green, Jr. Hall, Yale University School of Art Alumni Show, New Haven, CT
—Of Dreams and Dreamers, Gallery, Carl Hammer Chicago, IL
—Invited! , First Street Gallery, New York, NY
—PixerinaWitcherina, University Galleries, University of Illinois, Normal, IL
2000
—Snapshot, Contemporary Museum, Baltimore, MD
—The Swamp, On the Edge of Eden, Samuel P. Harn Museum, Gainesville, FL
—American Art Today: Fantasies and Curiosities, curated by Dahlia Morgan, The Art Museum at Florida International University, Miami, FL
—Nude + Narrative, P·P·O·W, New York, NY
—The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, Snug Harbor Art Center, curated by Lily Wei, Staten Island, NY
—Private Worlds, curated by Joan Semmel, Art in General, New York, NY
—Re-configuring the Heroic, Artemesia Gallery, Chicago, NY
—Self-Portraiture, curated by Tom Finkelpearl, Kwangju Biennale 2000, Kwangju, South Korea
—Looking Back, Bard College, Center for Curatorial Studies Museum, Annandale-on-Hudson, NY
—What Goes Around Comes Around, Katonah Museum, curated by Barbara Bloemink, Katonah, NY
—Quirky, Adam Baumgold Fine Art, New York, NY
Squsquehana Art Museum, curated by Sean Mellyn, Harrisburg, PA
—Animal Artifice, The Hudson River Museum, Yonkers, NY
1999
—Beyond the Millennium, Brattleboro Museum and Art Center, Brattleboro, VT
—Food for Thought, HidellBrooks Gallery, Charlotte, NC
—And Everything Nice, curated by Phyllis Bramson, Rockford Art Museum, Rockford, IL
—Distilled Life, curated by Medrie MacPhee, Bard College, the Fisher Arts Center, Annandale-on Hudson, NY
—Food for Thought, New Jersey Center for Visual Arts, Summit, NJ
—Figuratively Speaking, Painting Center, New York, NY
—Road Show, DFN Gallery, New York, NY
—Montclair State University Faculty Exhibition, Mi Qui Modern Art Workshop, Shanghai University, Shangai, China
1998
—Heroic Painting, Phoenix Art Museum, Phoenix, AZ, andColumbia Museum of Art, Columbia, SC
—New Museum, Annual Art Auction and Exhibition, New York, NY
—Animal as Muse, Norton Museum, West Palm Beach, FL
—David Floria Gallery, Aspen, CO
—Mysterious Presences, Tory Folliard Gallery, Milwaukee, WI
—Flora, Elise Goodheart Gallery, Sag Harbor, NY
—May Day, curated by Carrie Mae Weems, P·P·O·W, New York, NY.
—Group Exhibition, P·P·O·W, New York, NY
—Art Miami, P·P·O·W Miami, FL
1997
—Identity Crisis: Self-Portraiture at the End of the Century Milwaukee Art Museum, Milwaukee, WI, and Aspen Art Museum, Aspen, CO,
—The Press of my Foot to the Earth Springs a Hundred Affections, curated by Byron Kim, The Rotunda Gallery, New York, NY
—In Memory of Pleasure, curated by Andrea Inselmann, John MichaelKohler Arts Center, Sheboygan, WI
—Tabletops: Morandi to Mapplethorpe, curated by Reesey Shaw, California Center for the Arts Museum, Escondido, CA
—American Art Today: The Garden, curated by Dahlia Morgan, The Art Museum, Florida International University, Miami, FL
1996
—Collectors Choice, Orlando Museum of Art, Orlando, FL
—The Mythic Narrative, curated by Signe Mayfield, Palo Alto Cultural Center, Palo Alto, CA
—Works on Paper, Weatherspoon Art Gallery, Greensboro, NC
—The Classics Revisited, Winston-Wachter Fine Art, New York, NY
—Animal, Vegetable, Mineral, University of New Hampshire, Durham, NH
—Heroic Painting: Bo Barlett, Vincent Desiderio, Walton Ford, Lawrence Gipe, Julie Heffernan, Komar and Melamid, Mark Tansey, curated by Susan Lubowski, SECCA (Southeastern Center for Contemporary Art), Winston-Salem, NC. Exhibition
traveled to: Tampa Museum of Art, Tampa, FL
Queens Museum of Art, Queens, NY
Knoxville Museum of Art, Knoxville, TN
The Contemporary Arts Center, Cincinnati, OH
Mississippi Museum of Art, Jackson, MS
University Gallery, University of Massachusetts, Amherst, MA
Chicago Cultural Center, Chicago, IL
1995
—Art in Embassies Program, Prague, Czech Republic
—Virtual Reality, LittleJohn Contemporary, at the Armory, New York, NY
—10th Annual Summer Invitational, Leedy Voulkos Gallery, Kansas City, MO
—Insight, David Beitzel Gallery, New York, NY
—Inside Out, Aldrich Museum of Contemporary Art, Ridgefield, CT
1994
—Animals, curated by Ressey Shaw (with Nauman, Butterfield, Koons, —Roller-Wilson, and others), California Center for the Arts, Escondido, CA
—Miniatures, Olga Dollar Gallery, San Francisco, CA
—Paper, Peter Miller Gallery, Chicago, IL
—Opening Pandora, LittleJohn/Sternau, New York, NY
1993
—Urgent Nostalgia, curated by Prudence F. Roberts (with Desiderio, Gipe, Innerst, Joan Nelson), Center on Contemporary Art, Seattle, WA
—University Art Gallery, New Mexico State University, Las Cruces, NM
—Interior Outlook, The Gallery at Hastings on Hudson, Hastings-on-Hudson, NY
—Timothy Hawkesworth and Julie Heffernan, LittleJohn/Sternau, New York, NY
1992
—Six Painters, LittleJohn/Sternau Gallery, New York, NY
—The Salon Show, Art in General, New York, NY
—Pools, The Aspen Art Museum, Aspen, CO
1991
—Science and Art, Indiana University Art Museum, Bloomington, IN
—Helander Gallery, New York, NY
—Pools, (with Barlett, Clemente, Hockney, Fischl, others), Stuart Levy Gallery and Helander Gallery, New York, NY
1990
—Pools, Norton Museum, West Palm Beach, FL
—Pools, AM Gallery, Moscow, USSR
—Modus Vivendi Gallery, Pools, Zurich, Switzerland
—Helander Gallery, New York, NY
AWARDS AND FELLOWSHIPS
2008
—Thomas Bennett Clarke Prize, National Academy Museum, New York, NY
2004
—Thomas R. Proctor Prize, National Academy Museum, New York, NY
2003
—National Honor Society of Phi Kappa Phi
2002
—America Academy of Arts and Letters: Nominee
1997
—Lila Acheson Wallace Reader's Digest Artistat Giverny: Artist in Residence
1996
—New York Foundation for the Arts: Individual Artists Grant
1995
—National Endowment for the Arts: Individual Fellowship Grant Pennsylvania State University: Fund for Research
1994
—Pennsylvania State University: College Faculty Research Grant
Hillwood Art Museum (NYSCA): Project Residency Grant
1990
—Skowhegan School of Painting And Sculpture, Skowhegan, ME: Painting fellowship
1987
—Institute for Art and Urban Resources, P.S.1, New York, NY: Artist-in-Residence and Studio Grant
