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My Name is Wormy and I Love Goddess Rebecca so much she is so pretty, kind and nice to me and she is all that I think of. I cannot wait to be a worm wriggling in the dirt and mud in her garden.
Reba Maybury, “The Goddess and the Worm”

Martine Gutierrez
Girl Friends (Rosella & Palma), 2014
archival inkjet print mounted on Sintra
9 1/2 x 14 1/8 ins.

Martine Gutierrez
Girl Friends (Rosella & Palma), 2014
archival inkjet print mounted on Sintra
9 1/2 x 14 1/8 ins.

P·P·O·W is pleased to present Do You Love Me?, a group exhibition featuring work by Elliott Jerome Brown Jr., Martine Gutierrez, Gerald Lovell, Reba Maybury, Sophia Narrett, and Kyle Dunn.

Bringing together a diverse group of emerging artists working in various media, Do You Love Me? explores contemporary desire by displaying artworks that double as entreaties for connection, intimacy, and external validation within the context of broader societal power structures. Exhibiting artists examine the inherently unbalanced power dynamics between those that ask to be loved and those that have the power to give it.

Do You Love Me? acknowledges a contemporary climate in which interior lives become public, pushing artists to grapple with the fine line between being seen and being exploited; between presenting themselves and giving themselves away.

Elliott Jerome Brown Jr.
She threatened most people off the dance floor. Fingers now laced quietly along the red countertop., 2018
inkjet print
42 x 28 ins.
106.7 x 71.1 cm

Elliott Jerome Brown Jr.
She threatened most people off the dance floor. Fingers now laced quietly along the red countertop., 2018
inkjet print
42 x 28 ins.
106.7 x 71.1 cm

Elliott Jerome Brown Jr. (b. 1993) is a conceptual photographer whose work explores the theoretical implications of power and access. Constructed as recontextualized moments in ongoing narratives, his documented abstractions of daily life examine the tension between the public and private self. Brown’s work has been featured in exhibitions at the Studio Museum in Harlem, New York; Leslie-Lohman Museum, New York; Platform Gallery, Baltimore, MD; Galerie AMU, Prague; Forum Art Space, Purchase, NY; Philadelphia Photo Arts Center, Philadelphia, PA; and Polifórum Digital Morelia, Michoacan, Mexico. Brown was a participant in the New York Times Portfolio Review (2016) and the Skowhegan School of Painting and Sculpture (2017). He received his BFA in Photography from the Tisch School of the Arts, New York University. He lives and works in Brooklyn, New York.

Martine Gutierrez
Girl Friends (Rosella & Palma), 2014
archival inkjet print mounted on Sintra
each: 9 1/2 x 14 1/8 ins.
24.1 x 35.9 cm

Martine Gutierrez
Girl Friends (Rosella & Palma), 2014
archival inkjet print mounted on Sintra
each: 9 1/2 x 14 1/8 ins.
24.1 x 35.9 cm

Martine Gutierrez (b. 1989) received her BFA from the Rhode Island School of Design in 2012. She draws from eclectic media, acting as subject, artist and muse. Through performance, photography and film, Gutierrez documents her personal transformations by embodying various imagined personas. Recent solo exhibitions include Martine Gutierrez: True Story at Boston University Art Gallery and WE & THEM & ME at Contemporary Art Museum Raleigh in North Carolina. Gutierrez’s work has also been featured in numerous group exhibitions including the 58th International Art Exhibition, La Biennale di Venezia, Venice, Italy; MOTHA and Chris E. Vargas: Consciousness Razing, New Museum, New York, NY; 23 Pairs: Considering Compare and Contrast, Arnot Art Museum, Elmira, NY; and Fast Forward//Rewind, MOCA GA, Atlanta, GA.

