Jimmy DeSana (1949-1990), a key figure in the New York downtown scene of the 1970s and 80s, created a body of photography that evinces a singular style typified by concealed figures, saturated colors, and surreal mise-en-scène, with subject matter that index the artist’s fascination with American suburbia and queer fetish subculture in equal measure. Throughout his career, DeSana seamlessly blended the tropes of fashion photography, camp sensibility, and experimental art, resulting in images that are simultaneously relatable in their use of quotidian settings, yet entirely otherworldly in their depiction. DeSana grew up in Atlanta, GA, and received his bachelor’s degree from the Georgia State University in 1972 before relocating to New York’s East Village in the early 1970s. Recent solo exhibitions include Jimmy DeSana: Submission at the Brooklyn Museum, New York, 2023, accompanied by a catalogue co-published by the Brooklyn Museum and DelMonico Books; The Sodomite Invasion: Experimentation, Politics and Sexuality in the work of Jimmy DeSana and Marlon T. Riggs, Griffin Art Projects, Vancouver, Canada, 2020; and Remainders, Pioneer Works, Brooklyn, NY, 2016. DeSana’s work can be found in numerous public collections including the Institute of Contemporary Art, Boston, MA; the Metropolitan Museum of Art, New York; the Museum of Contemporary Art, Chicago, IL; the Museum of Fine Arts, Houston, TX; the Museum of Modern Art, New York, NY; and the Whitney Museum of American Art, New York, NY. Ruin of Rooms, a major two-person exhibition of the work of Jimmy DeSana and Paul P., at KW Institute for Contemporary Art, Berlin was on view in 2024.
Jimmy DeSana
b. 1949, Detroit, MI
d. 1990, New York, NY
Education
1972 Georgia State University, Atlanta, GA
Select Solo Exhibitions
2024
Jimmy DeSana & Paul P., Ruins of Rooms, KW Institute for Contemporary Art, Berlin, Germany
2023
Jimmy DeSana, Meyer-Riegger, Berlin, Germany
Jimmy DeSana: Suburban, Document, Chicago, IL
The Dungeon Series, 1978-79, P·P·O·W, New York, NY
2022
Jimmy DeSana: Submission, Brooklyn Museum, Brooklyn, NY
2019
Jimmy DeSana and the Sex Appeal of the Inorganic, Amanda Wilkinson, London, United Kingdom
2017
Jimmy De Sana: Late Work, Steven Kasher Gallery, New York, NY
2016
xavierlaboulbenne, Berlin, DE
Still Lives: Jimmy DeSana and Hanna Liden, Salon 94, New York, NY
Jimmy DeSana, Wilkinson Gallery, London, United Kingdom
Jimmy DeSana: Remainders, Pioneer Works, Brooklyn, NY
2013
Party Picks, Salon 94 Bowery, New York, NY
2009
Wilkinson Gallery, London, United Kingdom
2008
101 Nudes, Wilkinson Gallery, London, United Kingdom
2007
101 Nudes, White Columns, New York, NY
1997
Selected Works 1979 – 1985, Pat Hearn Gallery, New York, NY
1995
A Selected Survey of Photographs, 1970 – 1990, Pat Hearn Gallery, New York, NY
1989
Galerie Jablonka, Cologne, Germany
1988
Pat Hearn Gallery, New York, NY
1987
Pat Hearn Gallery, New York, NY
1986
CCD, Düsseldorf, Denmark
1984
Oggi Domanii, New York, NY
Oae Gallery, Minneapolis, MN
1983
R. Appleton, Aspen, CO
1982
Stefanotti/Bonlow, New York, NY
1981
Galerie Jacques de Windt, Brussels, Belgium
Museum of the Twentieth Century, Vienna, Austria
CEPA Gallery, Buffalo, NY
1980
Galleria Trisorio, Naples, Italy
Stefanotti, New York, NY
1979
Stefanotti, New York, NY
Select Group Exhibitions
2024
Notes on Masculinity, Lyles & King, New York, NY
2023
Copy Machine Manifestos: Artists Who Make Zines, Brooklyn Museum, Brooklyn NY; Vancouver Art Gallery, Vancouver, CA
Jimmy DeSana, Ana Jotta, Artur Varela, Ampersand at SYSTEMA, Marseilles, France
Jean-Charles de Quillacq, Jimmy DeSana & Sofia Montanha, Ampersand, Lisbon, Portugal
Luxe, Calme, Volupté, Candice Madey, New York, NY