1986
—Fulbright-Hayes Grant to West Berlin/Annette Kade Grant for the Creative and Performing Arts
1985
—Ely Harwood Schless Memorial, Yale University, New Haven, CT: Prize for Highest Achievement in Painting
TEACHING EXPERIENCE
2002
—Anderson Ranch Arts Center, Snowmass Village, CO
—New York Academy of Figurative Art, Master Class, New York, NY
1998-Present
—Montclair State University, Upper Montclair, NJ: Assistant Professor of Fine Arts, Tenure track
1994-98
—Pennsylvania State University, University Park, PA: Assistant Professor of Art
1996
—Boston Museum School, Boston, MA: Visiting Artist, Four Painters Program
1993
—University of North Carolina, Greensboro, NC: Visiting Assistant Professor of Fine Arts
1990-92
—Indiana University, Bloomington, IN: Visiting Assistant Professor of Fine Arts. Also directed Florence and Abroad Drawing Program, 1991
INVITATIONAL VISITING ARTIST LECTURES AND PANELS
2006
—Art Lab, "Art History: Dangerous Inspiration," (panel including artists Dotty Attie and Vincent Desiderio), New York, NY
2004
—MassArt, Boston, MA
2003
—New York Academy of Fine Art, New York, NY
University of Ohio, "(In)forming Contemporary Art" (Panel including artists Alison Saar, Kahn/Selesnick, Kathy Gilje), Akron, OH
—Penn State University, "Reconsidering the Self-Portrait," (Panel), University Park, PA
—Rhode Island College, Providence, RI
2002
—University of Texas, Austin, TX
—Anderson Ranch, Snowmass Village, CO
—Hampshire College, Springfield, MA
—University of Florida, Gainesville, FL
—Wagner College, Staten Island, NY
—Parsons College of Art and Design, New York, NY
2001
—Artists Talk on Art: Panel Series, moderated by George Rada, New York, NY
—Moore College of Art and Design, Philadelphia, PA
—Hebrew Union College, Panel moderated by Joan Marter, New York, NY
—Cranbrook Academy of Art, Slide lecture, Bloomfield Hills, MI
—Southern Connecticut State, Slide lecture, New Haven, CT
—New York Academy of Figurative Art, Slide lecture, New York, NY
2000
—New York Studio School, Slide lecture, New York, NY
—Cooper Union, Slide lecture, New York, NY
—Drew University, Studio talk, Madison, NJ
—Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, Slide lecture, Staten Island, NY
—Art in General, Panel discussion for "The Figure: Another Side of Modernism," moderated by Alexei Worth, New York, NY
—Katonah Museum of Art, Panel: "Appropriation Art," Katonah, NY
—CAA Panel: "Repositioning the Nude," moderated by Joan Semmel, New York, NY
—Pratt Institute, Slide lecture, New York, NY
—Massachusetts College of Art, Slide lecture, Boston, MA
—New York Academy of Figurative Art, Panel: "Narrative in Painting," New York NY
—New York Academy, Juror: 2000 Alumni Exhibition, New York, NY
SELECTED BIBLIOGRAPHY
—Kilson, Lyra Liberty. "PPOW: Julie Heffernan," Modern Painters, Dec 2007-
Jan 2008. p.91.
—Heffernan, Julie, Harper's Magazine, Reproduction, January 2008, p. 34.
—Marchetti, di Simone. " Piccolo mondo barocco, " La Repubblica: Velvet, January 2008. p.125-127.2008
—Porter, Cati. "Seven Floors Up: Poems by Cati Porter. Bay City, Michigan. Mayapple Press. Cover repro, 2008
—Cohen, Davis. "Beauty in Flesh and Fur," The New York Sun. September 27, 2007.
—Schapell, Elissa. "About the Cover," Tin House Magazine. Fall 2007.
—Feinstein, Lea. "Grand Opening: The inaugural exhibition at Catharine Clark's new gallery shows that context is everything," SF Weekly, June 13, 2007.
—Morrison, Toni. ARTWORKS: The Progressive Collection, D.A.P. New York, NY. 2007. Reproduction of Self Portrait as a Chicken Lady. P. 166.2007
—Frock, Christian. "Breaking Ground, Ground Breaking," San Francisco. California. Catharine Clark Gallery. 2007.
—Harris, Susan. "The Feminist Figure at Forum," Art in America. June/July 2007, p. 200-201.
—Heffernan, Julie. Harper's Magazine, Reproduction, December 2007.
—Rosenkranz, Sven. The Agnostic Stance, Mentis .Cover reproduction.
—More is More: Maximalist Tendencies in Recent American Painting, Exhibition Catalog, Florida State University Museum of Fine Arts, 2007.
—Day, Jeffrey. "Fantastic Voyage," The State.com, May 19, 2006, p. E18.
—Streitfeld, Lisa Paul. "Landscapes With a Difference," Hartford Courant, Arts, Sept. 24, 2006
—Rosen, Rachel S. "Julie Heffernan, Everything That Rises: The Art of the Political Self," San Francisco Art Magazine. Nov. 22, 2006.2003
—Day, Jeffrey. "Everything That Rises' lifts art and the viewer," The State Newspaper, July 2, 2006. p. E4.
—"New Art. New York: Reflections on the Human Condition," Trierenberg Art. 2006.
—"Julie Heffernan at the Columbia Museum of Art," ArtDaily.com, June 10, 2006.
— "An Hour In Chelsea," New York magazine. February 27, 2006.
—Maschal, Richard. "Feminine Imagery Seen Anew," The Charlotte Observer, March 4, 2004. Artner, Alan G. "Julie Heffernan," REVIEW, Chicago Tribune, November 5,2004. p. 27.
—Gomez, Edward M. "Drawn to the Body," Art and Antiques, January 2004, p. 56.
—Patterson, Tom. "Then Becomes Now; Artists Bring Trappings of Old Masters into the Passionate Present," Winston-Salem Journal, April 18, 2004.
Vincent, Steven. "Julie Heffernan at P•P•O•W," Art in America, Feb. 2004, p.123.
—Artner, Alan G.: "Julie Heffernan," REVIEW, Chicago Tribune, November 5, 2004. p. 27.
—"Where to Buy," The Week, October 2003.
—"Julie Heffernan at the Columbia Museum of Art," ArtDaily.com, June 10, 2006. (http://www.artdaily.com/section)/news/index.asp?int_sec=2∫_new=16093)
—Artner, Alan G.: "Julie Heffernan's Dept Self-Fictions," Chicago Tribune, Sept. 28, 2001.
—Artner, Alan G.: "Open and Shut," Chicago Tribune, Apr. 12, 1996.
Barandiaran, Maria Jose: "Julie Heffernan at Peter Miller Gallery," The New Art Examiner, May 1996.
—Bischoff, Dan: "A Matter of Taste," Sunday Star Ledger, Apr. 4, 1999.
—Bowyer Bell, J.: "Julie Heffernan," REVIEW, Dec. 1, 1997.
—Braff, Phyllis: "Flora," New York Times, Aug. 9, 1998.
—Buchholz, Barbara: "Julie Heffernan's Masterly Still Lifes," Chicago Tribune, Jan. 3, 1997.
—Camper, Fred: "Look Back in Irony," Chicago READER, Feb. 27, 1998, p. 30.