Gerald Lovell
Kiante and Charletta, 2019
oil on wood
48 x 48 ins.
121.9 x 121.9 cm

Gerald Lovell
Kiante and Charletta, 2019
oil on wood
48 x 48 ins.
121.9 x 121.9 cm

Gerald Lovell (b. 1992) is a self-taught painter based in Atlanta, GA. Born in 1992 in Chicago, IL, to Puerto Rican, and African American parents, Lovell began his career as an artist after dropping out of the graphic design program at the University of West Georgia, realizing his need to embrace a new creative path. Attuned to the inherent struggles of his chosen medium, Lovell uses his artistic practice as a means to self-discovery and self-articulation while careful not to subject his subjects to fictitious narratives. His work has been featured in exhibitions at The Gallery | Wish, Atlanta, GA; the Hammonds House Museum, Atlanta, GA; Mason Fine Art, Atlanta, GA; and Swim Gallery, Los Angeles, CA.

Reba Maybury
WHAT’S UNDER Ma’am’s FEET? - 2019, 2019
Head and legs by Superman, acrylic paint and acrylic pen on canvas, his apartment in Islington, 19.34pm, 17.02.19
Body by Horsey, acrylic paint on canvas, house in Hackney, 15.15pm, 2.3.2019
75 1/2 x 39 1/4 ins.
191.8 x 99.7 cm

Reba Maybury
WHAT’S UNDER Ma’am’s FEET? - 2019, 2019
Head and legs by Superman, acrylic paint and acrylic pen on canvas, his apartment in Islington, 19.34pm, 17.02.19
Body by Horsey, acrylic paint on canvas, house in Hackney, 15.15pm, 2.3.2019
75 1/2 x 39 1/4 ins.
191.8 x 99.7 cm

Reba Maybury (b. 1990) is an artist, writer, lecturer and political dominatrix. She is the founder of Wet Satin Press and, in 2017, she published her first novella ‘Dining with Humpty Dumpty’. She teaches a program in subversive thinking at Central Saint Martins. Her work has recently been exhibited at Paramount Ranch with Shoot the Lobster (2016); Karma International, Los Angeles (2017) and Gavin Brown’s enterprise, New York (2018) as a part of ‘Putting Out’ which Maybury curated with Taylor Trabulus, Arcadia Missa, London (2018), NADA Miami with Arcadia Missa (2018), Institute of Contemporary Arts, London (2019) and Museum of Modern Art, Warsaw (2019). She has performed readings at Cleopatra’s, New York; Bridget Donahue, New York; Donna Huanca’s Studio, Berlin; The Community, Paris; Schloss, Oslo; Royal College of Art, London, White Columns, New York. She is represented by Arcadia Missa and lives and works in London.

Sophia Narrett
Bow, 2019
embroidery thread and fabric
5 3/4 x 4 1/4 ins.
14.6 x 10.8 cm

Sophia Narrett
Bow, 2019
embroidery thread and fabric
5 3/4 x 4 1/4 ins.
14.6 x 10.8 cm

Sophia Narrett (b. 1987) received her BA in Visual Arts from Brown University and a MFA in Painting from the Rhode Island School of Design. Her fantastical embroideries explore role-play, the emotional results of escapism, and the evolving nature of identity. With a mixture of vulnerability and satire, Narrett collages images gleaned from the Internet into new narratives, describing her own feelings while building a larger commentary on gender, the social implications of images, and our collective unconscious. Her work has been shown at the Museum of Arts and Design, Paul Kasmin Gallery, the Museum of Sex, Jack Barrett Gallery, BRIC Arts | Media House, Freight + Volume in New York, NY, and at the Hunterdon Art Museum, Clinton, NJ; Lux Art Institute, Encinitas, CA; Museum Rijswijk, Holland; and Kunstforeningen GL STRAND, Copenhagen, Denmark. Her work is included in the collection of the Museum of Arts and Design in New York, the Rhode Island School of Design Museum, and the CAPP Collection of Contemporary Art at the University of Maryland.