Taylor Davis Selects: Invisible Ground of Sympathy, ICA Boston, Boston, MA
In First Person Plural, Museum of Contemporary Art of Rome (MACRO), Rome, Italy
Faces II, Hal Bromm Gallery, New York, NY
Tender Loving Care, Museum of Fine Arts, Boston, MA
2022
Somewhere Downtown, UCCA, Beijing, China
Jimmy Desana and Laurie Simmons: Double Trouble, Amanda Wilkinson Gallery, London, United Kingdom
2021
Ray Johnson, David Zwirner, New York, NY
2020
Radical Passivity: Politics of the Flesh, neue Gesellschaft für bildende Kunst, Berlin, Germany
Duro Olowu: Seeing Chicago, MCA Chicago, IL
The Sodomite Invasion: Experimentation Politics and Sexuality in the work of Jimmy DeSana and Marlon T. Riggs, Griffin Art Projects, Vancouver, Canada
All of Them Witches, Jeffrey Deitch, Los Angeles, CA
2019
Maskulinitäten, Kölnischer Kunstverein, Cologne, Germany
Kiss My Genders, Hayward Gallery, London, United Kingdom
Art after Stonewall, 1969 – 1989, Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY
A Look Back: 50 Years After Stonewall, Fort Gansevoort, New York, NY
The Fabric of Felicity, Garage Museum of Contemporary Art, Moscow, Russia
Last Night I Wore A Costume, LX Arts, New York, NY
MOMA Reopening Exhibition, Museum of Modern Art, New York, NY
2018
DRAG: Self-portraits and Body Politics, HENI Project Space, London, United Kingdom
2016
Gesture Play, Simone Subal Gallery, New York, NY
Performing for the Camera, Tate Modern, London, United Kingdom
The 1970s: The Blossoming of a Queer Enlightenment, The Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY
2015
Greater New York, MoMA PS1, New York, NY
Walks and displacements, Andrew Kreps Gallery, New York, NY
The Downtown Decade: NYC 1975 – 1985, Glenn Horowitz Bookseller, New York, NY
Queer Fantasy, OHWOW Gallery, Los Angeles, CA
2014
VICE Photo Show: Trompe-L’Oeil, Pioneer Works, Brooklyn, NY
2013
DeSana Flavin, Home Alone 2 Gallery, New York, NY
Glam! The Performance of Style, Tate Liverpool, United Kingdom
2012
This Will Have Been: Art, Love, & Politics in the 1980’s, The Museum of Contemporary Art, Chicago, IL; The Walker Art Center, Minneapolis, MN; The Institute of Contemporary Art, Boston, MA
2010
Off the Wall: Part 1 – Thirty Performative Actions, Whitney Museum of American Art, New York, NY
2009
Looking at Music: Side 2, The Museum of Modern Art, New York, NY
2008
Eat the Document, curated by Dean Daderko, Larissa Goldston Gallery, New York, NY
2007
Blow Both of Us, curated by Shannon Ebner and Adam Putnam, Participant Inc, New York, NY
2004
East Village USA, organized by Dan Cameron, New Museum, New York, NY
2000
Nocturnal Dream Show, Pat Hearn Gallery, New York, NY
Selections of Artist Names Beginning with ‘D’, Sandra Gehring Gallery, curated by Bob Nickas, New York, NY
1997
Twenty Year Anniversary, Hal Bromm Gallery, New York, NY
1996
100 Photographs, American Fine Arts Co., New York, NY
The Cool & The Crazy, Earl McGrath Gallery, New York, NY
1992
Hollywood, Hollywood, Hollywood, Art Center College of Art & Design, Los Angeles, CA
The Sexual Self, Galerie Tanja Grunert, Cologne, Germany
1991
The Interrupted Life, The New Museum, New York, NY
Simon Watson Gallery, New York NY
1990
Photomodern: Issues in Photography, Atlanta, GA
Hollywoodland, fiction/non-fiction, New York, NY
Against Interpretation, CEPA Gallery, Buffalo, NY
1989
Galerie Schurr, Stuttgart, Germany
Abstraction in Contemporary Photography, Hamilton College, Emerson Gallery, Clinton, NY
Double Take, Contemporary Art Center, Cincinnati, OH
Erotophobia, Simon Watson Gallery, New York, NY
Assumed Identities, Zoe Gallery, Boston, MA
The Photography of Invention, American Pictures of the 1980s, National Museum of American Art, Smithsonian Institution, Washington D.C.