—Camper, Red: "Strange Fruit (Paintings by Julie Heffernan)," The Chicago Reader, Apr. 12, 1996.
—Cline, Lynn: "Not Perfect in Paradise," The New Mexican-Pasatiempo, Aug. 2-8, 2002.
—Cohen, David: "Beauty in Flesh and Fur" The New York Sun. September 27, 2007.
—Cohen, David: "Gallery Going," The New York Sun and artcritical.com, Oct. 23, 2003.
—Conely, Kevin: "Julie Heffernan," The New Yorker, Dec. 8, 1997.
—Day, Jeffrey: "Fantastic Voyage," The State.com, May 19, 2006, p. E18.
—Day, Jeffrey: "Everything That Rises' lifts art and the viewer," The State Newspaper, July 2, 2006. p. E4.
—Elkins, James: Exhibition essay: "Strange Stories and the Balm," P·P·O·W and Littlejohn Contemporary, Mar. 2001
—Estep, Jan: "Julie Heffernan," New Art Examiner, May 1998, p. 48.
—Feinstein, Lea: " Grand Opening: The inaugural exhibition at Catharine Clark's new gallery shows that context is everything," SF Weekly, June 13, 2007.
—Finkelpearl, Tom: "Kwangju Biennial, The Curator's Gossip: Julie Heffernan," Flash Art, Summer 2000, p. 99.
—Frock, Christian: :Breaking Ground Breaking. San Francisco. California. Catharine Clark Gallery. 2007.
—Flavor Pill, October 2003, issue 177.
—Glueck, Grace: "Art in Review: Private Worlds," The New York Times, Jun. 30, 2000, p. E37.
—Glueck, Grace: "A Rich Mix of Styles and Stimulations Under One Roof," The New York Times, Feb. 25, 2000.
—Gomez, Edward M: "Drawn to the Body," Art and Antiques, January 2004, p. 56.
—Gomez, Edward M: "Florida: Where Exuberant Dreams Often Sink Out of Sight," nytimes.com, Apr. 8, 2001.
—Grau, Jane: "So Ripe...," The Charlotte Observer, Aug. 1999.
—Grimes, Nancy: "Julie Heffernan at Littlejohn," Art in America May 1995, p. 116.
—Hagen, Charles: "In Connecticut...Aldrich Museum of Contemporary Art: 'Inside Out,'" The New York Times, Aug. 14, 1995.
—Heffernan, Julie, Harper's Magazine, Reproduction, December 2007, p. 34.
—Heffernan, Julie, Harper's Magazine, Reproduction, Summer 2000, p. 31.
—Heffernan, Julie, Harper's Magazine, Reproduction, June 2001, p. 15.
—Heffernan, Julie, The New Yorker, Reproduction accompanying an A.S. Byatt short story, June 3, 2002, p. 81.
—Heffernan, Julie, The New Yorker, Reproduction accompanying an A. S. Byatt short story, Oct. 13, 2003.
—Harris, Susan. "The Feminist Figure at Forum," Art in America. June/July 2007, p. 200-201.
—Hawkins, Margaret, "Under the Influence," Chicago Sun Times, Apr. 3, 1998, p. 28.
—Hawkins, Margaret, "Heffernan's Still Lifes are Crawling with Messages," Chicago Sun Times, Mar. 29, 1996.
—Herfield, Phyllis: "Heffernan at Littlejohn," The New York Review of Art, Jan./Feb. 1995, p. 16.
—Hogin, Laurie, "Heroic Measures," New Art Examiner, May, 1998, p. 18-23.
—James, Jamie: "Julie Heffernan," The New Yorker, Apr. 12, 1999.
—Johnson, Ken: "Art in Review: Julie Heffernan," The New York Times, Apr. 1999.
—Johnson, Ken: Art Guide: "Julie Heffernan," The New York Times, Apr. 9, 16, 1999.
—Kilson, Lyra Liberty: " P·P·O·W: Julie Heffernan," Modern Painters, Dec 07- Jan 08. p.91.
—Korotkin, Joyce: "Julie Heffernan," The New York Art World, Apr. 1999.
—Krauss, Nicole: "Julie Heffernan at Littlejohn Contemporary and PPOW," Art in America, Jan. 2000. p. 119
—Kuspit, Donald: "Going, Going, Gone," artnet.com, http://www.artnet.com/magazine/ features/kuspit/kuspit9-15-99.html
—Kuspit, Donald: Exhibition Essay, "Julie Heffernan's Lost Paradise of —Female Selfhood," Littlejohn Contemporary, Feb. 1992.
—Kuspit, Donald: Catalogue, "On Being a Woman: Paintings by Julie —Heffernan," Littlejohn Contemporary, Sept. 1994.
—Landi, Ann: "The Real Thing? (Contemporary Realism Today)," ARTnews, Jun. 2002, p. 88-91; reproduction p. 89.
—Levin, Kim: "Voice Choices; Short List: Julie Heffernan," Village Voice, Apr. 13, 1999.
—Levin, Kim: "Voice Choices-Art: Galleries," Village Voice, July 11, 2000, p. 96.
—Levin, Kim: "Galleries," Village Voice, Apr. 3, 2001 .
—Lipton, Amy, "Trouble in Paradise", Orion, September/October, 2004. p. 49-55.
—McGee, Celia: "Art Smart," Daily News, Mar. 3, 2001.
—Kimmelmann, Michael: "History Painting: Yes, Those Enormous Canvases," The New York Times, Aug. 30, 1995.
—Maniaci, Cara: "Julie Heffernan," NY Arts, Apr. 1999.
—Marchetti, di Simone: " Piccolo mondo barocco, " La Repubblica: Velvet, January 2008. p.125-127.
—Maschal, Richard: "Feminine Imagery Seen Anew," The Charlotte Observer, March 4, 2004.
—Maxwell, Douglas F.: "Julie Heffernan," Review, Dec. 1, 1997.
—McGivern, Shawn: "Discovering New Talent," Boston Globe, June 1985.
—Melrod, George: "Openings," Arts and Antiques, May 1996.
—Morgan, Robert: "Billboards," Littlejohn-Smith, Artscribe International, Nov./Dec. 1988.
—Morrison, Toni: ARTWORKS: The Progressive Collection, D.A.P. New York, NY. 2007. Reproduction of Self Portrait as a Chicken Lady. P. 166.
—Murphy, Mary: "Subversive Pleasures, Painting's New Feminine Narrative," New Art Examiner, March 1997.
—"New Art. New York: Reflections on the Human Condition," Trierenberg Art. 2006.
—"An Hour In Chelsea," New York magazine. February 27, 2006.
—More is More: Maximalist Tendencies in Recent American Painting, Exhibition Catalog, Florida State University Museum of Fine Arts, 2007
—Julie Heffernan," The New Yorker. March 19, 2001. p. 24, 27-28.
—Julie Heffernan," The New Yorker. March 24, 2003.
—Nahas, Dominique: "Julie Heffernan at Littlejohn Contemporary," Review, June 1996.
—Natale, Michele: "Perfectly Flawed," spectatoronline.com, Sept. 22, 1999.
—Patterson, Tom: "Then Becomes Now; Artists Bring Trappings of Old Masters into the Passionate Present," Winston-Salem Journal, April 18, 2004.
