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Penny Pilkington, 2025. Photo by Curtis Wallen

Penny Pilkington, 2025. Photo by Curtis Wallen

"For my Five Favorites, I chose to highlight works by some of P·P·O·W’s longstanding artists in conversation with pieces by more recent additions to the gallery’s program. Before founding P·P·O·W with Wendy Olsoff in 1983, I grew up immersed in the art world through my parents’ gallery in London, Piccadilly Gallery, which focused on late 19th- and early 20th-century artists. When we opened our gallery in the East Village, our goal was to present art that was completely different from the European Modernism and Abstract Expressionism that was popular in uptown galleries of the time. The work we were showing was not only socially and politically driven – it sparked conversations and actively challenged the status quo.

David Wojnarowicz was one of the early voices who helped define the gallery’s ethos, creating innovative work that forced people to take a closer look at the rapidly changing landscape of New York amidst the AIDS crisis and accelerating pace of gentrification. Joe Houston and Karen Arm have also embodied this spirit of engagement since the gallery’s early years, producing pieces that emit a sense of tranquility at the surface while confronting the precariousness of our social and ecological realities. Alongside the artists whose relationships to the gallery have spanned decades, we’ve also remained committed to uplifting new voices that reflect the ways in which our worldview has expanded. Artists like Ishi Glinsky and Erin M. Riley, who both began showing with us in more recent years, further cultivate P·P·O·W's legacy by creating technically demanding work that speaks to themes aligned with the gallery’s mission, but through new lenses."

Joe Houston
Home, 2025
oil on sized linen laid over wood
18 x 18 ins.
45.7 x 45.7 cm
(HOUSTON-190)
$15,000

Joe Houston
Home, 2025
oil on sized linen laid over wood
18 x 18 ins.
45.7 x 45.7 cm
(HOUSTON-190)
$15,000

Inquire
Joe Houston
Home, 2025
oil on sized linen laid over wood
18 x 18 ins.
45.7 x 45.7 cm
(HOUSTON-190)
$15,000

Joe Houston
Home, 2025
oil on sized linen laid over wood
18 x 18 ins.
45.7 x 45.7 cm
(HOUSTON-190)
$15,000

Inquire
Joe Houston
Home, 2025
oil on sized linen laid over wood
18 x 18 ins.
45.7 x 45.7 cm
(HOUSTON-190)
$15,000

Joe Houston
Home, 2025
oil on sized linen laid over wood
18 x 18 ins.
45.7 x 45.7 cm
(HOUSTON-190)
$15,000

Inquire

Ishi Glinsky
Me RN, 2025
resin, pigment, aluminum, wood, adhesive, foam
32 x 15 1/2 x 2 ins.
81.3 x 39.4 x 5.1 cm
(GLINSKY-036)
$18,000

Ishi Glinsky
Me RN, 2025
resin, pigment, aluminum, wood, adhesive, foam
32 x 15 1/2 x 2 ins.
81.3 x 39.4 x 5.1 cm
(GLINSKY-036)
$18,000

Inquire
Ishi Glinsky
Me RN, 2025
resin, pigment, aluminum, wood, adhesive, foam
32 x 15 1/2 x 2 ins.
81.3 x 39.4 x 5.1 cm
(GLINSKY-036)
$18,000

Ishi Glinsky
Me RN, 2025
resin, pigment, aluminum, wood, adhesive, foam
32 x 15 1/2 x 2 ins.
81.3 x 39.4 x 5.1 cm
(GLINSKY-036)
$18,000

Inquire

David Wojnarowicz
Arthur Rimbaud in New York (smoking), 1978-79/2004
silver print
11 x 14 ins.
27.9 x 35.6 cm
Edition of 6
(WOJ-E169)
SOLD

 

David Wojnarowicz
Arthur Rimbaud in New York (smoking), 1978-79/2004
silver print
11 x 14 ins.
27.9 x 35.6 cm
Edition of 6
(WOJ-E169)
SOLD

 

Inquire

Erin M. Riley
Daisy, 2024
wool, cotton
62 x 48 ins.
157.5 x 121.9 cm
(RILEY-313)
$20,000

Erin M. Riley
Daisy, 2024
wool, cotton
62 x 48 ins.
157.5 x 121.9 cm
(RILEY-313)
$20,000

Inquire
Erin M. Riley
Daisy, 2024
wool, cotton
62 x 48 ins.
157.5 x 121.9 cm
(RILEY-313)
$20,000

Erin M. Riley
Daisy, 2024
wool, cotton
62 x 48 ins.
157.5 x 121.9 cm
(RILEY-313)
$20,000

Inquire
Erin M. Riley
Daisy, 2024
wool, cotton
62 x 48 ins.
157.5 x 121.9 cm
(RILEY-313)
$20,000

Erin M. Riley
Daisy, 2024
wool, cotton
62 x 48 ins.
157.5 x 121.9 cm
(RILEY-313)
$20,000

Inquire
Erin M. Riley
Daisy, 2024
wool, cotton
62 x 48 ins.
157.5 x 121.9 cm
(RILEY-313)
$20,000

Erin M. Riley
Daisy, 2024
wool, cotton
62 x 48 ins.
157.5 x 121.9 cm
(RILEY-313)
$20,000

Inquire

Karen Arm
Untitled (Night Birds), 2025
acrylic on canvas
27 x 23 ins.
68.6 x 58.4 cm
(ARM-305)
$15,000

Karen Arm
Untitled (Night Birds), 2025
acrylic on canvas
27 x 23 ins.
68.6 x 58.4 cm
(ARM-305)
$15,000

Inquire

Raised in West London, Penny Pilkington was surrounded by an eclectic mix of artists, gallerists and collectors from a young age. In 1953, Pilkington’s parents founded the Piccadilly Gallery on Cork Street in central London which they successfully ran together for more than 50 years. After graduating from the University of Bristol, UK, Pilkington moved to New York in 1981 and met Wendy Olsoff on her first day of work at Theo Waddington Gallery. In 1983, Pilkington co-founded P·P·O·W with Olsoff in the first wave of East Village galleries. Since its inception, the gallery has remained true to its early vision, exhibiting politically and socially conscious contemporary work in all media. In 2012, Pilkington and Olsoff received the Visual AIDS Vanguard Award for the gallery's dedication and support of artists in the LGBTQ community and their ongoing leadership in the fight against censorship. She is a member of ArtTable, the foremost professional organization dedicated to advancing the leadership of women in the visual arts, and previously served on the board of Art in General.