Marta Cevera Gallery, New York, NY
1988
Fred Dorfman Gallery, New York, NY
Fantasy or Reality, Salon des Artists, New York, NY
The Photo Ostensive, Jayne Baum Gallery, New York, NY
1987
Poetic Injury, Alternative Museum, New York, NY
1986
Staging the Self: Photography 1840 through 1985, National Portrait Gallery, London, United Kingdom
1985
American Academy in Rome, Rome, Italy
Blow Up, Feature Inc, New York, NY
Psycho Pueblo, Vijande, Madrid, Spain
1984
Bank of America Corporate Headquarters, San Francisco, CA
Georgia State University, Atlanta, GA
Galarie Stampa, Basel, Switzerland
Lower East Side, Santa Barbara, CA
Nature Morte, New York, NY
The New Portraits, P.S. 1 Museum of Art, Long Island City, NY
Lower East Side, Artist Space, New York, NY
1983
3-D, Castelli Graphics, New York, NY
Subculture, Group Material, New York, NY
Terminal Show, New York, NY
Franklin Furnace, New York, NY
State University of New York, Brockport, NY
1982
Santa Barbara Museum of Art, Santa Barbara, CA
Grand Rapids Museum of Art, Grand Rapids, MI
Madison Arts Center, Madison, WI
New Figuration in America, Milwaukee Art Museum, Milwaukee, WI
Commodities Corporation Collection, Museum of Art, Fort Lauderdale, FL
Image Scavenger, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
New York State Museum, Albany, NY
Ronald Feldman Gallery, New York, NY
General Mills Corporate Headquarters, Minneapolis, MN
1981
New York, New Wave, MOMA 1 Long Island City, NY
Kenneth Anger Retrospective, Whitney Museum of American Art, New York, NY
Eight Contemporary Photographers, University of South Florida, Tampa, FL
Couches, Diamonds, and Pie, P.S. 1 Museum of Art, Long Island City, NY
Out Art, C.A.G.E., Cincinnati, OH
Pictures and Promises, The Kitchen, New York, NY
Love Is Blind, Castelli Graphics, New York, NY
Auto Portraits, Museum of Modern Art, Paris, France
Rutgers University, Rutgers, NJ
1980
Movin’, Museum of Modern Art, New York, NY
Times Square Show, New York, NY
Dubbed in Glamour, The Kitchen, New York, NY
The Animal Show, Stefanotti, New York, NY
Collaborative Projects Benefit, Brooke Alexander Gallery, New York, NY
1979
Food and Pleasure, City Center, New York, NY
Floating Foundation of Photography Manifesto, New York, NY
Artist Postcard Show, Musee d’art Modern (Arc), Paris, France
Steffanotti, New York, NY
1978
File 13, New York, NY
Batman Show, New York, NY
Income and Wealth, New York, NY
Punk Art Exhibition, Washington Project for the Arts, Washington D.C.