—Polanski, G. Jurek: "Reviews-Julie Heffernan: New Paintings," artscope.net, http://artscope.net/VAREVIEWS/heffernan1099.htm
—Porter, Cati: "Seven Floors Up: Poems by Cati Porter. Bay City, Michigan. Mayapple Press. Cover repro, 2008
—Raven, Arlene: Catalogue, "Julie Heffernan," Littlejohn Contemporary, March 1996.
—Rehak, Melanie: "Horse's Mouth," Bookforum, Fall 1999.
—Rosen, Rachel S.: "Julie Heffernan, Everything That Rises: The Art of the —Political Self," San Francisco Art Magazine. Nov. 22, 2006.
—Rosenkranz, Sven: The Agnostic Stance, Mentis .Cover reproduction. 2007. http://www.sanfranciscoartmagazine.com/reviews/nov06/heffernan/heffernan.html
—Schjeldahl, Peter, "Heroism Addiction," Village Voice, Aug. 6, 1996
—Schrader, Stacey: "Nothing Still About Life," On the Issues, Winter, 1997.
—Silverstein, Joel: "Julie Heffernan," NY Arts Magazine, www.reviewny.com, Apr. 12, 2001. p. 59.
—Streitfeld, Lisa Paul: "Landscapes With a Difference," Hartford Courant, Arts, Sept. 24, 2006.
—Thorson, Alice: "Still Lifes Comment on the Status of Women," Kansas City Star, Feb. 9-15, 1996.
—Turner, Brook: "Kwangju Biennial, Korea: Calm after the Storm," The Art Newspaper, no. 103, May 2000 (Reproduction).
—Valdez, Sarah: Curve: The Female Nude Now, Universe Publishing. p. 112-113.
—Vincent, Steven: "Julie Heffernan at P·P·O·W," Art in America, Feb. 2004, p.123.
—White, Kit: "Julie Heffernan at Littlejohn Contemporary and P·P·O·W," ARTnews magazine, Oct. 2001, p. 172-3, reproduction
—Wiens, Ann: "Tip of the Week: Julie Heffernan," New City Times, vol. 13, Apr. 1998.
—"Critical Eye," W Magazine, Mar. 2001.
—Worth, Alexi: "Julie Heffernan," Artforum, May 2001. p. 178.
—Yood, James: "Julie Heffernan," Artforum, Jan. 2000.
—Young, Dede: Transitional Objects: Contemporary Still Life, exhibition catalogue, Neuberger Museum, p. 7.
—Zimmerman, David: "Heroism Reconsidered," Arts and Antiques, Feb. 1997.
SELECTED COLLECTIONS
—Zabludowicz Art Trust, London, United Kingdom
—The Mint Museums, Charlotte, NC
—Virginia Museum of Fine Art, Richmond, VA
—The Palmer Museum of Art, University Park, PA
—The Progressive Corporation, OH
—Wake Forest University Collection of Contemporary Art, NC
—Norton Museum of Art, West Palm Beach, FL
—Persis Corporation/Twigg-Smith Collection
—Twin Farms, VT
—Columbia Museum of Art, SC
—Knoxville Museum of Art, TN
—Weatherspoon Art Gallery, NC
Currently lives in New York
EDUCATION
1985
—M.F.A., Painting; Yale School of Art, New Haven, CT
1981
—B.F.A. with High Honors in Painting and Printmaking; University of California, Santa Cruz, CA Megumi Ogita
SOLO EXHIBITIONS
2010
—Boy, Oh Boy, P•P•O•W Gallery, New York, NY
2009
—Mark Moore Gallery, Los Angeles, CA
2008
—Broken Homes, Catharine Clark Gallery, San Francisco, CA
—Lux Art Institute, Encinitas, CA
—Megumi Ogita, Tokyo, Japan
—Lisa Sette Gallery, Scottsdale, AZ
2007
—Booty, P·P·O·W Gallery, New York, NY
—Kendall Gallery, Michigan State University, Lansing, MI
2006
—Everything That Rises, University Art Museum, University at Albany, Albany, NY
—Traveled to: Weatherspoon Art Museum, University of North Carolina, Greensboro, NC;
—Columbia Museum of Art, Columbia, SC
—Heaven and Hell, P·P·O·W Gallery, New York, NY
—Catharine Clark Gallery, San Francisco, CA
2005
—Lisa Sette Gallery, Scottsdale, AZ
—Robert Kidd Gallery, Birmingham, MI
2004
—Bannister Gallery, Rhode Island College, Providence, RI
—Robert Kidd Gallery, Birmingham, MI
—John Michael Kohler Art Center, Sheboygan, WI
—Mint Museum Of Art, Charlotte, NC
—Peter Miller Gallery, Chicago, IL
—Paul Kopeikin Gallery, Los Angeles, CA
2003
—P·P·O·W Gallery, New York, NY
—Herter Art Gallery, University of Massachusetts, Amherst, MA
—LittleJohn Contemporary, New York, NY
2002
—Linda Durham Gallery, Galisteo, NM
—The Divine Fruit, curated by Deanna Bland, James David Brooks Gallery, —Fairmount State College, School Of Fine Arts, Fairmount, WV; Catalogue
2001
—Peter Miller Gallery, Chicago, IL
—P·P·O·W and LittleJohn Contemporary, New York, NY; Catalogue
1999
—Peter Miller Gallery, Chicago, IL
—Alcott Gallery, Hanes Art Center, University Of North Carolina, Chapel Hill, NC
—P·P·O·W and LittleJohn Contemporary, New York, NY
1998
—Peter Miller Gallery, Chicago, IL
1997
—LittleJohn Contemporary, New York, NY
—Allegheny College Gallery, Meadville, PA
1996
—LittleJohn Contemporary, New York, NY
—Inside Outside, Leedy Voulkos Gallery, Kansas City, MO
—Recent Work, Peter Miller Gallery, Chicago, IL
1994
—Recent Work, LittleJohn/Sternau Gallery, New York, NY
—Inside Out, Sarah Moody Gallery, University Of Alabama, Tuscaloosa, AL.
