On September 13, Particolare’s 2025 edition, Time and Again, takes place at Vienna’s Kunsthistorisches Museum. For one evening, the Kunsthistorisches opens its Picture Galleries after hours to present an avant-garde concert promenade through a group show featuring six contemporary sculptors in conversations with the Kunsthistorisches Museum’s collection of Northern Renaissance. Each artist inhabits one Picture Gallery, with artworks selected or created specifically in response to the themes explored in the room’s permanent installation. 

Time, whether perceived collectively through culture or lived personally, unfolds non-linearly. Ambiguous recollections deepen their roots though endless retellings, and outlines of stories are blurred by reinterpretation. Artistic heritage bends and folds into itself, a line of descent tied together to reveal undying aspirations, fears, and desires from previously distant ends. The fickle nature of experience allows for inconsistencies or clumps in the knot—places to brush up against the past and explore new perspectives.

Harry Gould Harvey IV (b. 1991) draws inspiration from the ecological fabric of his native South Coast Region, deconstructing the building blocks of empire and illuminating the weight of anonymous labor. Foraging materials from downed trees, destroyed Gilded Age mansions, dilapidated factories, and gutted Gothic churches, Harvey creates mystical and diagrammatic drawings housed inside hand-built wood frames akin to reliquaries and large-scale sculptural installations that evoke lost histories of marginalized artisanship and backbreaking toil in the name of American industry and luxury. Harvey lives and works in Fall River, MA. His recent solo and two-person exhibitions include Sick Metal, P·P·O·W, New York, NY; LEVEL LEVEL, Cordova, Barcelona, Spain; List Projects 29: Brittni Ann Harvey and Harry Gould Harvey IV, MIT List Visual Arts Center, Cambridge, MA; An Anathema Strikes the Flesh of the Laboror, Hessel Museum of Art, Bard College, Annandale on the Hudson, NY; and Arrows of Desire, with Faith Wilding, David Winton Bell Gallery, Brown University, Providence, RI; among others. He participated in the 2021 New Museum Triennial, Soft Water Hard Stone. Harvey’s work was featured in the 2022 group exhibition Door to the Atmosphere at the Frye Art Museum, Seattle, WA, from which a work was acquired for the museum’s permanent collection. Additionally, his work belongs to the collections of KADIST, San Francisco, CA and Paris, France; RISD Museum, Providence, RI; and Morgan Library & Museum, New York, NY. Harvey is co-founder of the Fall River Museum of Contemporary Art, Fall River, MA. His work will be on view in the group exhibition Tarot!: Renaissance Symbols, Modern Visions at the Morgan Library & Museum, New York, NY in Summer 2026.