1977
Image Bank Postcard Show, Vancouver, Canada
Select Bibliography
2023
Madey, Candice, et al. Luxe, Calme, Volupté. SJ Weiler Press; Candice Madey New York, 2023. Illus. pp 46, 49.
Donato, Claire. Kind Mirrors, Ugly Ghosts. Archway Editions, 2023 (cover image).
Dirks, Von Hilka. “Ikone der New Yorker Subkultur: Großer Auftritt für die Körperbilder von Jimmy DeSana in Berlin.” Tagesspiegel, December 11.
Handelman, Michelle, et al. “Lust, Kink, and the Emancipatory Potential of BDSM.” Texte Zur Kunst, no. 132, December 2023, illus. pp. 168.
Desire: When You Step Over the Line, the Line Becomes You. Notes on Oisín Byrne and Jimmy DeSana, Paris Internationale 2023. Brewer Street Press, 2023.
2022
Dorris, Jesse. “Jimmy DeSana’s Transgressive Vision of Life and Desire.” Aperture, December 14.
Aletti, Vince. “A Counterculture Chronicler Gets His Due.” The New Yorker, December 2022.
Lubow, Arthur. “Jimmy DeSana, Downtown Pioneer and Provocateur, Goes Mainstream, The New York Times, November 8.
Belknap, John. “Portfolio: Jimmy DeSana and Terrence Sellers.” Artforum, November 2022.
2021
Fusi, Lorenzo, et al. The Sodomite Invasion: Experimentation, Politics and Sexuality in the Work of Jimmy Desana and Marlon T. Riggs. Griffin Art Projects, 2021.
2019
Barcena, Bryan. “Suburban/Submission.” Foam Magazine, September 2019.
2017
Simmons, William J. “Surreal Sexuality.” Aperture, January 18
2016
Schwendener, Martha. “Jimmy DeSana and Hanna Liden. ‘Still Lives.’” New York Times, June 17.
Hudson, Mark. “Performing for the Camera, Tate Modern, review: ‘an intriguing snapshot of performance art’.” The Telegraph, February 16.
2015
Munro, Cait, Simmons, William J. “Jimmy DeSana.” Aperture, Spring 2015.
2013
Rutland, Beau. “Jimmy DeSana.” ARTFORUM, October.
McCormick, Carlo. “Jimmy DeSana: Party Picks: 1975-1987.” Photograph, September.
“Purple Visual Essay.” Purple Fashion, Fall/ Winter 2013.
Johnson, Ken. “Jimmy DeSana: Party Picks.” New York Times, August.
McCormick, Carlo. “Party Picks: Estate of Jimmy DeSana.” Photograph, July 26.
“Jimmy DeSana.” New Yorker, July.
“Critics Picks.” Time Out New York, June.
“My DeSana.” NY Arts Magazine, June.
Sherwin, Skye. “In Pictures | Jimmy De Sana: Suburban Color Sex Pictures.” AnOther Magazine, May 3.
Spencer, Corinna. “Jimmy De Sana: Suburban Color Sex Pictures.” Garageland Magazine, May 1.
Peer, Brendan. “Jimmy De Sana: Suburban Color Sex Pictures.” Used Magazine, May 11.
“Jimmy De Sana at Wilkinson Gallery, London.” Aesthetica, May.
Brown, Mark. “Glam! When piggy met Ziggy: Tate Liverpool traces art of the early 70s.” The Guardian, February.
“Jimmy De Sana: In Memoriam.” Le Journal de la Photographie, February.
Searle, Adrian. “Glam! at Tate Liverpool: through a mirrorball darkly.” The Guardian, February.
Fateman, Johanna. “Discipline- The Lost Collaboration of Terence Sellers and Jimmy De Sana.” Apology, Winter.
2010
Manfellotto, Michelle. “(SHE).” Nero Magazine, October.
2009
Sherwin, Skye. “Pick of the Week.” The Guardian Guide, December.