1993
—Recent Work, LittleJohn/Sternau Gallery, New York, NY
SELECTED GROUP EXHIBITIONS
2010
—Private (Dis)play, New York Academy of Art, New York, NY
—ADAA: The 22nd Annual Art Show, Park Avenue Armory, New York, NY
2009
—The Platonic Ideal, Forum Gallery, New York, NY
—Enchantment, Joseloff Gallery, University of Hartford, West Hartford, CT
—Epic Painting, Samek Gallery, Bucknell University, Lewisburg, PA
—Flower Power, Herter Gallery, University of Massachusetts, Amherst, MA
—Beyond Appearances, Lehman College Art Gallery, Bronx, NY
—Signs of the Apocalypse/Rapture, Hyde Park Art Center, Chicago, IL
—Forces of Nature, Danese, New York, NY
—The Garden at 4am, Gana Art, New York, NY
—Speak for the Trees, Friesen Art Gallery, Sun Valley, ID
—Bods: Rethinking the Figure, Robert Kidd Gallery, Birmingham, MI
2008
—183rd Annual: An Invitational Exhibition of Contemporary Art, National Academy, New York, NY
—The Figure Revealed, Kalamazoo Institute Of Arts, Kalamazoo, MI
—ART Chicago, P·P·O·W Gallery, Chicago, IL
—PULSE Art Fair, P·P·O·W Gallery Miami, FL
— belle du jour, Collette Blanchard Gallery, New York, NY
—Say Good-bye to..., curated by Donna Harkavy and Marion Wilson, Clifford Art Gallery, Hamilton, NY
2007
—Transitional Objects: Contemporary Still Life, Neuberger Museum Of Art, Purchase College, NY
—Girly Show, Wignall Museum, Cucamonga, CA
—Ultrasonic International II: Transcending Transience, Mark Moore Gallery, Santa Monica, CA
—Breaking Ground, Ground Breaking, Catherine Clark Gallery, San Francisco, CA
—Old School, Hauser & Wirth, London, England. Traveling to: Zwirner & Wirth, New York, NY
—The Feminist Figure, curated by Marcia G. Yerman, Forum Gallery, New York, NY
—Art Chicago Contemporary Art Fair P·P·O·W Gallery , Chicago, IL
—PULSE Contemporary Art Fair, P·P·O·W Gallery, New York, NY
—First Annual Contemporary Art Invitational, curated by Katherine Chapin, The Salmagundi Club Of New York, New York, NY
—More is More: Maximalist Tendencies in Recent American Painting, curated by Tatiana Flores Museum of Fine Arts, Florida State University, Tallahassee, FL
2006
—Transformative Portraits: Altered Identities in Contemporary Art, Richard A. and Rissa W. Grossman Gallery, Lafayette College, Easton, PA
—Figuring the Landscape, Contemporary Art Galleries, University of Conneticut, Storrs, CT
—Realm of the Spirit, Mike Weiss Gallery, New York, NY
—New Art. New York: Reflections on the Human Condition, curated by Margaret Mathews-Berenson, Trierenberg Art, Traun, Austria; Catalogue
—New Old Masters, curated by Donald Kuspit, National Museum in Gdansk, Gdansk, Poland
—Lisa Sette Gallery, Scottsdale, AZ
—Why the Nude?, New Phyllis Harriman Mason Gallery- The Art Students League of New York, York, NY.
—Transitional Objects: Contemporary Still Life, Neuberger Museum, curated by Dede Young, Purchase, NY
2005
—Entourage, Mike Weiss Gallery, New York, NY
—Visitors from the East, Billy Shire Fine Arts, Lost Angeles, CA
—Social Insecurity: the future ain't what it used to be, Catherine Clark Gallery, San Francisco, CA
—DFN Animal Tales, DFN Gallery, New York, NY
—Then as Now, Sordoni Art Gallery, Wilkes University, PA
—Trouble in Paradise, curated by Amy Lipton, Abington Art Center, Jenkintown, PA
—High Drama: Eugene Berman and the Theater of the Melancholic Sublime, curated by Michael Duncan; Georgia Museum of Art, Athens, GA
Traveled to: McNay Art Museum, San Antonio, TX. Long Beach Museum Of Art, Long Beach, CA
2004
—21, P·P·O·W, New York, NY
—Me, Myself and I, Schmidt Center Gallery, Florida Atlantic University, Boca Raton, FL
—About Painting, curated by Ian Berry, The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Sprints, NY
—Trouble in Paradise, curated by Amy Lipton, Van Brunt Gallery, New York, NY
—The 179th Annual, National Academy, Museum and School of Fine Arts, New York, NY
—She's Not There, curated by Catherine Howe, New York Academy of Art, New York, NY
—Earthly Delights, curated by Lisa Tung; Massachusetts College of Art, Boston, MA
2003
—Women and Self-Representation in Contemporary Art,Palmer Museum, Penn State University, State College, PA
—People, Places & Things, DFN Gallery, New York, NY
—Woman on Woman, White Box Gallery, New York, NY
—The 'Burbs, DFN Gallery, New York, NY
2002
—Masquerade, Kohler Fine Arts Center, Sheboygan, MI
—Anderson Ranch Arts Center, Snowmass Village, CO
—Social Landscape, P·P·O·W, New York, NY
—Collecting Contemporary Art: A Community Dialogue, Auckland Art Museum, Chapel Hill, NC
—American Academy Invitational Exhibition of Painting and Sculpture, The American Academy Of Arts and Letters, New York, NY
—Snapshot, Aldrich Museum of Contemporary Art, Ridgefield, CT
—Pixerina WITCHERINA, curated by Bill Congers of Illinois State University, Wake Forest University Fine Arts Gallery, Normal, NC; Winston-Salem, NC; Catalogue
2001
—Holcombe T. Green, Jr. Hall, Yale University School of Art Alumni Show, New Haven, CT
—Of Dreams and Dreamers, Gallery, Carl Hammer Chicago, IL
—Invited! , First Street Gallery, New York, NY
—PixerinaWitcherina, University Galleries, University of Illinois, Normal, IL
2000
—Snapshot, Contemporary Museum, Baltimore, MD
—The Swamp, On the Edge of Eden, Samuel P. Harn Museum, Gainesville, FL
—American Art Today: Fantasies and Curiosities, curated by Dahlia Morgan, The Art Museum at Florida International University, Miami, FL
—Nude + Narrative, P·P·O·W, New York, NY
—The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, Snug Harbor Art Center, curated by Lily Wei, Staten Island, NY
—Private Worlds, curated by Joan Semmel, Art in General, New York, NY
—Re-configuring the Heroic, Artemesia Gallery, Chicago, NY
—Self-Portraiture, curated by Tom Finkelpearl, Kwangju Biennale 2000, Kwangju, South Korea
—Looking Back, Bard College, Center for Curatorial Studies Museum, Annandale-on-Hudson, NY
—What Goes Around Comes Around, Katonah Museum, curated by Barbara Bloemink, Katonah, NY
—Quirky, Adam Baumgold Fine Art, New York, NY
Squsquehana Art Museum, curated by Sean Mellyn, Harrisburg, PA
—Animal Artifice, The Hudson River Museum, Yonkers, NY
1999
—Beyond the Millennium, Brattleboro Museum and Art Center, Brattleboro, VT
—Food for Thought, HidellBrooks Gallery, Charlotte, NC
—And Everything Nice, curated by Phyllis Bramson, Rockford Art Museum, Rockford, IL
—Distilled Life, curated by Medrie MacPhee, Bard College, the Fisher Arts Center, Annandale-on Hudson, NY
—Food for Thought, New Jersey Center for Visual Arts, Summit, NJ
—Figuratively Speaking, Painting Center, New York, NY
—Road Show, DFN Gallery, New York, NY
—Montclair State University Faculty Exhibition, Mi Qui Modern Art Workshop, Shanghai University, Shangai, China
1998
—Heroic Painting, Phoenix Art Museum, Phoenix, AZ, andColumbia Museum of Art, Columbia, SC
—New Museum, Annual Art Auction and Exhibition, New York, NY
—Animal as Muse, Norton Museum, West Palm Beach, FL
—David Floria Gallery, Aspen, CO
—Mysterious Presences, Tory Folliard Gallery, Milwaukee, WI
—Flora, Elise Goodheart Gallery, Sag Harbor, NY
—May Day, curated by Carrie Mae Weems, P·P·O·W, New York, NY.