Kyle Dunn
Lover's Leap, 2019
acrylic on epoxy resin and foam panel
48 x 66 x 2 ins.
121.9 x 167.6 x 5.1 cm

Kyle Dunn
Lover's Leap, 2019
acrylic on epoxy resin and foam panel
48 x 66 x 2 ins.
121.9 x 167.6 x 5.1 cm

Kyle Dunn (b. 1990) defies categorical restraint, disregarding any sole representational technique in favor of his own unique approach. Blurring the lines between sculpture and painting, Dunn’s reliefs drip with a liquid eroticism that celebrates an often-repressed male sensuality and softness. In his Artforum review of Dunn’s recent solo show, Always, at Thierry Goldberg, Alex Jovanovich wrote “Vu-Dunn’s unequivocally queer work is slyly revolutionary—a raised fist that doesn’t shy away from the power of a gentle caress.” His work has been included in exhibitions at Little Berlin, Philadelphia, PA; Nationale, Portland, OR; Part 2 Gallery; Oakland, CA; and Ground Floor Gallery, Brooklyn, NY, among others. He received a BFA in Interdisciplinary Sculpture at Maryland Institute College of Art (MICA). He lives and works in Queens, NY.

Exhibited Works

Exhibited Works Thumbnails
Elliott Jerome Brown Jr., Is it that I desire to see Jesus bend, to witness them at odds or in question? Jesus loves me, but I believe that Jesus is in process too.

Elliott Jerome Brown Jr.
Is it that I desire to see Jesus bend, to witness them at odds or in question? Jesus loves me, but I believe that Jesus is in process too., 2018
inkjet print
32 x 23 ins.
81.3 x 58.4 cm

Elliott Jerome Brown Jr., I know how to be brought low, and I know how to abound (Six Stations)

Elliott Jerome Brown Jr.
I know how to be brought low, and I know how to abound (Six Stations), 2019
Cyanotyped fabric, nylon drawstring bag, wooden letter blocks, wooden truck, wooden jewelry case, ceramic hands, gold pens, wooden bed post, glass placard, inkjet prints, iron fireplace tools and toolset armature, ceramic elephant, glass cube
77 1/2 x 32 x 48 1/2 ins.
196.8 x 81.3 x 123.2 cm

Sophia Narrett, Wishes

Sophia Narrett
Wishes, 2019
embroidery thread and fabric
73 x 39 ins.
185.4 x 99.1 cm

Reba Maybury, TOOL SUB oink oink

Reba Maybury
TOOL SUB oink oink, 2019
Head by Superman, acrylic paint on canvas, apartment in Islington,
18.19pm, 27.01.19
Body by the Indie Music Manager, acrylic pen on canvas, hotel room in Barbican, 16.47pm, 11.02.19
Traced feet of the Dutch Wetter, acrylic pen on canvas, his
apartment in London Fields 16.13pm, 26.01.19
67 x 39 ins.
170.2 x 99.1 cm

Reba Maybury, MR. YVES KLEIN - boy in blue

Reba Maybury
MR. YVES KLEIN - boy in blue, 2019
Head by Mr. Nostalgia, acrylic paint on canvas, house in Hackney, 21.03pm, 27.03.19
Body by the Stressed Greek, acrylic pen and acrylic paint on canvas, my apartment on Rendlesham Road, London.
11.32am, 11.05.19
Bottom by Baby Rock Star in acrylic pen on canvas, house in Hackney, 21.32pm, 27.03.19
64 3/4 x 36 1/2 ins.
164.5 x 92.7 cm

Reba Maybury, PRESENT GODS/ ROLLING STONES SUB,

Reba Maybury
PRESENT GODS/ ROLLING STONES SUB, 2018
Head by the Cat Banker, acrylic paint on canvas, 14.53pm, 25.11.18
Upper body by Macbeth, acrylic paint on canvas, 21.56pm, 25.11.18
Lower body by the Cat Banker, acrylic paint on canvas, 12.46pm,
25.11.18
Feet by Macbeth, acrylic paint on canvas, 20.30pm, 24.11.18
(all made in Airbnb in Soho)
73 x 39 ins.
185.4 x 99.1 cm

Martine Gutierrez, Girl Friends (Anita & Marie)

Martine Gutierrez
Girl Friends (Anita & Marie), 2014
archival inkjet print mounted on Sintra
each: 9 1/2 x 14 1/8 ins.
24.1 x 35.9 cm

Gerald Lovell, Tia Swint

Gerald Lovell
Tia Swint, 2019
oil on wood
40 x 30 ins.
101.6 x 76.2 cm

Kyle Vu-Dunn, Lover's Leap

Kyle Dunn
Lover's Leap, 2019
acrylic on epoxy resin and foam panel
48 x 66 x 2 ins.
121.9 x 167.6 x 5.1 cm

Elliott Jerome Brown Jr., Is it that I desire to see Jesus bend, to witness them at odds or in question? Jesus loves me, but I believe that Jesus is in process too.