Simmons, Laurie. A Magazine, curated by Prenzlouer Shoer, June.
Giddins, Tom. “Jimmy De Sana.” Dazed and Confused, June.
2008
Williams, Gilda. “Jimmy De Sana.” Artforum, August.
Cotter, Holland. “Last Chance: Eat the Document.” The New York Times, February 22.
“Short List: Eat the Document.” The New Yorker, February 25.
2007
McClemont, Doug. “Blow Both of Us at Participant Inc.” Daily Magazine, January 26.
Cornell, Lauren, “Blow Both of Us.” Time Out New York, No. 591, January, pp 25-31.
2004
Smith, Roberta. “Looking Back at the Flurry on the Far Side.” The New York Times, December 10.
Deitcher, David. “Spiritual America: David Deitcher on pre- teenspirit (Popisms).” Artforum, October.
1995
Bourdon, David. “Jimmy de Sana at Pat Hearn - Review of Exhibitions.” Art in America, November.
Hainly, Bruce. Artforum, No. 3, Vol. XXXIV, November, pp 90-91.
Eckoff, Sally. “Jimmy De Sana: A Selected Survey at Pat Hearn Gallery.” Time Out, October, pp 18-25.
Hagen, Charles. “The Provocative Work of an Abbreviated Life.” The New York Times, September 29.
Morin, France. The Interrupted Life. New York, The New Museum of Contemporary Art. Exhibition catalogue.
1991
Adams, Brooks. “Grotesque Photography.” The Print Collector’s Newsletter, Vol. 6, January/February.
Grundberg, Andy. “Critic”s Choice.” The New York Times, January 4.
1990
“Artistic Voices are Many.” The Atlanta Journal, September 15.
Simmons, Laurie, Journal of Contemporary Art, Spring/Summer.
1989
G.Roger Denson, Arts, ‘The Mirroring Enigmas’, May.
1988
Smith, P.C. Art in America, November.
Smith, Roberta. The New York Times, January 29.
Lathem, Alexis. 108 Review, January.
1986
Cortez, Diego. Wolkenkratzer, September.
1985
Pincus-Witten, R. Psycho Pueblo, November.
1983
Cohen, Ronnie. Print Collector’s Newsletter, May.
Wanning, Virginia. Omni, March.
Moufarrege, Nick. Flash Art, January.
Cohen, Ronnie. Art News, January.
1982
Lawson, Thomas. Artforum, December.
Ricard, Rene. Artforum, December.
Smith, Roberta.Village Voice, October.
Tatransky, Valentine. Arts, March.
1981
Cohen, Ronnie. Artforum.
Bannon, Victor. Buffalo News, December.
Flood Richard. Artforum, Summer.
Tatransky, Valentine. Cover, Summer.
Tatransky, Valentine. Arts, June.
Grundberg, Andy. The New York Times, May.
Lifson, Ben. The Village Voice, May.
Rose, Frank. Esquire, April.
O’Brien, Glenn. Interview, April.
Smith, Roberta. Art in America, January.
1980
Pincus-Witten, R. Arts, September.
Tatransky, Valentine. Art, February.
Tatransky, Valentine. Flash Art, February.
1979
Robinson, Walter. Adix, October.
Public Collections
Art Institute of Chicago, Chicago, IL
Allen Memorial Art Museum, Oberlin, OH
Brooklyn Museum, Brooklyn, NY
Carnegie Museum of Art, Pittsburgh, PA
Institute of Contemporary Art, Boston, MA
Leslie-Lohman Museum of Art, New York, NY
Metropolitan Museum of Art, New York, NY
Museum of Contemporary Art, Chicago, IL
Museum of Fine Arts, Houston, TX
Museum of Modern Art, New York, NY
New Orleans Museum of Art, New Orleans, LA
Spencer Museum of Art, University of Kansas, Lawrence, KS
Whitney Museum of American Art, New York, NY