—Group Exhibition, P·P·O·W, New York, NY
—Art Miami, P·P·O·W Miami, FL
1997
—Identity Crisis: Self-Portraiture at the End of the Century Milwaukee Art Museum, Milwaukee, WI, and Aspen Art Museum, Aspen, CO,
—The Press of my Foot to the Earth Springs a Hundred Affections, curated by Byron Kim, The Rotunda Gallery, New York, NY
—In Memory of Pleasure, curated by Andrea Inselmann, John MichaelKohler Arts Center, Sheboygan, WI
—Tabletops: Morandi to Mapplethorpe, curated by Reesey Shaw, California Center for the Arts Museum, Escondido, CA
—American Art Today: The Garden, curated by Dahlia Morgan, The Art Museum, Florida International University, Miami, FL
1996
—Collectors Choice, Orlando Museum of Art, Orlando, FL
—The Mythic Narrative, curated by Signe Mayfield, Palo Alto Cultural Center, Palo Alto, CA
—Works on Paper, Weatherspoon Art Gallery, Greensboro, NC
—The Classics Revisited, Winston-Wachter Fine Art, New York, NY
—Animal, Vegetable, Mineral, University of New Hampshire, Durham, NH
—Heroic Painting: Bo Barlett, Vincent Desiderio, Walton Ford, Lawrence Gipe, Julie Heffernan, Komar and Melamid, Mark Tansey, curated by Susan Lubowski, SECCA (Southeastern Center for Contemporary Art), Winston-Salem, NC. Exhibition
traveled to: Tampa Museum of Art, Tampa, FL
Queens Museum of Art, Queens, NY
Knoxville Museum of Art, Knoxville, TN
The Contemporary Arts Center, Cincinnati, OH
Mississippi Museum of Art, Jackson, MS
University Gallery, University of Massachusetts, Amherst, MA
Chicago Cultural Center, Chicago, IL
1995
—Art in Embassies Program, Prague, Czech Republic
—Virtual Reality, LittleJohn Contemporary, at the Armory, New York, NY
—10th Annual Summer Invitational, Leedy Voulkos Gallery, Kansas City, MO
—Insight, David Beitzel Gallery, New York, NY
—Inside Out, Aldrich Museum of Contemporary Art, Ridgefield, CT
1994
—Animals, curated by Ressey Shaw (with Nauman, Butterfield, Koons, —Roller-Wilson, and others), California Center for the Arts, Escondido, CA
—Miniatures, Olga Dollar Gallery, San Francisco, CA
—Paper, Peter Miller Gallery, Chicago, IL
—Opening Pandora, LittleJohn/Sternau, New York, NY
1993
—Urgent Nostalgia, curated by Prudence F. Roberts (with Desiderio, Gipe, Innerst, Joan Nelson), Center on Contemporary Art, Seattle, WA
—University Art Gallery, New Mexico State University, Las Cruces, NM
—Interior Outlook, The Gallery at Hastings on Hudson, Hastings-on-Hudson, NY
—Timothy Hawkesworth and Julie Heffernan, LittleJohn/Sternau, New York, NY
1992
—Six Painters, LittleJohn/Sternau Gallery, New York, NY
—The Salon Show, Art in General, New York, NY
—Pools, The Aspen Art Museum, Aspen, CO
1991
—Science and Art, Indiana University Art Museum, Bloomington, IN
—Helander Gallery, New York, NY
—Pools, (with Barlett, Clemente, Hockney, Fischl, others), Stuart Levy Gallery and Helander Gallery, New York, NY
1990
—Pools, Norton Museum, West Palm Beach, FL
—Pools, AM Gallery, Moscow, USSR
—Modus Vivendi Gallery, Pools, Zurich, Switzerland
—Helander Gallery, New York, NY
AWARDS AND FELLOWSHIPS
2008
—Thomas Bennett Clarke Prize, National Academy Museum, New York, NY
2004
—Thomas R. Proctor Prize, National Academy Museum, New York, NY
2003
—National Honor Society of Phi Kappa Phi
2002
—America Academy of Arts and Letters: Nominee
1997
—Lila Acheson Wallace Reader's Digest Artistat Giverny: Artist in Residence
1996
—New York Foundation for the Arts: Individual Artists Grant
1995
—National Endowment for the Arts: Individual Fellowship Grant Pennsylvania State University: Fund for Research
1994
—Pennsylvania State University: College Faculty Research Grant
Hillwood Art Museum (NYSCA): Project Residency Grant
1990
—Skowhegan School of Painting And Sculpture, Skowhegan, ME: Painting fellowship
1987
—Institute for Art and Urban Resources, P.S.1, New York, NY: Artist-in-Residence and Studio Grant
1986
—Fulbright-Hayes Grant to West Berlin/Annette Kade Grant for the Creative and Performing Arts
1985
—Ely Harwood Schless Memorial, Yale University, New Haven, CT: Prize for Highest Achievement in Painting
TEACHING EXPERIENCE
2002
—Anderson Ranch Arts Center, Snowmass Village, CO
—New York Academy of Figurative Art, Master Class, New York, NY
1998-Present
—Montclair State University, Upper Montclair, NJ: Assistant Professor of Fine Arts, Tenure track
1994-98
—Pennsylvania State University, University Park, PA: Assistant Professor of Art
1996
—Boston Museum School, Boston, MA: Visiting Artist, Four Painters Program
1993
—University of North Carolina, Greensboro, NC: Visiting Assistant Professor of Fine Arts
1990-92
—Indiana University, Bloomington, IN: Visiting Assistant Professor of Fine Arts. Also directed Florence and Abroad Drawing Program, 1991
INVITATIONAL VISITING ARTIST LECTURES AND PANELS
2006
—Art Lab, "Art History: Dangerous Inspiration," (panel including artists Dotty Attie and Vincent Desiderio), New York, NY
2004
—MassArt, Boston, MA
2003
—New York Academy of Fine Art, New York, NY
University of Ohio, "(In)forming Contemporary Art" (Panel including artists Alison Saar, Kahn/Selesnick, Kathy Gilje), Akron, OH
—Penn State University, "Reconsidering the Self-Portrait," (Panel), University Park, PA
—Rhode Island College, Providence, RI
2002
—University of Texas, Austin, TX
—Anderson Ranch, Snowmass Village, CO
—Hampshire College, Springfield, MA
—University of Florida, Gainesville, FL
—Wagner College, Staten Island, NY
—Parsons College of Art and Design, New York, NY
2001
—Artists Talk on Art: Panel Series, moderated by George Rada, New York, NY
—Moore College of Art and Design, Philadelphia, PA
—Hebrew Union College, Panel moderated by Joan Marter, New York, NY
—Cranbrook Academy of Art, Slide lecture, Bloomfield Hills, MI
—Southern Connecticut State, Slide lecture, New Haven, CT
—New York Academy of Figurative Art, Slide lecture, New York, NY
2000
—New York Studio School, Slide lecture, New York, NY
—Cooper Union, Slide lecture, New York, NY
—Drew University, Studio talk, Madison, NJ
—Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, Slide lecture, Staten Island, NY
—Art in General, Panel discussion for "The Figure: Another Side of Modernism," moderated by Alexei Worth, New York, NY
—Katonah Museum of Art, Panel: "Appropriation Art," Katonah, NY
—CAA Panel: "Repositioning the Nude," moderated by Joan Semmel, New York, NY
—Pratt Institute, Slide lecture, New York, NY
—Massachusetts College of Art, Slide lecture, Boston, MA
—New York Academy of Figurative Art, Panel: "Narrative in Painting," New York NY
—New York Academy, Juror: 2000 Alumni Exhibition, New York, NY
SELECTED BIBLIOGRAPHY
—Kilson, Lyra Liberty. "PPOW: Julie Heffernan," Modern Painters, Dec 2007-
Jan 2008. p.91.
