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Carolee Schneemann: Body Politics - Barbican Centre - Exhibitions - PPOW

Carolee Schneemann
Personae: JT and Three Kitch's, 1957
signed lower right
oil on canvas
31 x 48 ins.
78.7 x 121.9 cm

The first major survey of Carolee Schneemann’s work in the UK, tracing her diverse, transgressive and interdisciplinary expression over six decades.

Carolee Schneemann: Body Politics - Barbican Centre - Exhibitions - PPOW

Installation view, Carolee Schneemann: Body Politics at the Barbican Art Gallery, UK. Photo by Marcus J. Leith.

Schneemann was a radical artist who remains a feminist icon and point of reference for numerous contemporary artists to this day. Addressing urgent topics from sexual expression and the objectification of women to human suffering and the violence of war, her work is concerned with the precarious lived experience of humans and animals.

Carolee Schneemann: Body Politics - Barbican Centre - Exhibitions - PPOW

Carolee Schneemann
Aggression For Couples, 1972
8 hand colored gelatin silver prints with collage mounted on paper
overall: 17 1/4 x 44 3/4 in. (43.82 x 113.67 cm)
each photograph: 6 ¾ x 10 inches (15.2 x 25.4 cm)

The exhibition will feature the artist’s early paintings; her experimental sculptural assemblages and kinetic works; her pioneering performance work in which she used her own body as a medium; her ground-breaking group performances; as well as her lyrical films and immersive multi-media installations. With over 200 objects and rarely seen archival material, this exhibition positions Schneemann as one of the most relevant, provocative and inspiring artists of the twentieth and early twenty-first centuries. 

Exhibited Works

Exhibited Works Thumbnails
Carolee Schneemann, Winter, 1959

Carolee Schneemann
Winter, 1959
oil on canvas
Framed:
31 x 42 3/8 x 1 1/2 ins.
78.7 x 107.6 x 3.8 cm

Carolee Schneemann, Vulva's Morphia, 1995

Carolee Schneemann
Vulva's Morphia, 1995
signed and dated on front
mounted 36 panel photo grid with hand painting, text inserts on wood, and fans
36 panels: overall: 114 x 60 x 4 ins.
289.6 x 152.4 cm

Edition of 2

Carolee Schneemann, One Window Is Clear - Notes to Lou Andreas Salome, 1969

Carolee Schneemann
One Window Is Clear - Notes to Lou Andreas Salome, 1969
signed and dated on front
oil paint, cloth, recording tape, paper, gloves, canvas and photographs of Salome, Rilke, and Nietzsche on masonite panels
77 1/2 x 48 x 3 1/2 in.
196.85 x 121.92 x 8.89 cm

Carolee Schneemann, Maximus at Gloucester, 1963

Carolee Schneemann
Maximus at Gloucester, 1963
construction on board: paint, photographs, fabric, lobster trap, nets, glass
77 x 49 x 19 ins.
195.6 x 124.5 x 48.3 cm

Carolee Schneemann, Aria Duetto (Cantata No. 78): Pin wheel, 1957

Carolee Schneemann
Aria Duetto (Cantata No. 78): Pin wheel, 1957
oil on canvas mounted on pin wheel
30 3/4 x 36 x 1 3/4 ins.
78.1 x 91.4 x 4.4 cm

Carolee Schneemann
Firelights, 1960
collage
17 x 23 in.
43.18 x 58.42 cm

Carolee Schneemann
Firelights, 1960
collage
17 x 23 in.
43.18 x 58.42 cm

Carolee Schneemann, Winter, 1959

Carolee Schneemann
Winter, 1959
oil on canvas
Framed:
31 x 42 3/8 x 1 1/2 ins.
78.7 x 107.6 x 3.8 cm

Carolee Schneemann, Vulva's Morphia, 1995

Carolee Schneemann
Vulva's Morphia, 1995
signed and dated on front
mounted 36 panel photo grid with hand painting, text inserts on wood, and fans
36 panels: overall: 114 x 60 x 4 ins.
289.6 x 152.4 cm

Edition of 2

Carolee Schneemann, One Window Is Clear - Notes to Lou Andreas Salome, 1969

Carolee Schneemann
One Window Is Clear - Notes to Lou Andreas Salome, 1969
signed and dated on front
oil paint, cloth, recording tape, paper, gloves, canvas and photographs of Salome, Rilke, and Nietzsche on masonite panels
77 1/2 x 48 x 3 1/2 in.
196.85 x 121.92 x 8.89 cm

Carolee Schneemann, Maximus at Gloucester, 1963

Carolee Schneemann
Maximus at Gloucester, 1963
construction on board: paint, photographs, fabric, lobster trap, nets, glass
77 x 49 x 19 ins.
195.6 x 124.5 x 48.3 cm

Carolee Schneemann, Aria Duetto (Cantata No. 78): Pin wheel, 1957

Carolee Schneemann
Aria Duetto (Cantata No. 78): Pin wheel, 1957
oil on canvas mounted on pin wheel
30 3/4 x 36 x 1 3/4 ins.
78.1 x 91.4 x 4.4 cm

Carolee Schneemann
Firelights, 1960
collage
17 x 23 in.
43.18 x 58.42 cm

Carolee Schneemann
Firelights, 1960
collage
17 x 23 in.
43.18 x 58.42 cm

Installation Views

Installation Views Thumbnails
Carolee Schneemann: Body Politics, installation view 1

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 2

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 3

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 4

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 5

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 6

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 7

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 8

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 9

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 10

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 11

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 12

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 1

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 2

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 3

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 4

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 5

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 6

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 7

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 8

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 9

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 10

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 11

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.

Carolee Schneemann: Body Politics, installation view 12

Carolee Schneemann: Body Politics, installation view. Photo by Marcus J. Leith.