Elliott Jerome Brown Jr.
Is it that I desire to see Jesus bend, to witness them at odds or in question? Jesus loves me, but I believe that Jesus is in process too., 2018
inkjet print
32 x 23 ins.
81.3 x 58.4 cm

Elliott Jerome Brown Jr., I know how to be brought low, and I know how to abound (Six Stations)

Elliott Jerome Brown Jr.
I know how to be brought low, and I know how to abound (Six Stations), 2019
Cyanotyped fabric, nylon drawstring bag, wooden letter blocks, wooden truck, wooden jewelry case, ceramic hands, gold pens, wooden bed post, glass placard, inkjet prints, iron fireplace tools and toolset armature, ceramic elephant, glass cube
77 1/2 x 32 x 48 1/2 ins.
196.8 x 81.3 x 123.2 cm

Sophia Narrett, Wishes

Sophia Narrett
Wishes, 2019
embroidery thread and fabric
73 x 39 ins.
185.4 x 99.1 cm

Reba Maybury, TOOL SUB oink oink

Reba Maybury
TOOL SUB oink oink, 2019
Head by Superman, acrylic paint on canvas, apartment in Islington,
18.19pm, 27.01.19
Body by the Indie Music Manager, acrylic pen on canvas, hotel room in Barbican, 16.47pm, 11.02.19
Traced feet of the Dutch Wetter, acrylic pen on canvas, his
apartment in London Fields 16.13pm, 26.01.19
67 x 39 ins.
170.2 x 99.1 cm

Reba Maybury, MR. YVES KLEIN - boy in blue

Reba Maybury
MR. YVES KLEIN - boy in blue, 2019
Head by Mr. Nostalgia, acrylic paint on canvas, house in Hackney, 21.03pm, 27.03.19
Body by the Stressed Greek, acrylic pen and acrylic paint on canvas, my apartment on Rendlesham Road, London.
11.32am, 11.05.19
Bottom by Baby Rock Star in acrylic pen on canvas, house in Hackney, 21.32pm, 27.03.19
64 3/4 x 36 1/2 ins.
164.5 x 92.7 cm

Reba Maybury, PRESENT GODS/ ROLLING STONES SUB,

Reba Maybury
PRESENT GODS/ ROLLING STONES SUB, 2018
Head by the Cat Banker, acrylic paint on canvas, 14.53pm, 25.11.18
Upper body by Macbeth, acrylic paint on canvas, 21.56pm, 25.11.18
Lower body by the Cat Banker, acrylic paint on canvas, 12.46pm,
25.11.18
Feet by Macbeth, acrylic paint on canvas, 20.30pm, 24.11.18
(all made in Airbnb in Soho)
73 x 39 ins.
185.4 x 99.1 cm

Martine Gutierrez, Girl Friends (Anita & Marie)

Martine Gutierrez
Girl Friends (Anita & Marie), 2014
archival inkjet print mounted on Sintra
each: 9 1/2 x 14 1/8 ins.
24.1 x 35.9 cm

Gerald Lovell, Tia Swint

Gerald Lovell
Tia Swint, 2019
oil on wood
40 x 30 ins.
101.6 x 76.2 cm

Kyle Vu-Dunn, Lover's Leap

Kyle Dunn
Lover's Leap, 2019
acrylic on epoxy resin and foam panel
48 x 66 x 2 ins.
121.9 x 167.6 x 5.1 cm

Installation Views

Installation Views Thumbnails
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?
Do You Love Me?