—Heffernan, Julie, Harper's Magazine, Reproduction, January 2008, p. 34.
—Marchetti, di Simone. " Piccolo mondo barocco, " La Repubblica: Velvet, January 2008. p.125-127.2008
—Porter, Cati. "Seven Floors Up: Poems by Cati Porter. Bay City, Michigan. Mayapple Press. Cover repro, 2008
—Cohen, Davis. "Beauty in Flesh and Fur," The New York Sun. September 27, 2007.
—Schapell, Elissa. "About the Cover," Tin House Magazine. Fall 2007.
—Feinstein, Lea. "Grand Opening: The inaugural exhibition at Catharine Clark's new gallery shows that context is everything," SF Weekly, June 13, 2007.
—Morrison, Toni. ARTWORKS: The Progressive Collection, D.A.P. New York, NY. 2007. Reproduction of Self Portrait as a Chicken Lady. P. 166.2007
—Frock, Christian. "Breaking Ground, Ground Breaking," San Francisco. California. Catharine Clark Gallery. 2007.
—Harris, Susan. "The Feminist Figure at Forum," Art in America. June/July 2007, p. 200-201.
—Heffernan, Julie. Harper's Magazine, Reproduction, December 2007.
—Rosenkranz, Sven. The Agnostic Stance, Mentis .Cover reproduction.
—More is More: Maximalist Tendencies in Recent American Painting, Exhibition Catalog, Florida State University Museum of Fine Arts, 2007.
—Day, Jeffrey. "Fantastic Voyage," The State.com, May 19, 2006, p. E18.
—Streitfeld, Lisa Paul. "Landscapes With a Difference," Hartford Courant, Arts, Sept. 24, 2006
—Rosen, Rachel S. "Julie Heffernan, Everything That Rises: The Art of the Political Self," San Francisco Art Magazine. Nov. 22, 2006.2003
—Day, Jeffrey. "Everything That Rises' lifts art and the viewer," The State Newspaper, July 2, 2006. p. E4.
—"New Art. New York: Reflections on the Human Condition," Trierenberg Art. 2006.
—"Julie Heffernan at the Columbia Museum of Art," ArtDaily.com, June 10, 2006.
— "An Hour In Chelsea," New York magazine. February 27, 2006.
—Maschal, Richard. "Feminine Imagery Seen Anew," The Charlotte Observer, March 4, 2004. Artner, Alan G. "Julie Heffernan," REVIEW, Chicago Tribune, November 5,2004. p. 27.
—Gomez, Edward M. "Drawn to the Body," Art and Antiques, January 2004, p. 56.
—Patterson, Tom. "Then Becomes Now; Artists Bring Trappings of Old Masters into the Passionate Present," Winston-Salem Journal, April 18, 2004.
Vincent, Steven. "Julie Heffernan at P•P•O•W," Art in America, Feb. 2004, p.123.
—Artner, Alan G.: "Julie Heffernan," REVIEW, Chicago Tribune, November 5, 2004. p. 27.
—"Where to Buy," The Week, October 2003.
—"Julie Heffernan at the Columbia Museum of Art," ArtDaily.com, June 10, 2006. (http://www.artdaily.com/section)/news/index.asp?int_sec=2∫_new=16093)
—Artner, Alan G.: "Julie Heffernan's Dept Self-Fictions," Chicago Tribune, Sept. 28, 2001.
—Artner, Alan G.: "Open and Shut," Chicago Tribune, Apr. 12, 1996.
Barandiaran, Maria Jose: "Julie Heffernan at Peter Miller Gallery," The New Art Examiner, May 1996.
—Bischoff, Dan: "A Matter of Taste," Sunday Star Ledger, Apr. 4, 1999.
—Bowyer Bell, J.: "Julie Heffernan," REVIEW, Dec. 1, 1997.
—Braff, Phyllis: "Flora," New York Times, Aug. 9, 1998.
—Buchholz, Barbara: "Julie Heffernan's Masterly Still Lifes," Chicago Tribune, Jan. 3, 1997.
—Camper, Fred: "Look Back in Irony," Chicago READER, Feb. 27, 1998, p. 30.
—Camper, Red: "Strange Fruit (Paintings by Julie Heffernan)," The Chicago Reader, Apr. 12, 1996.
—Cline, Lynn: "Not Perfect in Paradise," The New Mexican-Pasatiempo, Aug. 2-8, 2002.
—Cohen, David: "Beauty in Flesh and Fur" The New York Sun. September 27, 2007.
—Cohen, David: "Gallery Going," The New York Sun and artcritical.com, Oct. 23, 2003.
—Conely, Kevin: "Julie Heffernan," The New Yorker, Dec. 8, 1997.
—Day, Jeffrey: "Fantastic Voyage," The State.com, May 19, 2006, p. E18.
—Day, Jeffrey: "Everything That Rises' lifts art and the viewer," The State Newspaper, July 2, 2006. p. E4.
—Elkins, James: Exhibition essay: "Strange Stories and the Balm," P·P·O·W and Littlejohn Contemporary, Mar. 2001
—Estep, Jan: "Julie Heffernan," New Art Examiner, May 1998, p. 48.
—Feinstein, Lea: " Grand Opening: The inaugural exhibition at Catharine Clark's new gallery shows that context is everything," SF Weekly, June 13, 2007.
—Finkelpearl, Tom: "Kwangju Biennial, The Curator's Gossip: Julie Heffernan," Flash Art, Summer 2000, p. 99.
—Frock, Christian: :Breaking Ground Breaking. San Francisco. California. Catharine Clark Gallery. 2007.
—Flavor Pill, October 2003, issue 177.
—Glueck, Grace: "Art in Review: Private Worlds," The New York Times, Jun. 30, 2000, p. E37.
—Glueck, Grace: "A Rich Mix of Styles and Stimulations Under One Roof," The New York Times, Feb. 25, 2000.
—Gomez, Edward M: "Drawn to the Body," Art and Antiques, January 2004, p. 56.
—Gomez, Edward M: "Florida: Where Exuberant Dreams Often Sink Out of Sight," nytimes.com, Apr. 8, 2001.
—Grau, Jane: "So Ripe...," The Charlotte Observer, Aug. 1999.
—Grimes, Nancy: "Julie Heffernan at Littlejohn," Art in America May 1995, p. 116.
—Hagen, Charles: "In Connecticut...Aldrich Museum of Contemporary Art: 'Inside Out,'" The New York Times, Aug. 14, 1995.
—Heffernan, Julie, Harper's Magazine, Reproduction, December 2007, p. 34.
—Heffernan, Julie, Harper's Magazine, Reproduction, Summer 2000, p. 31.
—Heffernan, Julie, Harper's Magazine, Reproduction, June 2001, p. 15.
—Heffernan, Julie, The New Yorker, Reproduction accompanying an A.S. Byatt short story, June 3, 2002, p. 81.
—Heffernan, Julie, The New Yorker, Reproduction accompanying an A. S. Byatt short story, Oct. 13, 2003.
—Harris, Susan. "The Feminist Figure at Forum," Art in America. June/July 2007, p. 200-201.
—Hawkins, Margaret, "Under the Influence," Chicago Sun Times, Apr. 3, 1998, p. 28.
—Hawkins, Margaret, "Heffernan's Still Lifes are Crawling with Messages," Chicago Sun Times, Mar. 29, 1996.
—Herfield, Phyllis: "Heffernan at Littlejohn," The New York Review of Art, Jan./Feb. 1995, p. 16.
—Hogin, Laurie, "Heroic Measures," New Art Examiner, May, 1998, p. 18-23.
—James, Jamie: "Julie Heffernan," The New Yorker, Apr. 12, 1999.
—Johnson, Ken: "Art in Review: Julie Heffernan," The New York Times, Apr. 1999.
—Johnson, Ken: Art Guide: "Julie Heffernan," The New York Times, Apr. 9, 16, 1999.
—Kilson, Lyra Liberty: " P·P·O·W: Julie Heffernan," Modern Painters, Dec 07- Jan 08. p.91.
—Korotkin, Joyce: "Julie Heffernan," The New York Art World, Apr. 1999.
—Krauss, Nicole: "Julie Heffernan at Littlejohn Contemporary and PPOW," Art in America, Jan. 2000. p. 119
—Kuspit, Donald: "Going, Going, Gone," artnet.com, http://www.artnet.com/magazine/ features/kuspit/kuspit9-15-99.html
—Kuspit, Donald: Exhibition Essay, "Julie Heffernan's Lost Paradise of —Female Selfhood," Littlejohn Contemporary, Feb. 1992.
—Kuspit, Donald: Catalogue, "On Being a Woman: Paintings by Julie —Heffernan," Littlejohn Contemporary, Sept. 1994.
—Landi, Ann: "The Real Thing? (Contemporary Realism Today)," ARTnews, Jun. 2002, p. 88-91; reproduction p. 89.
—Levin, Kim: "Voice Choices; Short List: Julie Heffernan," Village Voice, Apr. 13, 1999.
—Levin, Kim: "Voice Choices-Art: Galleries," Village Voice, July 11, 2000, p. 96.
—Levin, Kim: "Galleries," Village Voice, Apr. 3, 2001 .
—Lipton, Amy, "Trouble in Paradise", Orion, September/October, 2004. p. 49-55.
—McGee, Celia: "Art Smart," Daily News, Mar. 3, 2001.
—Kimmelmann, Michael: "History Painting: Yes, Those Enormous Canvases," The New York Times, Aug. 30, 1995.
—Maniaci, Cara: "Julie Heffernan," NY Arts, Apr. 1999.
—Marchetti, di Simone: " Piccolo mondo barocco, " La Repubblica: Velvet, January 2008. p.125-127.
—Maschal, Richard: "Feminine Imagery Seen Anew," The Charlotte Observer, March 4, 2004.
—Maxwell, Douglas F.: "Julie Heffernan," Review, Dec. 1, 1997.
—McGivern, Shawn: "Discovering New Talent," Boston Globe, June 1985.
—Melrod, George: "Openings," Arts and Antiques, May 1996.
—Morgan, Robert: "Billboards," Littlejohn-Smith, Artscribe International, Nov./Dec. 1988.
—Morrison, Toni: ARTWORKS: The Progressive Collection, D.A.P. New York, NY. 2007. Reproduction of Self Portrait as a Chicken Lady. P. 166.
—Murphy, Mary: "Subversive Pleasures, Painting's New Feminine Narrative," New Art Examiner, March 1997.
—"New Art. New York: Reflections on the Human Condition," Trierenberg Art. 2006.
—"An Hour In Chelsea," New York magazine. February 27, 2006.
—More is More: Maximalist Tendencies in Recent American Painting, Exhibition Catalog, Florida State University Museum of Fine Arts, 2007
—Julie Heffernan," The New Yorker. March 19, 2001. p. 24, 27-28.
—Julie Heffernan," The New Yorker. March 24, 2003.
—Nahas, Dominique: "Julie Heffernan at Littlejohn Contemporary," Review, June 1996.
—Natale, Michele: "Perfectly Flawed," spectatoronline.com, Sept. 22, 1999.
—Patterson, Tom: "Then Becomes Now; Artists Bring Trappings of Old Masters into the Passionate Present," Winston-Salem Journal, April 18, 2004.
—Polanski, G. Jurek: "Reviews-Julie Heffernan: New Paintings," artscope.net, http://artscope.net/VAREVIEWS/heffernan1099.htm
—Porter, Cati: "Seven Floors Up: Poems by Cati Porter. Bay City, Michigan. Mayapple Press. Cover repro, 2008
—Raven, Arlene: Catalogue, "Julie Heffernan," Littlejohn Contemporary, March 1996.
—Rehak, Melanie: "Horse's Mouth," Bookforum, Fall 1999.
—Rosen, Rachel S.: "Julie Heffernan, Everything That Rises: The Art of the —Political Self," San Francisco Art Magazine. Nov. 22, 2006.
—Rosenkranz, Sven: The Agnostic Stance, Mentis .Cover reproduction. 2007. http://www.sanfranciscoartmagazine.com/reviews/nov06/heffernan/heffernan.html
—Schjeldahl, Peter, "Heroism Addiction," Village Voice, Aug. 6, 1996
—Schrader, Stacey: "Nothing Still About Life," On the Issues, Winter, 1997.
—Silverstein, Joel: "Julie Heffernan," NY Arts Magazine, www.reviewny.com, Apr. 12, 2001. p. 59.
—Streitfeld, Lisa Paul: "Landscapes With a Difference," Hartford Courant, Arts, Sept. 24, 2006.
—Thorson, Alice: "Still Lifes Comment on the Status of Women," Kansas City Star, Feb. 9-15, 1996.
—Turner, Brook: "Kwangju Biennial, Korea: Calm after the Storm," The Art Newspaper, no. 103, May 2000 (Reproduction).
—Valdez, Sarah: Curve: The Female Nude Now, Universe Publishing. p. 112-113.
—Vincent, Steven: "Julie Heffernan at P·P·O·W," Art in America, Feb. 2004, p.123.
—White, Kit: "Julie Heffernan at Littlejohn Contemporary and P·P·O·W," ARTnews magazine, Oct. 2001, p. 172-3, reproduction
—Wiens, Ann: "Tip of the Week: Julie Heffernan," New City Times, vol. 13, Apr. 1998.
—"Critical Eye," W Magazine, Mar. 2001.
—Worth, Alexi: "Julie Heffernan," Artforum, May 2001. p. 178.
—Yood, James: "Julie Heffernan," Artforum, Jan. 2000.
—Young, Dede: Transitional Objects: Contemporary Still Life, exhibition catalogue, Neuberger Museum, p. 7.
—Zimmerman, David: "Heroism Reconsidered," Arts and Antiques, Feb. 1997.
SELECTED COLLECTIONS
—Zabludowicz Art Trust, London, United Kingdom
—The Mint Museums, Charlotte, NC
—Virginia Museum of Fine Art, Richmond, VA
—The Palmer Museum of Art, University Park, PA
—The Progressive Corporation, OH
—Wake Forest University Collection of Contemporary Art, NC
—Norton Museum of Art, West Palm Beach, FL
—Persis Corporation/Twigg-Smith Collection
—Twin Farms, VT
—Columbia Museum of Art, SC
—Knoxville Museum of Art, TN
—Weatherspoon Art Gallery, NC